The following FAQ entries may contain spoilers. Spoiler tags are used sparingly in order to make the page more readable.
The film Twin Peaks: Fire Walk with Me (1992) was released in 1992, a year after the series was cancelled. David Lynch was not ready to leave the town and its inhabitants behind, and came up with the idea of a movie prequel detailing the last seven days in the life of Laura Palmer.
Although the fim is set almost entirely before the series, it is, however, meant to be viewed afterwards. The film assumes the viewer already knows who killed Laura Palmer, and about the existence and nature of the Black Lodge and its inhabitants. There is also clarification and expansion on the fate of Dale Cooper at the end of the series.
Although the fim is set almost entirely before the series, it is, however, meant to be viewed afterwards. The film assumes the viewer already knows who killed Laura Palmer, and about the existence and nature of the Black Lodge and its inhabitants. There is also clarification and expansion on the fate of Dale Cooper at the end of the series.
Twin Peaks takes place roughly over a four week period, in February and March of 1989. The date can be determined from the date of Ronette Pulaski's admission to hospital, as seen on her bedside chart in one episode. Each episode is meant to represent one day, although there are some exceptions to this; for instance in one episode the younger characters are seen at school on what would have been a Saturday. These may be seen either as mistakes by the writers, continuity errors or just creative choices.
Some details indicate an older (pre-1980) period. For example, at 35 minutes into the first episode, a gasoline pump is shown with a price for premium gasoline of $us0.449/gallon. By 1976, US gasoline prices were over $us1/gallon.
Some details indicate an older (pre-1980) period. For example, at 35 minutes into the first episode, a gasoline pump is shown with a price for premium gasoline of $us0.449/gallon. By 1976, US gasoline prices were over $us1/gallon.
This was a "series-within-a-series"; a television soap opera that characters could be seen watching. It featured in every episode of the first season except the pilot, but only occasionally in the second. The plots and events of "Invitation To Love" could be seen to spookily parallel those occuring in Twin Peaks itself.
This is a 113-minute long alternative version of the pilot episode of the series. It contains approximately 25 minutes of additional footage that actually resolves the story of Laura's murder somewhat differently to the series, though still in typical Lynchian fashion. This version was commissioned by the show's producers ABC Television so as to be shown in European cinemas in the event that the series wasn't picked up, hence the name. This way, the production wouldn't be a loss.
Due to wrangles with Warner Home Video, who retained distribution rights, for many years this "European Pilot" was the only version available for home viewing. In fact, the broadcast version was not released on DVD in the US until 2007.
Due to wrangles with Warner Home Video, who retained distribution rights, for many years this "European Pilot" was the only version available for home viewing. In fact, the broadcast version was not released on DVD in the US until 2007.
The "European Pilot" is identical to the broadcast pilot up to the point that Sheriff Truman says, "It must have happened about this time, 24 hours ago." The action then switches to Sarah Palmer, asleep in her living room, having visions of herself looking for Laura on the morning of Laura's murder. Suddenly, she sees the face of BOB looking through the rails of Laura's bed. In the series version of the pilot, this is intercut with footage of a second, different vision: a gloved hand digging up Laura's locket, at which point the episode ends. The BOB footage would later be recycled in the series when Sarah has a vision of BOB in the presence of Leland and Dr. Hayward.
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What follows is a description of the remaining events of the "European Pilot." During Episode Two of the series proper, Cooper has a dream, which actually comprises of all of the events detailed below, as well as Sarah's vision of Bob's face. The episode ends with Cooper waking up and telephoning Sheriff Truman to tell him he now knows who killed Laura. Although the dream sequence itself only utilises some of the footage - mainly the One-Armed Man, BOB in the basement, and Cooper in the red-curtained room with Laura - Cooper gives a full account of his dream at the beginning of the following episode. The reason the footage was reused, whatever the context, was simply because David Lynch liked what he shot for the ending and wanted to incorporate it into the series.
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Sarah calls Lucy at her home and tells her that she suddenly remembered that Laura's killer was in Laura's room that morning, and that she saw his face. Lucy-- who is playing paddle ball while Andy practices the trumpet--tells Sarah that she's going to contact Sheriff Truman and Deputy Hawk (here referred to as"Tommy 'the Hawk' Hill") to come draw a picture of the killer. (An interesting detail, as it is well established in the series that Deputy Andy Brennan is the Twin Peaks Police Department's resident sketch artist.)
Next, we see Cooper asleep at the Great Northern. He receives a call from the One-Armed Man, who tells Cooper to meet him at the hospital. Immediately after Cooper hangs up, he's contacted by Sheriff Truman, with news of Sarah's vision.
Cooper, Hawk, and Truman convene at the hospital, where they meet the One-Armed Man--calling himself Mike--in the autopsy room. Mike tells a story about he and BOB being a pair of serial killers, using phrases such as "lived among the people" and "the species" to indicate that he and Bob are not human. Mike then says that he saw the face of God and cut off his arm, because it bore a tattoo that was a mark of "being touched by the devilish one." The deputies then show Mike two sketches, one of BOB, one of a little bald man. Mike correctly identifies the sketch of BOB, and then says that BOB has been living in the hospital's basement.
Everyone travels down to the basement, where BOB is kneeling over a circle of burning candles arranged around a mound of dirt. (BOB's costume is different here than it was in the series--instead of a denim jacket and jeans, he wears a leather vest with no shirt on underneath and has a tattoo on his shoulder reading "FIRE WALK WITH ME.") BOB recites a poem about his "death bag," and then says, "You may think I've gone insane, but I promise you, I will kill again!" (This is the same thing he says in the interrogation room - through Leland - in Episode 16). Mike then charges into the room and shoots BOB to death. BOB dies; suddenly, Mike clutches his chest and says to BOB's corpse, "Wait until you get yours," then dies. Cooper stares at the two men's bodies and says, "Make a wish." A gust of wind comes out of nowhere and blows out BOB's candles.
The scene then cuts to the red-curtained room, with the caption "25 Years Later." Cooper, with gray hair and covered in wrinkles, is sitting across from Laura Palmer and the Man From Another Place. The Man From Another Place tells Cooper that his favorite gum is going to come back in style, and that "Laura" is actually his cousin. Cooper asks "Laura" if this is true, to which she replies that she knows she looks like Laura Palmer, "but sometimes my arms bend back." The Man From Another Place then tells Cooper that he and "Laura" are from a place where there is always music and birds singing. A strobe light turns on in the ceiling, jazz music begins to play, and the Man From Another Place begins dancing. "Laura" walks to Cooper and tells him something that the audience cannot hear. Cooper and "Laura" then watch the Man From Another Place dance; and as he dances, the credits roll.
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What follows is a description of the remaining events of the "European Pilot." During Episode Two of the series proper, Cooper has a dream, which actually comprises of all of the events detailed below, as well as Sarah's vision of Bob's face. The episode ends with Cooper waking up and telephoning Sheriff Truman to tell him he now knows who killed Laura. Although the dream sequence itself only utilises some of the footage - mainly the One-Armed Man, BOB in the basement, and Cooper in the red-curtained room with Laura - Cooper gives a full account of his dream at the beginning of the following episode. The reason the footage was reused, whatever the context, was simply because David Lynch liked what he shot for the ending and wanted to incorporate it into the series.
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Sarah calls Lucy at her home and tells her that she suddenly remembered that Laura's killer was in Laura's room that morning, and that she saw his face. Lucy-- who is playing paddle ball while Andy practices the trumpet--tells Sarah that she's going to contact Sheriff Truman and Deputy Hawk (here referred to as"Tommy 'the Hawk' Hill") to come draw a picture of the killer. (An interesting detail, as it is well established in the series that Deputy Andy Brennan is the Twin Peaks Police Department's resident sketch artist.)
Next, we see Cooper asleep at the Great Northern. He receives a call from the One-Armed Man, who tells Cooper to meet him at the hospital. Immediately after Cooper hangs up, he's contacted by Sheriff Truman, with news of Sarah's vision.
Cooper, Hawk, and Truman convene at the hospital, where they meet the One-Armed Man--calling himself Mike--in the autopsy room. Mike tells a story about he and BOB being a pair of serial killers, using phrases such as "lived among the people" and "the species" to indicate that he and Bob are not human. Mike then says that he saw the face of God and cut off his arm, because it bore a tattoo that was a mark of "being touched by the devilish one." The deputies then show Mike two sketches, one of BOB, one of a little bald man. Mike correctly identifies the sketch of BOB, and then says that BOB has been living in the hospital's basement.
Everyone travels down to the basement, where BOB is kneeling over a circle of burning candles arranged around a mound of dirt. (BOB's costume is different here than it was in the series--instead of a denim jacket and jeans, he wears a leather vest with no shirt on underneath and has a tattoo on his shoulder reading "FIRE WALK WITH ME.") BOB recites a poem about his "death bag," and then says, "You may think I've gone insane, but I promise you, I will kill again!" (This is the same thing he says in the interrogation room - through Leland - in Episode 16). Mike then charges into the room and shoots BOB to death. BOB dies; suddenly, Mike clutches his chest and says to BOB's corpse, "Wait until you get yours," then dies. Cooper stares at the two men's bodies and says, "Make a wish." A gust of wind comes out of nowhere and blows out BOB's candles.
The scene then cuts to the red-curtained room, with the caption "25 Years Later." Cooper, with gray hair and covered in wrinkles, is sitting across from Laura Palmer and the Man From Another Place. The Man From Another Place tells Cooper that his favorite gum is going to come back in style, and that "Laura" is actually his cousin. Cooper asks "Laura" if this is true, to which she replies that she knows she looks like Laura Palmer, "but sometimes my arms bend back." The Man From Another Place then tells Cooper that he and "Laura" are from a place where there is always music and birds singing. A strobe light turns on in the ceiling, jazz music begins to play, and the Man From Another Place begins dancing. "Laura" walks to Cooper and tells him something that the audience cannot hear. Cooper and "Laura" then watch the Man From Another Place dance; and as he dances, the credits roll.
Yes. But to remain canonical to the series proper, the viewer should stop watching immediately after the scene in which Sheriff Truman says "It must have happened about this time, 24 hours ago." This scene occurs about 90 minutes after the episode begins. The only material missing is the added footage of Sarah's other vision, of the locket being dug up by a gloved hand.
(In the 2010 DVD release, the extra scenes are on a separate title)
(In the 2010 DVD release, the extra scenes are on a separate title)
In 1993, US cable TV channel Bravo acquired syndication rights for the series. To this end, David Lynch scripted and shot introductory sequences for every episode, featuring actress Catherine Coulson as her character Margaret Lanterman, aka The Log Lady. Sitting at home, holding her log, Margaret would offer cryptic musings on the episode the viewers were about to watch. These introductions lasted from an average of 20-30 seconds up to several minutes each.
They are included in the Gold Box DVD collection, where the viewer can choose to watch the episodes with or without the Log Lady's introductions, as well as in the newer Blu-ray release, where they appear with improved picture quality.
They are included in the Gold Box DVD collection, where the viewer can choose to watch the episodes with or without the Log Lady's introductions, as well as in the newer Blu-ray release, where they appear with improved picture quality.
No, Lynch and Frost went on a location scout to Washington, and a friend of Frost's recommended Snoqualmie Falls, just east of Seattle. They drove there and found all of the locations that they had written into the pilot episode. The towns of Snoqualmie and North Bend, Washington, which were the primary filming locations for stock Twin Peaks exterior footage, are east of Seattle and about an hour's drive from the town of Roslyn, Washington, the town used for the series Northern Exposure. The interiors of the Great Northern Hotel and the Martell/Packard house were largely filmed at Kiana Lodge, which is near Poulsbo, across Puget Sound from Seattle to the West. Some exterior scenes were shot there as well, including the discovery of Laura's body at the opening of the pilot. Many exterior scenes were filmed in wooded areas of Malibu, California.
A scene in the Northern Exposure first-season episode "The Russian Flu" was shot at Snoqualmie Falls, which was also featured in the opening titles sequence of Twin Peaks. The background behind the actors of Invitation to Love is not a studio set, but the interior of the Ennis House, an architectural landmark of Frank Lloyd Wright in the Hollywood area of Los Angeles.
A scene in the Northern Exposure first-season episode "The Russian Flu" was shot at Snoqualmie Falls, which was also featured in the opening titles sequence of Twin Peaks. The background behind the actors of Invitation to Love is not a studio set, but the interior of the Ennis House, an architectural landmark of Frank Lloyd Wright in the Hollywood area of Los Angeles.
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