IMDb RATING
6.8/10
3.1K
YOUR RATING
A collection of short stories, made by different animators with "robot" as the working title.A collection of short stories, made by different animators with "robot" as the working title.A collection of short stories, made by different animators with "robot" as the working title.
Kôji Moritsugu
- Toymaker
- (voice)
Yayoi Maki
- Android
- (voice)
Keiko Hanagata
- Wife
- (voice)
Kumiko Takizawa
- Grown Daughter
- (voice)
- …
Aya Murata
- Daughter
- (voice)
Nariko Fujieda
- Granddaughter
- (voice)
Satoru Inagaki
- Man
- (voice)
Hideyuki Umezu
- Man
- (voice)
Ikuya Sawaki
- Man
- (voice)
Hidehiro Kikuchi
- Kid
- (voice)
Daisuke Namikawa
- Kid
- (voice)
Tatsuhiko Nakamura
- Kid
- (voice)
Kei Tomiyama
- Sankichi
- (voice)
Chisa Yokoyama
- Yayoi
- (voice)
Katsue Miwa
- Fukusuke
- (voice)
Kaneto Shiozawa
- Denjiro
- (voice)
Toku Nishio
- Daimaru
- (voice)
James R. Bowers
- Volkeson
- (voice)
Storyline
Did you know
- TriviaThe segment "Nightmare" was influenced by the "Night on Bald Mountain" segment from Disney's "Fantasia" feature film & the "Sleepy Hollow" segment from Disney's "The Adventures of Icabod & Mr. Toad". The main villain towers over his minions as they dance below (in almost the same animated motion, as in "Fantasia"). At one point the villain scoops them up with his giant hand & drops them, in the same fashion. Also, the human in the scene looks a lot like Icabod Crane, with his huge hook nose & giant ears. There's even a part when the man turns his head completely around, just like Icabod does in his film. The chase between the robot & the man mimics the chase between Icabod & the Headless Horseman.
- Alternate versionsThe version released in the United States by Streamline Pictures has the following differences compared to the original Japanese release:
- Dialog in the segments Presence and A Tale of Two Robots was dubbed into English (even the dialog of John Jack Walkerson III, which was already in English with Japanese side titles, was re-dubbed.)
- The order in which the interior segments were shown was altered. In the Japanese version, the order was: 1. Franken's Gears 2. Deprive 3. Presence 4. Starlight Angel 5. Cloud 6. A Tale of Two Robots 7. Nightmare In the Streamline version, the order was: 1. Franken's Gears 2. Starlight Angel 3. Cloud 4. Deprive 5. Presence 6. A Tale of Two Robots 7. Nightmare
- A short segment to signify the end of the film was moved from after the credits to just before the credits.
- Part of the credits which showed a series of still shots of the Robot Carnival while it was in its glory years (but included Japanese titles) was replaced with a series of character sketches with English titles.
- ConnectionsFeatured in Blank Check (1994)
Featured review
Like all anthology films, some of the segments are better than others, but there are enough good ones to make this film worthwhile for animation fans.
The framing sequence which opens and closes the film is nicely animated, certainly one of the most original ways I've seen for a film to present it's title. The great Katsuhiro Otomo (Akira) contributed to this sequence, you can really see his touch. Two of the segments, "Starlight Angel" and "Deprive" are pretty typical sci-fi action anime, albeit nicely animated. A lot of anime fans complain about the "Cloud" segment, I find it kind of interesting, like a piece of animated art. My favorite segment in the film is probably a tie between "A Tale of Two Robots, Chapter 3: Foreign Invasion", which made me think a little of Wild Wild West (a lot better, of course), and "Nitemare".
I think having all but two of the film's 8 segments (I'm counting the opening and closing as one segment) dialog-free was an interesting choice, it allows the viewer to concentrate on the images, and precludes needless exposition. I really liked Aeon Flux a lot better before it became a regular series and added dialog. Of course, it also makes an English-dubbed version of the film more tolerable.
Some of the music for this film is by the great composer Joe Hisashi, the regular composer for both Hayao Miyazaki and Takeshi Kitano. I think the opening and closing themes are by Hisashi, as well as the music for the "Presence" segment.
This is one of the first anime films I saw when I knew or cared it was anime, I think it's a really good introduction to the genre. Also a worthwhile film for anyone interested in animation in general.
The framing sequence which opens and closes the film is nicely animated, certainly one of the most original ways I've seen for a film to present it's title. The great Katsuhiro Otomo (Akira) contributed to this sequence, you can really see his touch. Two of the segments, "Starlight Angel" and "Deprive" are pretty typical sci-fi action anime, albeit nicely animated. A lot of anime fans complain about the "Cloud" segment, I find it kind of interesting, like a piece of animated art. My favorite segment in the film is probably a tie between "A Tale of Two Robots, Chapter 3: Foreign Invasion", which made me think a little of Wild Wild West (a lot better, of course), and "Nitemare".
I think having all but two of the film's 8 segments (I'm counting the opening and closing as one segment) dialog-free was an interesting choice, it allows the viewer to concentrate on the images, and precludes needless exposition. I really liked Aeon Flux a lot better before it became a regular series and added dialog. Of course, it also makes an English-dubbed version of the film more tolerable.
Some of the music for this film is by the great composer Joe Hisashi, the regular composer for both Hayao Miyazaki and Takeshi Kitano. I think the opening and closing themes are by Hisashi, as well as the music for the "Presence" segment.
This is one of the first anime films I saw when I knew or cared it was anime, I think it's a really good introduction to the genre. Also a worthwhile film for anyone interested in animation in general.
Details
- Release date
- Country of origin
- Languages
- Also known as
- Robot Karnavalı
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $10,642
- Opening weekend US & Canada
- $10,642
- Mar 17, 1991
- Gross worldwide
- $10,642
- Runtime1 hour 30 minutes
- Color
- Sound mix
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