The misfit Police Academy (1984) graduates now are assigned to train a group of civilian volunteers to fight crime once again plaguing the streets.The misfit Police Academy (1984) graduates now are assigned to train a group of civilian volunteers to fight crime once again plaguing the streets.The misfit Police Academy (1984) graduates now are assigned to train a group of civilian volunteers to fight crime once again plaguing the streets.
- Awards
- 2 nominations
Storyline
Did you know
- TriviaThe collapse of her first marriage contributed to Sharon Stone's decision to work on this movie. Of wanting to have some fun after a difficult period in her life, she said that "hanging out with a gang of comedians, it was the best therapy."
- GoofsWhen Zed and Sweetchuck are on the biplane, right before bailing out, the pilot can be seen on the back seat.
- Quotes
Captain Harris: Don't touch those! Don't you ever touch my balls without asking!
- Alternate versionsAlthough the cinema version was intact the UK video version was cut by 8 secs to remove shots of Mahoney displaying a tube of Super Glue before administering it to Harris's megaphone. The cuts were restored in the upgraded 12 certificate DVD.
- ConnectionsEdited from Police Academy 2: Their First Assignment (1985)
- SoundtracksCitizens On Patrol
Performed by Michael Winslow and The L.A. Dream Team
Produced by Steve Tyrell
Written by Michael Stuart Ani and Arthur Funaro
The L.A. Dream Team appears courtesy of MCA Records
Featured review
Indeed, that is the question many were asking in 1987, as the series soon turned into too much of a not so good thing. Sadly, it was only going to get worse from here. I've tried no less than three times to sit through Mission To Moscow, and it is just impossible. About the only reason to bother with episodes three through six is so you can see the final episode where Cast Member X decided they'd had enough. Or when Event Number X that was referenced in a sequel took place.
Another big problem with PA4 (and boy, there are many) is the change in target audience. Sure, episodes 1 through 3 could be enjoyed by children with two digits in their age, but the primary audience was adults who didn't have very high standards. Unfortunately, someone in the film studio must have decided that the writers have to please everybody, and so they watered down the humour as far as they could without getting a G rating. That, more than anything, is what hurts Police Academy sequels 4 onwards.
Steve Guttenberg must have taken one look at the finished product and wondered why he didn't quit about three films ago. Bob Goldthwait picks up the slack in terms of comedy, but his act is also watered down a tad too far, ditching any vocal expression of his character in favour of shouting and screaming at anyone and everyone. Which might work for a comedy about mental patients who have been neglected by the system for too long, but not when your character is meant to be a police officer. But then again, the whole premise is built on a notoriously shaky ground.
Every Police Academy film has at least one celebrity (other than George Gaynes) who wishes they had never appeared in the film. Sharon Stone gets her turn her, and despite what they say about her appearance in everything after Basic Instinct, at least she looks capable of acting. But amongst this lot, I'm sure a dead goldfish would appear to be emoting effectively.
Overall, PA4 gets a 2 out of ten from me. It stands as a good relic of what happens when you try to appeal to everyone, and it does have some genuinely funny moments, but it just cannot hold a candle to its predecessors, especially the first.
Another big problem with PA4 (and boy, there are many) is the change in target audience. Sure, episodes 1 through 3 could be enjoyed by children with two digits in their age, but the primary audience was adults who didn't have very high standards. Unfortunately, someone in the film studio must have decided that the writers have to please everybody, and so they watered down the humour as far as they could without getting a G rating. That, more than anything, is what hurts Police Academy sequels 4 onwards.
Steve Guttenberg must have taken one look at the finished product and wondered why he didn't quit about three films ago. Bob Goldthwait picks up the slack in terms of comedy, but his act is also watered down a tad too far, ditching any vocal expression of his character in favour of shouting and screaming at anyone and everyone. Which might work for a comedy about mental patients who have been neglected by the system for too long, but not when your character is meant to be a police officer. But then again, the whole premise is built on a notoriously shaky ground.
Every Police Academy film has at least one celebrity (other than George Gaynes) who wishes they had never appeared in the film. Sharon Stone gets her turn her, and despite what they say about her appearance in everything after Basic Instinct, at least she looks capable of acting. But amongst this lot, I'm sure a dead goldfish would appear to be emoting effectively.
Overall, PA4 gets a 2 out of ten from me. It stands as a good relic of what happens when you try to appeal to everyone, and it does have some genuinely funny moments, but it just cannot hold a candle to its predecessors, especially the first.
- mentalcritic
- Dec 28, 2003
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Police Academy IV
- Filming locations
- Gator Bowl Stadium, Jacksonville, Florida, USA(Proctor's football sideline experience)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $28,061,343
- Opening weekend US & Canada
- $8,482,487
- Apr 5, 1987
- Gross worldwide
- $28,061,343
- Runtime1 hour 28 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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Top Gap
By what name was Police Academy 4: Citizens on Patrol (1987) officially released in India in English?
Answer