Garry Maddison(I)
- Editorial Department
- Visual Effects
- Camera and Electrical Department
Part of the Best Visual Effects Academy Award and BAFTA winning team for Interstellar and Best Visual Effects Academy Award winning team for Ex-Machina whilst working at Double Negative.
An experienced Colourist, Garry started grading twelve years ago, learning how to grade on film whilst developing and transferring rushes in a film lab in Soho. It would be this experience that laid the foundation of what Garry draws on when creating a look for a film that is shot digitally, as the experience of grading on film for many years meant he can produce a unique colour scheme with a cinematic filmic feel.
An experienced Colourist, Garry started grading twelve years ago, learning how to grade on film whilst developing and transferring rushes in a film lab in Soho. It would be this experience that laid the foundation of what Garry draws on when creating a look for a film that is shot digitally, as the experience of grading on film for many years meant he can produce a unique colour scheme with a cinematic filmic feel.
