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An unflinching Ozark Mountain girl hacks through dangerous social terrain as she hunts down her drug-dealing father while trying to keep her family intact.

A young synthetic journalist sets out to investigate a rumored black market software update that promises to restore emotions to synths.

In 1880's Taney County Missouri a group of respectable men led by the giant Nat Kinney set out at night to instill justice to an outlaw-infested region of ineffective law protection. As peace saw return the group disbanded, successful in their motive. What happened then was a resulting unforeseen tragedy: Neighboring counties adopted the style of the former group, developing a fearsome disguise and violence in the name of their own self-righteous needs. The ensuing carnage made worldwide headlines, the history of which would be quickly buried by descendants of either side of the issue once the government took action. In an effort to restore this stranger-than-fiction epic to the annals of the history books it was purposefully omitted from, Fire on the Mountain investigates the non-racially motivated vigilantes' rise-and-fall, as told through the words of modern-day descendants of those involved, and separating the fact from the fictional account that is propagated today through the tourism of the Branson, MO entertainment attractions.

On Monday, Ryan, a kid with no plans for the future and a mysterious past, finishes his last college final. He heads back to the street he's lived on for all of college where he and his friends play games and discuss their impending graduation on Friday. They convince Ryan to come with them to Jack's casino where he meets a secretive Megan in a pool game before getting dragged into an unfortunate poker game with Jack. Now Ryan has to figure out his future, deal with worried parents, get rid of a kid that wants to kill him, and repay his gambling debt before graduation.