IMDb RATING
6.5/10
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Mob attorney Walter Colby is manipulated by showgirl Flaxy Martin into taking the rap for a murder committed by mobster Hap Richie's goons, but he escapes and tries to get revenge.Mob attorney Walter Colby is manipulated by showgirl Flaxy Martin into taking the rap for a murder committed by mobster Hap Richie's goons, but he escapes and tries to get revenge.Mob attorney Walter Colby is manipulated by showgirl Flaxy Martin into taking the rap for a murder committed by mobster Hap Richie's goons, but he escapes and tries to get revenge.
Leah Baird
- Tenement Resident
- (uncredited)
Marjorie Bennett
- Nora's Neighbor
- (uncredited)
Paul Bryar
- Policeman with Witness
- (uncredited)
Jack Cheatham
- Police Dispatcher
- (uncredited)
Edgar Dearing
- State Trooper
- (uncredited)
John Elliott
- Judge Edward R. McVey
- (uncredited)
Creighton Hale
- George
- (uncredited)
John Harmon
- Fred Banford
- (uncredited)
Eddie Hart
- Detective with Nora
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaComposer William Lava repeatedly uses a five-note melody cribbed or "sampled" directly from Alfred Newman's composition for the theme from King Vidor's romantic drama Street Scene (1931). This Newman theme was recycled for the theme for I Wake Up Screaming (1941) and it soon became a staple of the studio's noir dramas, used as an trope of of the Big City in films like The Dark Corner (1946), Kiss of Death (1947) and Cry of the City (1948).
- GoofsRoper and Caesar continually address Colby (a lawyer) as "Shamus". A shamus is a private eye; the word they likely meant to use is "shyster".
- Quotes
Hap Richie: She's a great kid. You can always trust her to double-cross you.
- ConnectionsReferenced in Remington Steele: Cast in Steele (1984)
- SoundtracksSouth American Way
(uncredited)
Music by Jimmy McHugh
[Played on the piano when Flaxy and Walt arrive at Hap's party]
Featured review
Zachary Scott has most of the best lines and Virginia Mayo gets the complete glamor treatment in the title role of FLAXY MARTIN. Both of them score heavily in this tight little crime melodrama that suffers only when the plot's loopholes begin to show. Dorothy Malone gets third billing as the wholesome librarian who sticks her neck out to help a man she almost runs over on a dark and stormy night. Her motivations for taking him in and then discovering he's a man on the run from the law are never completely believable.
Nor is the way Scott tries to shield Mayo from the police by pretending that he's the man who murdered a woman the mob wanted to get rid of. He's a lawyer for the gangsters and sticks his own head into a noose by thinking that he can back himself into a corner and then get out.
But aside from these plot contrivances that don't ring true, the story about a lawyer being double-crossed by the gangsters he was protecting is tight and suspenseful. The supporting cast includes Douglas Kennedy, Elisha Cook, Jr., Tom D'Andrea and Douglas Fowley, all well-used and fitting into the noir-like atmosphere of the melodramatic turn of events.
The amusing tough guy talk from Zachary Scott gets the kind of delivery that shows he was a very capable actor who deserved more recognition with better roles in A-films. He's excellent here and Virginia Mayo is so convincing as a scheming tramp that it makes me think Bette Davis was right when she told Warner Brothers they should have offered the role of Rosa Moline in "Beyond the Forest" to Mayo. She's that good.
Nor is the way Scott tries to shield Mayo from the police by pretending that he's the man who murdered a woman the mob wanted to get rid of. He's a lawyer for the gangsters and sticks his own head into a noose by thinking that he can back himself into a corner and then get out.
But aside from these plot contrivances that don't ring true, the story about a lawyer being double-crossed by the gangsters he was protecting is tight and suspenseful. The supporting cast includes Douglas Kennedy, Elisha Cook, Jr., Tom D'Andrea and Douglas Fowley, all well-used and fitting into the noir-like atmosphere of the melodramatic turn of events.
The amusing tough guy talk from Zachary Scott gets the kind of delivery that shows he was a very capable actor who deserved more recognition with better roles in A-films. He's excellent here and Virginia Mayo is so convincing as a scheming tramp that it makes me think Bette Davis was right when she told Warner Brothers they should have offered the role of Rosa Moline in "Beyond the Forest" to Mayo. She's that good.
- How long is Flaxy Martin?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Smart Money
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 26 minutes
- Color
- Aspect ratio
- 1.37 : 1
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