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5.4/10
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Alex, a burned out LA cyborg cop, is forced by commissioner Farnsworth to find his former cyborg partner and lover Jared who's about to deliver sensitive data to cyborg terrorists who wish t... Read allAlex, a burned out LA cyborg cop, is forced by commissioner Farnsworth to find his former cyborg partner and lover Jared who's about to deliver sensitive data to cyborg terrorists who wish to wage war against humans. Is he being played?Alex, a burned out LA cyborg cop, is forced by commissioner Farnsworth to find his former cyborg partner and lover Jared who's about to deliver sensitive data to cyborg terrorists who wish to wage war against humans. Is he being played?
Blair Valk
- Morico
- (as Borovnisa Blervaque)
Thomas Jane
- Billy Moon
- (as Tom Janes)
Adriana Stastny
- German National
- (as Adrianna Miles)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn the original script Alex Rain was a 13 year old girl working undercover for the LAPD. Megan Ward, who had just worked with Albert Pyun on Arcade (1993), was considered and expressed interest, despite reservations over the high level of violence and a scene in which her character was fully nude (Ward was, obviously, a legal adult at the time). A few test scenes were shot before searching for financiers, which led Pyun to the Shah brothers at Imperial Entertainment. They agreed to bankroll the film on one condition: Alex had to be changed into an adult male and Olivier Gruner, their recent discovery, had to play him. Pyun agreed when the Shahs promised not to influence production in any other way. The concept of Alex being a woman was eventually used in the sequels, played by bodybuilder Sue Price.
- GoofsWhen Alex steps out of the shower, we first see his butt, but in a later shot, he is suddenly wearing briefs.
- Quotes
Farnsworth: Da fucking humans!
- Alternate versionsThe Japanese VHS features an alternate ending, containing an extended scene with Germaine, and a surprise appearance by Farnsworth at the very end, but also misses the entire stop-motion fight sequence on the plane, even though the sequence with an (inexplicably) badly injured Alex in Einstein's lab is intact.
- ConnectionsEdited into Nemesis 2: Nebula (1995)
Featured review
Celebrate Oliver Gruner's heyday by watching the B-movie masterpiece "Nemesis". It's really pretty good. Gruner may be the poor man's Peter Weller, but he plays his 85% android character with an effective stone face and only shreds of humanity. Tight direction and good special effects also keep it fast moving and fun.
Gruner plays Alex, an undercover cop/cyborg hunter. He becomes involved in a dangerous (and at times confusing) plot that sends him fleeing through an industrial wasteland in search for answers. I was tickled pink by a story that doesn't count on cheesy, cop-out twists to maintain its excitement, but simultaneously delivers the goods of a sci-fi and action movie. It lovingly references the movies it takes from, also- which include "Terminator", "Robocop", and "Blade Runner" which keep it on the respectable side of generic. Director Albert Pyun creates a slick neo-noir atmosphere which extenuates the story.
And the action scenes. Oh, the action scenes. Hit and miss Pyun is in top form- using high-tech, but refreshingly not over the top, weaponry and beautiful urban sets. The shoot-outs are imaginative and never redundant or trite. Don't miss the apartment shoot-'em-up where Gruner shoots at the floor spiraling as to create a hole for him to drop down, which he continues to do for two more floors. As if this wasn't cool enough, Pyun uses a Raimi-esquire shot that stays on Gruner's head as he drops through the building. Yes, 10 years later "Underworld" implemented this idea in a more popular film, but I hardly think it did so in better form. There are great stunts, focused direction and good acting to keep it unrelentingly fun.
"Nemesis" does need work, don't get me wrong. As Pyun demonstrated in his 1997 disaster "Mean Guns", he has a hard time tapping into his characters and material which makes things seem distant, confusing and at times impenetrable. He has a difficulty capturing transitions adequately, which obscures some of the action scenes.
Most in the audience will be pleased by the film's unlimited sex appeal. The movie creates a fascinatingly erotic connection between the near future and wangled, unrestrained sexuality. Deboarah Shelton is endlessly sexy and gives the movie a raw energy that almost compensates for its distant connection to the material.
I loved "Nemesis". It has a wonderfully distributed blend of science fiction and action. While there may be a brick wall between the audience and any hope of an emotional connection, it is sexy and fun enough to remain a great time.
Gruner plays Alex, an undercover cop/cyborg hunter. He becomes involved in a dangerous (and at times confusing) plot that sends him fleeing through an industrial wasteland in search for answers. I was tickled pink by a story that doesn't count on cheesy, cop-out twists to maintain its excitement, but simultaneously delivers the goods of a sci-fi and action movie. It lovingly references the movies it takes from, also- which include "Terminator", "Robocop", and "Blade Runner" which keep it on the respectable side of generic. Director Albert Pyun creates a slick neo-noir atmosphere which extenuates the story.
And the action scenes. Oh, the action scenes. Hit and miss Pyun is in top form- using high-tech, but refreshingly not over the top, weaponry and beautiful urban sets. The shoot-outs are imaginative and never redundant or trite. Don't miss the apartment shoot-'em-up where Gruner shoots at the floor spiraling as to create a hole for him to drop down, which he continues to do for two more floors. As if this wasn't cool enough, Pyun uses a Raimi-esquire shot that stays on Gruner's head as he drops through the building. Yes, 10 years later "Underworld" implemented this idea in a more popular film, but I hardly think it did so in better form. There are great stunts, focused direction and good acting to keep it unrelentingly fun.
"Nemesis" does need work, don't get me wrong. As Pyun demonstrated in his 1997 disaster "Mean Guns", he has a hard time tapping into his characters and material which makes things seem distant, confusing and at times impenetrable. He has a difficulty capturing transitions adequately, which obscures some of the action scenes.
Most in the audience will be pleased by the film's unlimited sex appeal. The movie creates a fascinatingly erotic connection between the near future and wangled, unrestrained sexuality. Deboarah Shelton is endlessly sexy and gives the movie a raw energy that almost compensates for its distant connection to the material.
I loved "Nemesis". It has a wonderfully distributed blend of science fiction and action. While there may be a brick wall between the audience and any hope of an emotional connection, it is sexy and fun enough to remain a great time.
Details
- Release date
- Countries of origin
- Language
- Also known as
- Den yttersta hämnden
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $2,001,124
- Opening weekend US & Canada
- $197,231
- Jan 31, 1993
- Gross worldwide
- $2,001,124
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