A New Yorker newly separated from his wife moves in with his best friend, a divorced sportswriter, but their ideas of housekeeping and lifestyles are as different as night and day.A New Yorker newly separated from his wife moves in with his best friend, a divorced sportswriter, but their ideas of housekeeping and lifestyles are as different as night and day.A New Yorker newly separated from his wife moves in with his best friend, a divorced sportswriter, but their ideas of housekeeping and lifestyles are as different as night and day.
- Nominated for 2 Oscars
- 3 wins & 9 nominations total
- Murray
- (as Herbert Edelman)
- Matty Alou
- (uncredited)
- Sports Announcer
- (uncredited)
- Home Plate Umpire
- (uncredited)
- Hotel Clerk
- (uncredited)
- Bartender
- (uncredited)
- Chambermaid
- (uncredited)
- Bowler
- (uncredited)
Storyline
Did you know
- TriviaWhen getting ready for their dinner with the ladies, Oscar jokingly asks, "You think Mozart goes good with meatloaf?" Walter Matthau was a passionate Wolfgang Amadeus Mozart enthusiast, and had extensive knowledge of his work.
- GoofsThe copyright date is shown as MCMXLVII (1947) instead of MCMLXVII (1967) as the copyright year for the film during the opening credits.
- Quotes
Oscar Madison: I can't take it anymore, Felix, I'm cracking up. Everything you do irritates me. And when you're not here, the things I know you're gonna do when you come in irritate me. You leave me little notes on my pillow. Told you 158 times I can't stand little notes on my pillow. "We're all out of cornflakes. F.U." Took me three hours to figure out F.U. was Felix Ungar!
- Crazy creditsWhen the credits for Cecily and Gwendolyn Pigeon are displayed, they are first in the wrong order (since Oscar also keeps mixing them up) and after a couple of seconds they shift to their correct positions.
- ConnectionsEdited into The Kid Stays in the Picture (2002)
- SoundtracksRule Britannia
(1740) (uncredited)
Music by Thomas Augustine Arne
Words by James Thomson
Briefly sung a cappella by Walter Matthau
Lemmon had already been in several well-known films like Mr. Roberts and The Apartment and Matthau was fresh off his Oscar win for The Fortune Cookie (another Billy Wilder film also with Lemmon). That particular movie wasn't as great as this one because the story couldn't sustain such a long running time (I think it was almost 2 hours). However, this goes by at a brisk hour and a half, even though the introduction of the events leading up to Lemmon ending up at Matthau's apartment is a tad long (so was this sentence). That's a minor quibble though and for the rest of the running time you have a marvelous time.
I have already written a comment about how the follow-up to this film sucked and I won't go deeper into that. The reason why this is such a joy is probably that the movie was made just as the innocence of American movies was beginning to fade fast into oblivion. There are some sexual references but they are dealt with in such an innocent way that you couldn't even get a "Well, I never..." out of the most prudish person out there. It is kind of fun to see a movie from a long lost era and that was probably why the sequel didn't work because you had Matthau and Lemmon say quite a few f-words and that just doesn't fit them.
Of course, now they are both gone and you can just be happy that you still can enjoy them in a marvelous film like this. I think the only male actor in this film who is still alive is John Fiedler. Edelman died recently. So there you have it. Simply one of the best comedies and films ever.
Add: I have just learned recently that John Fiedler has died so to all the fans of him I am deeply sorry. I didn't mean any disrespect and I will try to be more careful of what I am blah blah blahing next time.
Details
- Release date
- Country of origin
- Language
- Also known as
- Dvojica bez zene
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,200,000 (estimated)
- Gross US & Canada
- $44,527,234
- Gross worldwide
- $44,527,234