Went to search for this movie online so I could review it and almost typed "Bonnie and Tyler" into the search bar. It's been a long day, so this one will be brief.
Bonnie and Clyde is mostly a great movie. I have all the admiration in the world for what it did for cinema. It helped kickstart the idea of having violence actually be messy and impactful in mainstream film, and the fact that it's a sympathetic portrayal of people on the run from the law was probably quite shocking back then.
If anything, however, Bonnie and Clyde feel more like heroes than anti-heroes. They rob banks; faceless organisations that are foreclosing people's houses and making The Depression more depressing. They have few other ways to get by. There are police casualties, but the police response is often excessively violent, and they're tools of a state who seem to be doing little else to help the people who are suffering in the 1930s.
Bonnie and Clyde and their gang aren't perfect people by any means, but they are more likable than those who they're pitted against. Within the last few years, figures like them stray further and further from the anti-hero label, and closer towards the hero one.
There's some really bold editing here, and the lead performances are all good (fantastic Gene Wilder appearance, too). The character of Blanche is a bit annoying, though. I wish the screenplay had toned her down a bit. The music and a couple of jarring editing techniques might not work for everyone, too, and I think the pace gets a little janky here and there.
But for the stuff this movie does well, I feel it's at least deserving of an 8/10 rating. It's not my favourite landmark boundary-pusher of the late 1960s, but it's up there.
I said I'd be brief, but that didn't end up happening. Guess there's a lot to talk about when it comes to a movie like Bonnie and Clyde.
