Along with her black cat Jiji, Kiki settles in a seaside town and starts a high-flying delivery service. Here begins her magical encounter with independence and responsibility, making lifelo... Read allAlong with her black cat Jiji, Kiki settles in a seaside town and starts a high-flying delivery service. Here begins her magical encounter with independence and responsibility, making lifelong friends and finding her place in the world.Along with her black cat Jiji, Kiki settles in a seaside town and starts a high-flying delivery service. Here begins her magical encounter with independence and responsibility, making lifelong friends and finding her place in the world.
- Awards
- 4 wins
Kirsten Dunst
- Kiki
- (English version)
- (voice)
Minami Takayama
- Kiki
- (voice)
- …
Rei Sakuma
- Jiji
- (voice)
Kappei Yamaguchi
- Tombo
- (voice)
Keiko Toda
- Osono
- (voice)
Haruko Katô
- Rô-fujin
- (voice)
Hiroko Seki
- Barsa
- (voice)
Yuriko Fuchizaki
- Ketto
- (voice)
Kôichi Yamadera
- Bakery Worker
- (voice)
- …
Kikuko Inoue
- Maki
- (voice)
Mika Doi
- Ketto's Mother
- (voice)
Takaya Hashi
- Ketto's Father
- (voice)
Chika Sakamoto
- Baby
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDuring the production phase, Hayao Miyazaki and his artists traveled to Sweden to research the film. The photographs they took of Stockholm and Visby formed the basis of the fictional city of Koriko. The city also contains elements of Lisbon, Paris, San Francisco, and Milan.
- GoofsThe four-engined biplane (more precisely, sesquiplane) that Kiki sees during the opening credits is a real aircraft, the Handley-Page HP42. Eight of these planes - the first four-engined aircraft ever built - were commissioned during the 1930s; later they were converted to military use, and all were destroyed by 1941. But since this movie - according to director Hayao Miyazaki - takes place in a world where World War II never happened, it's plausible that the HP42 would still be in civilian service.
- Crazy creditsThe denouement scenes of the film play out with the credits rolling ending with Kiki's parents reading a letter from her after the credits finish.
- Alternate versionsA new English dub of this film was released in 1998 by the Walt Disney Company. This version featured the vocal talents of Kirsten Dunst as Kiki, Janeane Garofalo as Ursala and Debbie Reynolds. Phil Hartman provided the voice of Jiji in one of his final roles.
- ConnectionsEdited into Miyazaki Dreams of Flying (2017)
- SoundtracksSoaring
Performed by Sydney Forest
Written by Sydney Forest exclusively for Disney's 1998 English dub re-release
Featured review
First of all, 10 points to Ghibli for Variety. Producing this and 'Grave of the Fireflies' inside a year of each other would be like Disney doing 'Mary Poppins' and 'Judgement at Nuremberg' back to back.
Words that spring to mind after watching Kiki include 'delightful', 'light', 'bouyant', and so forth. It's obvious Miyazaki has refined his craft considerably from the early movies, which somehow seemed a bit... I don't know - stuttery. Kiki, though just flows effortlessly. Combine this with the beautiful use of lighting and colour to produce that summertime, Mediterranean sort of feel, and Kiki is a movie that is just thoroughly uplifting, never getting bogged down in complexities or dark intrigues.
Unfortunately - and this is the only thing holding it back from 4 stars from me - what it does get slightly bogged down in, is its own lightness. There were just a few sections where the lack of a villain, of any real action, of anything other than people being nice to each other, took the top 10% off what was otherwise a masterful movie. I suppose there were a few other flaws, too: some characters and situations which came into it were just not developed at all. And there was one moment that teetered on real poignancy - the old dog with what he thought was a stuffed toy - but it sort of didn't happen. Also allowing the cat - sorry, forgotten his name - to drop out of proceedings for most of the latter half the film, definitely removed a spark from the film (I can't believe I just complained about the LACK of a comic sidekick)
BTW, as someone who lives in Tasmania, which is allegedly the inspiration for much of the setting of this film, please come here by all means, but don't expect it to look like that. The bakery in Ross (central Tasmania) which supposedly inspired the one in the film is in one of the few Tasmanian towns that you _can't_ see the ocean from, and the general look of the movie is distinctly southern European, though I guess some of the rural shots look a bit Tasmanian.
Whatever the case, Miyazaki's attention to detail is, as usual, stunning. The town may have been cobbled together from his favourite bits of Italy, France, Tasmania and wherever else, but its nothing less than a labour of love nonetheless.
Anyway, 8 out of 10.
Words that spring to mind after watching Kiki include 'delightful', 'light', 'bouyant', and so forth. It's obvious Miyazaki has refined his craft considerably from the early movies, which somehow seemed a bit... I don't know - stuttery. Kiki, though just flows effortlessly. Combine this with the beautiful use of lighting and colour to produce that summertime, Mediterranean sort of feel, and Kiki is a movie that is just thoroughly uplifting, never getting bogged down in complexities or dark intrigues.
Unfortunately - and this is the only thing holding it back from 4 stars from me - what it does get slightly bogged down in, is its own lightness. There were just a few sections where the lack of a villain, of any real action, of anything other than people being nice to each other, took the top 10% off what was otherwise a masterful movie. I suppose there were a few other flaws, too: some characters and situations which came into it were just not developed at all. And there was one moment that teetered on real poignancy - the old dog with what he thought was a stuffed toy - but it sort of didn't happen. Also allowing the cat - sorry, forgotten his name - to drop out of proceedings for most of the latter half the film, definitely removed a spark from the film (I can't believe I just complained about the LACK of a comic sidekick)
BTW, as someone who lives in Tasmania, which is allegedly the inspiration for much of the setting of this film, please come here by all means, but don't expect it to look like that. The bakery in Ross (central Tasmania) which supposedly inspired the one in the film is in one of the few Tasmanian towns that you _can't_ see the ocean from, and the general look of the movie is distinctly southern European, though I guess some of the rural shots look a bit Tasmanian.
Whatever the case, Miyazaki's attention to detail is, as usual, stunning. The town may have been cobbled together from his favourite bits of Italy, France, Tasmania and wherever else, but its nothing less than a labour of love nonetheless.
Anyway, 8 out of 10.
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Kiki, entregas a domicilio
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- ¥800,000,000 (estimated)
- Gross US & Canada
- $1,004,057
- Opening weekend US & Canada
- $352,556
- Jul 28, 2019
- Gross worldwide
- $10,403,278
- Runtime1 hour 43 minutes
- Color
- Sound mix
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