Amérique, notre histoire (TV Movie 2006)
excerptThe Arrivals (Video 2008)
Scenes included
- Clips are shown for the review.
"Sneak Previews" The Top Ten Films of 1976 (TV Episode 1977)
A clip is shown. #2 on Gene Siskel's top ten list; #5 on Roger Ebert's.The 34th Annual Golden Globe Awards (TV Special 1977)
clipsThe 53rd Annual Academy Awards (TV Special 1981)
Precious Images (Short 1986)
Let's Make a Deal (TV Series 1963–2003)
An episode is seen playing on a TV screen behind Diana.
- Mentioned by Sander Vanocur
- Hope mentions the film in his monologue.
"Saturday Night Live" Jack Burns/Santana (TV Episode 1977)
Jane Curtin predicts Faye Dunnaway will win best actress at the oscars on Weekend UpdateSaturday Night Fever (1977)
Movie name on a cinema marquee.The 50th Annual Academy Awards (TV Special 1978)
The Blue Angel (1930)
Diana mentions it when speaking to Max.Mr. Smith Goes to Washington (1939)
an obituary for Sidney Buchman mentioning that he wrote the film is shown on screenHere Comes Mr. Jordan (1941)
an obituary for Sidney Buchman mentioning that he co-wrote the film is shown on screenThe Talk of the Town (1942)
an obituary for Sidney Buchman mentioning that he co-wrote the film is shown on screenJolson Sings Again (1949)
an obituary for Sidney Buchman mentioning that he wrote the film is shown on screen
"Welcome Back, Kotter" Sweatwork (TV Episode 1977)
The movie was parodied, using the same voice over narration and Arnold's recreation of the famous scene where he tells his listeners to go to the window and yell out that they're fed up and we don't care who knows it.Rabbit Test (1978)
The scene where Lionel's mother yells out the window and gets a neighborhood response is a spoof of the Howard Beale telling his viewers to yell "I'm as mad a hell and I'm not going to take it anymore"."Barney Miller" The Vandal (TV Episode 1978)
The angered TV executive in jail shouts the "I'm as mad as hell..." lineSimon (1980)
Simon's frantic TV broadcasts.The Master and Ms. Johnson (1981)
Robert Bullock does a variation of Peter Finch's dialogue from Network.
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