Trilogy of unsettling stories rooted in realityTrilogy of unsettling stories rooted in realityTrilogy of unsettling stories rooted in reality
Rod Serling
- Narrator
- (voice)
Robert Ginnaven
- Father Duane
- (as Bob Ginnaven)
James N. Harrell
- Brother Taylor
- (as Jim Harrell)
Storyline
Did you know
- TriviaThe film has two narrators. Rod Serling does voice over introductions to the three stories, but the opening and closing narration is by someone else.
- GoofsThe opening of the film has a roll up of text on screen, like Star Wars and many films do. A narrator, not Rod Serling, is reading the words you see on screen, but about halfway through the roll what the narrator is reading and what is on screen are totally different. One or the other must be from a wrong draft of the script.
- Quotes
Mrs. Davis: Listen you well to my word. One by land, two by sky. Look to the heptagon for it is there. Seven times around go the three of you and may your reward be just and true.
- ConnectionsFeatured in Scream Stream Live!: Encounter With the Unknown (2023)
Featured review
After so many years of being a horror fanatic, I still don't understand why certain dull movies enjoy a so-called classic status, whereas other fine and effectively scary ones are doomed to remain stuck in oblivion! Take "Encounter with the Unknown", for instance. I had never heard of it before, and that usually means it's not worth discovering, but surprisingly enough this turned out to be a really neat and atmospheric anthology film, with 3 simply yet genuinely unsettling short tales, all revolving around the supernatural.
In the first tale, an obviously terrified young man confesses to a priest on a plane how a silly prank, played by himself and two of his friends, resulted in the accidental death of a neighborhood kid. During the funeral, however, the mother spoke out a sort of curse, and now the boy is persuaded that the three of them will die in freak-accidents. One by land and two by sky, once every seven days. The second story is set in a sleepy little town in Missouri, where a young boy discovers a giant hole in the ground whilst looking for his runaway dog. Ominous sounds and fog emerge from the hole, and pretty soon the entire village gathers around the mysterious place. The father of the boy, who still fears that his dog fell into the hole, finally decides to lower himself into it, but the consequences are tragic. The third and final tale is a famous urban legend known as "The Girl on the Bridge". In the middle of the night, a couple stops at a bridge to pick up a beautiful but clearly confused girl. She requests to be taken home, and even gives the address, but her grieving father already knows what happens next. The girl mysteriously disappears from the backseat again, because she tragically died in a car accident many, many years ago already, when she and her forbidden boyfriend ran off together to get married.
Admittedly, "Encounter with the Unknown" is a very cheap and low-keyed production, and none of the stories contain any spectacular stunts or bloody make-up effects. This isn't the least bothersome, though, because the film thrives entirely on macabre ambiance, intriguing stories, and basic but petrifying locations & set-pieces. This gem is literally chock-full of haunting and nightmarish images, like the old cemetery in the first story, the damping hole in the second and the meandering girl in the third. Oh yeah, and there's another thing that makes "Encounter with the Unknown" unique, and it's perhaps its sole link with stardom. The individual tales are introduced and wrapped up by the warm, absorbing and mystical voice of none other than Rod Serling. All to obviously, this was done to generate a sort of "Twilight Zone" effect, but who cares? In fact, I was all set to reward "Encounter of the Unknown" with a glorious score of eight, or even nine out of ten, but the last 10 minutes nearly ruined everything. For some inexplicable reason, a different narrator finds it necessary so reanalyze the three stories in detail and convince the audience that supernatural powers are all around us. The highlights of the films are repeated again, the curse of the grieving mother even three or four times, and the eerie impact of the overall film almost vanishes completely. If you ever come across this obscure puppy, I recommend it wholeheartedly, but my advice is to press "stop" immediately after the end of the third segment.
In the first tale, an obviously terrified young man confesses to a priest on a plane how a silly prank, played by himself and two of his friends, resulted in the accidental death of a neighborhood kid. During the funeral, however, the mother spoke out a sort of curse, and now the boy is persuaded that the three of them will die in freak-accidents. One by land and two by sky, once every seven days. The second story is set in a sleepy little town in Missouri, where a young boy discovers a giant hole in the ground whilst looking for his runaway dog. Ominous sounds and fog emerge from the hole, and pretty soon the entire village gathers around the mysterious place. The father of the boy, who still fears that his dog fell into the hole, finally decides to lower himself into it, but the consequences are tragic. The third and final tale is a famous urban legend known as "The Girl on the Bridge". In the middle of the night, a couple stops at a bridge to pick up a beautiful but clearly confused girl. She requests to be taken home, and even gives the address, but her grieving father already knows what happens next. The girl mysteriously disappears from the backseat again, because she tragically died in a car accident many, many years ago already, when she and her forbidden boyfriend ran off together to get married.
Admittedly, "Encounter with the Unknown" is a very cheap and low-keyed production, and none of the stories contain any spectacular stunts or bloody make-up effects. This isn't the least bothersome, though, because the film thrives entirely on macabre ambiance, intriguing stories, and basic but petrifying locations & set-pieces. This gem is literally chock-full of haunting and nightmarish images, like the old cemetery in the first story, the damping hole in the second and the meandering girl in the third. Oh yeah, and there's another thing that makes "Encounter with the Unknown" unique, and it's perhaps its sole link with stardom. The individual tales are introduced and wrapped up by the warm, absorbing and mystical voice of none other than Rod Serling. All to obviously, this was done to generate a sort of "Twilight Zone" effect, but who cares? In fact, I was all set to reward "Encounter of the Unknown" with a glorious score of eight, or even nine out of ten, but the last 10 minutes nearly ruined everything. For some inexplicable reason, a different narrator finds it necessary so reanalyze the three stories in detail and convince the audience that supernatural powers are all around us. The highlights of the films are repeated again, the curse of the grieving mother even three or four times, and the eerie impact of the overall film almost vanishes completely. If you ever come across this obscure puppy, I recommend it wholeheartedly, but my advice is to press "stop" immediately after the end of the third segment.
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- Столкновение с неизведанным
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By what name was Encounter with the Unknown (1972) officially released in India in English?
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