IMDb RATING
4.8/10
1.1K
YOUR RATING
A motorcycle rebel saves a woman from his gang and fights an outlaw guru for supremacy.A motorcycle rebel saves a woman from his gang and fights an outlaw guru for supremacy.A motorcycle rebel saves a woman from his gang and fights an outlaw guru for supremacy.
Jacquie Rohr
- Zit-Zit
- (as Jackie Rohr)
Bill Baldwin
- Night Watchman
- (as William Baldwin)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe #12 given to Joe Namath ("CC") for the Moto X Race is the same number he wore on his jersey with the NY Jets.
- GoofsIn a scene where C.C. kicks starts his dirt bike you hear the engine rev-up but his hand never moves the throttle.
- Quotes
Ann McCalley: How do you get along without working?
C.C. Ryder: Just fine.
Ann McCalley: [laughs] You steal from the rich to give to the poor?
C.C. Ryder: No, I steal from the rich 'cause the poor have no money.
- ConnectionsFeatured in The Fabulous Allan Carr (2017)
- SoundtracksToday
The Love Theme from C.C. & Company (1970)
by Lenny Stack and Janelle Webb (as Janelle Cohen)
Sung by Ann-Margret
Featured review
Largely forgotten now, this movie was viewed by a lot of people in the 1970s. Parents saw it, mainly for Ann Margeret, in movie theaters during its 1st run, older kids caught it, mainly for Joe Namath, during its drive-in run and all us youngsters saw it when it made it's way to TV in the mid-1970s. I remember it fondly.
A product of a by gone era, it's really not as bad as some have made it out to be. Worth it for the novelty of Joe Namath and the 1970s cheese factor alone. Broadway Joe isn't really half bad because he did have tremendous charisma and a screen presence which somewhat compensates for his lack of acting chops. Plus as his adversary, we have quintessential 1970s bad guy, William Smith (the unforgettable Falconetti from Rich Man, Poor Man mini series or bad-ass Jack Wilson in Clint Eastwood's Any Which Way You Can) who turns in a fine performance. Throw in Sid Haig, Crispin Glover's father Bruce (of Diamond's Are Forever fame) and a delightfully campy performance from Teda Bracci and you have a pretty memorable Biker gang.
I wonder if Ann Margret and her husband originally thought of Elvis for the title role because this film is similar to many of his mid-sixties on screen personas (misunderstood rebel woos wary girl, defeats opposition in race at end). Fortunately for Elvis, his career, unlike Miss Margret's at the time, had just been spectacularly reignited with his TV Comeback Special and Vegas headlining. Anyway, Ann always possessed a great screen presence of her own; enough, along with all the outdoor scenery, to keep the viewer interested.
I think if you take this movie for what it is, a mindless artifact of late 1960s/early 1970s culture starring one of that era's biggest icons, you won't regret having spent 90 mins. watching it on a dreary Saturday afternoon.
A product of a by gone era, it's really not as bad as some have made it out to be. Worth it for the novelty of Joe Namath and the 1970s cheese factor alone. Broadway Joe isn't really half bad because he did have tremendous charisma and a screen presence which somewhat compensates for his lack of acting chops. Plus as his adversary, we have quintessential 1970s bad guy, William Smith (the unforgettable Falconetti from Rich Man, Poor Man mini series or bad-ass Jack Wilson in Clint Eastwood's Any Which Way You Can) who turns in a fine performance. Throw in Sid Haig, Crispin Glover's father Bruce (of Diamond's Are Forever fame) and a delightfully campy performance from Teda Bracci and you have a pretty memorable Biker gang.
I wonder if Ann Margret and her husband originally thought of Elvis for the title role because this film is similar to many of his mid-sixties on screen personas (misunderstood rebel woos wary girl, defeats opposition in race at end). Fortunately for Elvis, his career, unlike Miss Margret's at the time, had just been spectacularly reignited with his TV Comeback Special and Vegas headlining. Anyway, Ann always possessed a great screen presence of her own; enough, along with all the outdoor scenery, to keep the viewer interested.
I think if you take this movie for what it is, a mindless artifact of late 1960s/early 1970s culture starring one of that era's biggest icons, you won't regret having spent 90 mins. watching it on a dreary Saturday afternoon.
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