IMDb RATING
5.7/10
1.5K
YOUR RATING
A timid, withdrawn woman meets a man she believes is finally the love of her life, unaware that he is a vicious serial killer.A timid, withdrawn woman meets a man she believes is finally the love of her life, unaware that he is a vicious serial killer.A timid, withdrawn woman meets a man she believes is finally the love of her life, unaware that he is a vicious serial killer.
Paul Brooke
- Uneasy Man
- (uncredited)
Mike Mungarvan
- Mr. Harris's Client
- (uncredited)
Guy Standeven
- Man on Park Bench
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe title is a quotation from J.M. Barrie's "Peter Pan": Peter tells Wendy that Never Neverland is "second star to the right, and straight on till morning".
- GoofsWhen Peter leads Brenda/'Wendy' into her room for the first time, a crew member is clearly visible, crouching down from the doorway.
- Alternate versionsThe BBFC cut the film in 1972 for an X rating.
- ConnectionsFeatured in The World of Hammer: Chiller (1994)
Featured review
When this was up on The Horror Channel, it was Rita Tushingham's name that caught my eye, her brilliant acting and intensity laying down an intriguing gauntlet.
With Radio Times not even giving a review, or even a rating, I was worried that it might be dreadful and true, many could see some parts as such, especially if they had taken them out of context and not watched it all the way through. However, from its opening, it was obvious that this was a well-made and directed (by Peter Collinson) little movie.
Not only is it a good and interesting snapshot of swinging London, it is also a warped fairytale about a reclusive serial killer. Who's the beauty and who is the beast? Should we and can we be loved for beauty alone?
Describing the story is unnecessary; it is a shortish film and it's the issues involved, often psychological and deeply sinister plus the often imaginative directing that are the pluses. The acting of the leads Tushingham and Shane Briant are very good with just the right amount of every emotion going. The popular James Bolam also co-stars.
There is often a sense of unease, even during the less intense parts. Oddness also often takes a lead but never enough for us to dismiss them. The most intense, X-Rated (still certificate 18) scenes are disturbing rather than graphic but they still shock.
Unlike many Hammer Horror's, it remains memorable, the ordinariness mixing with the oddness plus the central characters making for an unusual and compelling mix. I enjoyed it.
With Radio Times not even giving a review, or even a rating, I was worried that it might be dreadful and true, many could see some parts as such, especially if they had taken them out of context and not watched it all the way through. However, from its opening, it was obvious that this was a well-made and directed (by Peter Collinson) little movie.
Not only is it a good and interesting snapshot of swinging London, it is also a warped fairytale about a reclusive serial killer. Who's the beauty and who is the beast? Should we and can we be loved for beauty alone?
Describing the story is unnecessary; it is a shortish film and it's the issues involved, often psychological and deeply sinister plus the often imaginative directing that are the pluses. The acting of the leads Tushingham and Shane Briant are very good with just the right amount of every emotion going. The popular James Bolam also co-stars.
There is often a sense of unease, even during the less intense parts. Oddness also often takes a lead but never enough for us to dismiss them. The most intense, X-Rated (still certificate 18) scenes are disturbing rather than graphic but they still shock.
Unlike many Hammer Horror's, it remains memorable, the ordinariness mixing with the oddness plus the central characters making for an unusual and compelling mix. I enjoyed it.
- tim-764-291856
- Sep 16, 2012
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Details
- Runtime1 hour 36 minutes
- Aspect ratio
- 1.66 : 1
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Top Gap
By what name was Straight on Till Morning (1972) officially released in India in English?
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