Above: Calendar Girl (1947) / Pearl of the South Pacific (1955) / Frontier Marshal (1939)
Last October, my co-editor David Phelps and I released our first self-published e-book out into the world. It was entitled William A. Wellman: A Dossier, and after the somewhat life-changing experience we had discovering Wellman's films during his Film Forum retrospective, we were happy to have discovered a format that would allow us to curate, create, and share an anthology of criticism centered on Wellman's work.
After the release, David and I found ourselves contemplating what to do next, and our thoughts soon brought us back to a night when we screened Allan Dwan's Cattle Queen of Montana (1954), a Western unlike any Western we had seen. A movie that on paper is a simple genre exercise about a vengeful woman trying to regain her land and cattle but in practice is about how different people and events fill...
Last October, my co-editor David Phelps and I released our first self-published e-book out into the world. It was entitled William A. Wellman: A Dossier, and after the somewhat life-changing experience we had discovering Wellman's films during his Film Forum retrospective, we were happy to have discovered a format that would allow us to curate, create, and share an anthology of criticism centered on Wellman's work.
After the release, David and I found ourselves contemplating what to do next, and our thoughts soon brought us back to a night when we screened Allan Dwan's Cattle Queen of Montana (1954), a Western unlike any Western we had seen. A movie that on paper is a simple genre exercise about a vengeful woman trying to regain her land and cattle but in practice is about how different people and events fill...
- 6/4/2013
- by gina telaroli
- MUBI
Hollywood and Broadway star whose family life inspired the musical Gypsy
Those who know the gorgeously gaudy Jule Styne/Stephen Sondheim Broadway musical Gypsy (1959) will remember the refrain of "my name is June, what's yours?" addressed to the audience by the curly-haired child performer. "Baby" June was based on June Havoc, who has died aged 97, and the show was inspired by her early days in Us vaudeville with her "monstrous" stage mother and older sister Rose Louise, who became Gypsy Rose Lee, the famous stripper.
"I think Gypsy was one of the most smashing shows I've seen in my life," Havoc once told me. "But very little to do with fact. My mother was not such a monster. Few parents who had a child who, at the age of two, stood on her toes and danced every time she heard music, could resist putting her forward. Particularly if the child was happy doing it.
Those who know the gorgeously gaudy Jule Styne/Stephen Sondheim Broadway musical Gypsy (1959) will remember the refrain of "my name is June, what's yours?" addressed to the audience by the curly-haired child performer. "Baby" June was based on June Havoc, who has died aged 97, and the show was inspired by her early days in Us vaudeville with her "monstrous" stage mother and older sister Rose Louise, who became Gypsy Rose Lee, the famous stripper.
"I think Gypsy was one of the most smashing shows I've seen in my life," Havoc once told me. "But very little to do with fact. My mother was not such a monster. Few parents who had a child who, at the age of two, stood on her toes and danced every time she heard music, could resist putting her forward. Particularly if the child was happy doing it.
- 3/30/2010
- by Ronald Bergan
- The Guardian - Film News
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