A young Parisian woman meets a middle-aged American businessman who demands their clandestine relationship be based only on sex.A young Parisian woman meets a middle-aged American businessman who demands their clandestine relationship be based only on sex.A young Parisian woman meets a middle-aged American businessman who demands their clandestine relationship be based only on sex.
- Nominated for 2 Oscars
- 7 wins & 10 nominations total
- Catherine
- (as Catherine Allegret)
- Monique
- (as Marie-Helene Breillat)
- Tom - un cinéaste, le fiancé de Jeanne
- (as Jean-Pierre Leaud)
- Christine
- (as Rachel Kesterber)
Storyline
Did you know
- TriviaBoth Marlon Brando and Maria Schneider admitted that they felt raped by this film and refused to speak with director Bernardo Bertolucci ever again. Yet in his autobiography, Brando says that Bertolucci was one of the three best directors he ever worked with.
- GoofsAs the camera pulls away from the balcony at the end, a crew member and a lighting array can be seen reflected in the glass panel of the right balcony door.
- Quotes
[alone at his dead wife's bedside during her wake]
Paul: Our marriage was nothing more than a foxhole for you. And all it took for you to get out was a 35-cent razor and a tub full of water. You cheap goddamn fucking godforsaken whore, I hope you rot in hell. You're worse than the dirtiest street pig anybody could ever find anywhere, and you know why? You know why? Because you lied. You lied to me and I trusted you.
[gradually starts losing his composure]
Paul: You lied and you knew you were lying. Go on, tell me you didn't lie. Haven't you got anything to say about that? You can think up something, can't you? Go on, tell me something! Go on, smile, you cunt!
[starts crying noticeably]
Paul: Go on, tell me... tell me something sweet. Smile at me and say I just misunderstood. Go on, tell me. You pig-fucker... you goddamn, fucking, pig-fucking liar.
- Alternate versionsFor its original UK cinema release the BBFC suggested cuts to dialogue during the scissors scene and a heavy reduction of the infamous sodomy scene, though the former was rescinded when it was decided that the cuts would be difficult to make without ruining the scene. Instead a proposed cut of 20 secs was required to the sodomy scene to remove shots of Paul smearing butter on Jeanne's buttocks and some overhead shots of sexual thrusting. The latter was also waived following an appeal from the director and instead a mere 10 sec cut was made to the butter smearing. When the OPA (Obscene Publications Act) was extended to cover films a few years later BBFC censor James Ferman waived the cinema cut, and all post-1978 releases (including TV showings) have been the fully uncut version.
- ConnectionsEdited into Destricted (2006)
This film has very little to do with sex. It also has very little to do with the tango, and we might want to add it has little to do with Paris. Someone once told me this movie is about an American businessman. Out of curiosity, are all American's traveling in Europe businessmen? I think not. First of all, he was a boxer, a bongo player, he married a wealthy woman, but nowhere did I see this man as working for some corporation. This man had little money, and he didn't need a 'serious' career.
This film is about abuse; a parable about the overly masculine father who sexually abuses his own son; a child abused by his alcoholic parents; a widower who is abused by his animalistic but deadly honest wife. This movie is about a religious zealot for a mother-in-law in constant denial who shows more interest in her daughter's corpse than in her life. This movie is about an idealistic no-longer teenager who perhaps finds true love the only time in her life, but pays a terrible price. It is as though she has bitten from the forbidden fruit and found that love is an illusion.
To say Brando is superb misses the point. I simply know no other actor that could have pulled this off. His facial expressions are uncanny. It is a most fitting bookend to Street Car Named Desire. One simply cannot deny the final elevator scene. But unlike Streetcar, Brando portrays a vivid understanding of the sensitivity towards women and towards human existence that few men are capable of grasping, and few women could probably appreciate. Brando is himself. But Brando is himself because he understands his character, not because he plays himself.
This movie is an existential parody of the nature of society. It is a bitter reflection of human frailty and vanity. It is a tragedy of a man who has actually found a way to transcend his own suffering, who has somehow managed to cut through the illusions that all of us carry day-to-day. But with that knowledge, he finds himself utterly alone (as so many users here seem testament.)
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- Der letzte Tango in Paris
- Filming locations
- 1 Rue de l'Alboni, Passy, Paris 16, Paris, France(apartment: tryst)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,250,000 (estimated)
- Gross US & Canada
- $36,144,000
- Gross worldwide
- $36,183,066