IMDb RATING
7.3/10
1.9K
YOUR RATING
Stan and Ollie try to hide their pet dog Laughing Gravy from their exasperated, mean tempered landlord, who has a "No Pets" policy.Stan and Ollie try to hide their pet dog Laughing Gravy from their exasperated, mean tempered landlord, who has a "No Pets" policy.Stan and Ollie try to hide their pet dog Laughing Gravy from their exasperated, mean tempered landlord, who has a "No Pets" policy.
Harry Bernard
- Policeman
- (uncredited)
Charles Dorety
- Drunk
- (uncredited)
Laughing Gravy
- Laughing Gravy - the Dog
- (uncredited)
Charlie Hall
- Landlord
- (uncredited)
Storyline
Did you know
- TriviaCharlie Hall plays the dog-hating landlord. In real life, he would later adopt one of Laughing Gravy's puppies.
- GoofsWhen the boys are on the snow-covered roof, something gets Laughing Gravy's attention and he walks off the set-up out of camera range. After a brief cutaway to Charlie Hall, he's back right next to the boys.
- Crazy creditsOpening credits prologue: Mr. Laurel and Mr. Hardy stuck together through thick and thin -
One pocketbook between them - Always empty -
- Alternate versionsSpanish and French language versions of this film were also produced simultaneously. Laurel and Hardy read from cue cards with their lines written phonetically in the appropriate languages. At the time of early talkies, the process of dubbing was not yet perfected.
- ConnectionsAlternate-language version of Be Big! (1931)
- SoundtracksYou'll Be Sorry Just Too Late
(1907) (uncredited)
Written by Billy Gaston
Sung a cappella by Oliver Hardy in the three-reel version
Featured review
This is probably one of the more well-known of Laurel & Hardy's shorts. I remember when I was a kid this one was shown all the time – although without that extra reel, which wasn't re-discovered until 1985. They don't seem to show Laurel & Hardy shorts on TV anymore which is a real shame; there's a whole generation growing up knowing little about the duo.
In this one they try to conceal their little dog Laughing Gravy (possibly the only dog in cinema history to have a film named after him rather than the other way around) from their pint-size landlord, the permanently grumpy Charlie Hall. Of course, they're unsuccessful and when the landlord pitches the dog out into the snow, Ollie braves the elements to smuggle it back in. As always, the boys complicate things by attempting to haul Ollie up the side of the building using a couple of sheets tied together – with inevitable results. Although the snow is obviously fake and the location is a set, the film really does succeed in making you feel the cold as the boys slide around on the roof in their nightshirts.
There isn't that much dialogue in this film – or at least in the first twenty minutes – nearly all the humour is physical, punctuated by a number of long despairing looks into the camera from Ollie. Stan stares at the camera too on occasion, but you can tell there isn't much going on inside his character's head. He looks at the camera and you can almost hear the cogs creaking as they turn.
The laughs are pretty solid and arrive at fairly regular intervals until that final reel when things change entirely. It's not difficult to see why it was cut from the original because it just bears no relation to the rest of the film other than the fact that it is a protracted build up to a decent punch-line involving the dog.
In this one they try to conceal their little dog Laughing Gravy (possibly the only dog in cinema history to have a film named after him rather than the other way around) from their pint-size landlord, the permanently grumpy Charlie Hall. Of course, they're unsuccessful and when the landlord pitches the dog out into the snow, Ollie braves the elements to smuggle it back in. As always, the boys complicate things by attempting to haul Ollie up the side of the building using a couple of sheets tied together – with inevitable results. Although the snow is obviously fake and the location is a set, the film really does succeed in making you feel the cold as the boys slide around on the roof in their nightshirts.
There isn't that much dialogue in this film – or at least in the first twenty minutes – nearly all the humour is physical, punctuated by a number of long despairing looks into the camera from Ollie. Stan stares at the camera too on occasion, but you can tell there isn't much going on inside his character's head. He looks at the camera and you can almost hear the cogs creaking as they turn.
The laughs are pretty solid and arrive at fairly regular intervals until that final reel when things change entirely. It's not difficult to see why it was cut from the original because it just bears no relation to the rest of the film other than the fact that it is a protracted build up to a decent punch-line involving the dog.
- JoeytheBrit
- Jul 30, 2009
- Permalink
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Ett riktigt hundliv
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime21 minutes
- Color
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