Fingerman

FINGER MAN is an interesting example of a well made B film noir. Photography is a particularly strong point, reminiscent at times of THE THIRD MAN, with its long shadows, and the protagonist wearing a long coat, among other coincidental points.

Director Harold Schuster does a good job of keeping the film fluid and interesting, even if the actors are all of limited talent. Frank Lovejoy is unable convey any particularly recognizable emotion; Forrest Tucker is supposed to be a cunning criminal kingpin, but there is something less than convincing about his alleged ruthlessness; and pretty but otherwise forgettable Peggie Castle thankfully does not take too long to leave the film.

The story/script is credible, and the soundtrack better than usual in a B movie.

Obviously no masterpiece but certainly no waste of time, either.