Invitation to the Dance
- 1956
- 1h 33m
IMDb RATING
6.4/10
1.1K
YOUR RATING
Three different stories are told through a notably unusual way - no words, just dance.Three different stories are told through a notably unusual way - no words, just dance.Three different stories are told through a notably unusual way - no words, just dance.
- Awards
- 1 win & 1 nomination
Luigi Faccuito
- Specialty Dancer
- (uncredited)
Diki Lerner
- Thief in 'Sinbad the Sailor'
- (uncredited)
Paddy Stone
- Speciality Dancer
- (uncredited)
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaGene Kelly's original intention was to make a film that would educate mainstream audiences about professional dancing in the world. To this end, he wanted to cast the greatest dancers in Europe for the four segments in leading roles. He himself would appear in only one - the Popular Song sequence, which ended up being cut. MGM, however, refused to allow the picture unless he appeared in all of them. Many of the professionals who worked in the film agreed that this was one of the film's great weaknesses.
- GoofsDuring the "Scheherazade" sequence, the color of the palace guard's costume changes from green to blue.
- ConnectionsEdited into American Masters: Gene Kelly: Anatomy of a Dancer (2002)
- SoundtracksCircus
Music by Jacques Ibert
Performed by The Royal Philharmonic Orchestra, conducted by John Hollingsworth
Danced by Gene Kelly, Igor Youskevitch and Claire Sombert
Featured review
No wonder INVITATION TO THE DANCE found no audience at the box office. The first two musical sequences, "Circus" and "Ring Around the Rosy" are monumental bores dragged down by pedestrian stories and, in the second one, inept use of camera trickery to speed up the action.
But the third, "Sinbad the Sailor," makes expert use of the Rimsky-Korsakov ballet score and makes dazzling use of animated effects, especially for the dancing between Kelly and a couple of Arabian guards which are highly original, intricate and amusing examples of combining live action with animation. It's the kind of originality sadly missing in the previously mentioned stories.
The "Sinbad" highlight almost makes up for the rest of the film with its own brand of originality--but alas, the first two sequences are enough to turn many viewers away from watching the final segment.
Summing up: Easy to see why this one failed miserably to attract a target audience with either high or low brow tastes.
But the third, "Sinbad the Sailor," makes expert use of the Rimsky-Korsakov ballet score and makes dazzling use of animated effects, especially for the dancing between Kelly and a couple of Arabian guards which are highly original, intricate and amusing examples of combining live action with animation. It's the kind of originality sadly missing in the previously mentioned stories.
The "Sinbad" highlight almost makes up for the rest of the film with its own brand of originality--but alas, the first two sequences are enough to turn many viewers away from watching the final segment.
Summing up: Easy to see why this one failed miserably to attract a target audience with either high or low brow tastes.
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Details
Box office
- Budget
- $1,500,000 (estimated)
- Runtime1 hour 33 minutes
- Aspect ratio
- 1.37 : 1
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By what name was Invitation to the Dance (1956) officially released in India in English?
Answer