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With Janus possessing the much-needed restorations, Catherine Breillat is getting her biggest-ever spotlight in November’s Criterion Channel series spanning 1976’s A Real Young Girl to 2004’s Anatomy of Hell––just one of numerous retrospectives arriving next month. They’re also spotlighting Ida Lupino, directorial efforts of John Turturro (who also gets an “Adventures In Moviegoing”), the Coen brothers, and Jacques Audiard.

In a slightly more macroscopic view, Columbia Noir and a new edition of “Queersighting” ring in Noirvember. Gregg Araki’s Teen Apocalypse trilogy and Miller’s Crossing get Criterion Editions, while restorations of David Bowie-starrer The Linguini Incident, Med Hondo’s West Indies, and Dennis Hopper’s Out of the Blue make streaming debuts; and Kevin Jerome Everson’s Tonsler Park arrives just in time for another grim election day.

See the full list of titles arriving in November below:

36 fillette, Catherine Breillat, 1988

Anatomy of Hell, Catherine Breillat,...

These last few years the Criterion Channel have made October viewing much easier to prioritize, and in the spirit of their ’70s and ’80s horror series we’ve graduated to––you guessed it––”’90s Horror.” A couple of obvious classics stand with cult favorites and more unknown entities (When a Stranger Calls Back and Def By Temptation are new to me). Three more series continue the trend: “Technothrillers” does what it says on the tin, courtesy the likes of eXistenZ and Demonlover; “Art-House Horror” is precisely the kind of place to host Cure, Suspiria, Onibaba; and “Pre-Code Horror” is a black-and-white dream. Phantom of the Paradise, Unfriended, and John Brahm’s The Lodger are added elsewhere.

James Gray is the latest with an “Adventures in Moviegoing” series populated by deep cuts and straight classics. Stonewalling and restorations of Trouble Every Day and The Devil, Probably make streaming debuts, while Flesh for Frankenstein,...

Archie Mayo’s 1942 film is a tuneful soap opera sustained by a treasure trove of swing era classics courtesy of Glenn Miller and his orchestra. Miller plays a bandleader who finds himself embroiled in a musical hornet’s nest of horny husbands and jealous wives. Ann Rutherford and George Montgomery star as an embattled bride and groom and Jackie Gleason shines in a bit part as Miller’s bass player.

The post Orchestra Wives appeared first on Trailers From Hell.

May on the Criterion Channel will be good to the auteurs. In fact they’re giving Richard Linklater better treatment than the distributor of his last film, with a 13-title retrospective mixing usual suspects—the Before trilogy, Boyhood, Slacker—with some truly off the beaten track. There’s a few shorts I haven’t seen but most intriguing is Heads I Win/Tails You Lose, the only available description of which calls it a four-hour (!) piece “edited together by Richard Linklater in 1991 from film countdowns and tail leaders from films submitted to the Austin Film Society in Austin, Texas from 1987 to 1990. It is Linklater’s tribute to the film countdown, used by many projectionists over the years to cue one reel of film after another when switching to another reel on another projector during projection.” Pair that with 2008’s Inning by Inning: A Portrait of a Coach and your completionism will be on-track.

In 1946, when Humphrey Bogart signed an updated contract with Warner Bros., he was able to stipulate a list of directors preferred for future projects. John Huston and Howard Hawks were no surprise—having helmed some of Bogart’s most admired films, they were also good friends with the iconic star—and two more of his chosen directors, John Cromwell and Delmer Daves, were well-regarded for their efficiency and expertise (they each worked with Bogart the very next year). Then there was Michael Curtiz. While he had directed what was perhaps Bogart’s most venerated film, 1942’s Casablanca, in 1946 the director was hardly synonymous with Bogart’s body of work, or his temperament. And yet, it was Curtiz who had engaged Bogart prior to Hawks and Huston, the two directors widely credited with Bogart’s ascent to celebrity; it was Curtiz who was the last of the named directors to work...

The Notebook Primer introduces readers to some of the most important figures, films, genres, and movements in film history.The Mortal StormDuring World War II, just as American car factories were converted to churn out tanks and airplanes, America’s “Dream Factory” was converted to churn out messaging about “why we fight.” As President Roosevelt put it, Hollywood “emotionaliz[ed]” the war effort for Americans, who streamed into movie theaters at record-breaking rates, despite the departure of 16 million men to the fronts. No matter the title on the marquee, moviegoers were sure to get a heavy dose of anti-fascism and, to balance it out, a rousing boost of pro-democratic patriotism. As such, the war represented a pivotal moment in Hollywood history, one in which the U.S. film industry came to take itself seriously as a significant socio-political force. Hollywood’s left-liberal filmmakers ascended during the war and, in close collaboration with the Roosevelt administration,...

William Wellman’s The Public Enemy (1931) turns 90 this weekend. When the film first came out, a theater in Times Square showed it nonstop, 24 hours a day, seven days a week. The movie marks the true beginning of gangster movies as a genre. Mervyn LeRoy’s Little Caesar may have hit theaters first, but The Public Enemy set the pattern, and James Cagney nailed the patter. Not just the street talk either; he also understood its machine gun delivery. His Tommy Powers is just a hoodlum, never a boss. He is a button man at best, even if he insisted his suits have six buttons.

The Public Enemy character wasn’t even as high up the ladder as Paul Sorvino’s caporegime Paul Cicero in Martin Scorsese’s Goodfellas. But Cagney secured the turf Edward G. Robinson’s Rico Bandello took a bullet to claim in Little Caesar, and for the...

The Berlin International Film Festival has set its full slate for the upcoming 2021 edition. Berlinale usually follows Sundance with a February festival, but the pandemic has forced organizers to develop a new festival format for 2021. The 71st Berlin International Film Festival is set to take place with the “Industry Event” from March 1 to 5, which will include the European Film Market (EFM), the Berlinale Co-Production Market, the Berlinale Talents, and the World Cinema Fund in online forms. From June 9 to 20, 2021 the Berlinale will launch a “Summer Special” with numerous film presentations in Berlin, both at indoor and outdoor cinemas.

Included in the March event is the traditional film festival slate, which includes the main Berlinale Competition lineup as well as sidebar sections such as Berlinale Special & Berlinale Series, Encounters, Berlinale Shorts, Panorama, Forum & Forum Expanded, Generation, Perspektive Deutsches Kino, and Retrospective. With the exception of the Retrospective, the films will be shown at the March event.

Olivia de Havilland, one of the last remaining actresses of Hollywood’s Golden Age and the last surviving star of Gone With the Wind, died July 26 of natural causes at her residence in Paris, where she lived for more than six decades, according to Variety. De Havilland was 104.

De Havilland turned 104 on July 1. She was the older sister of Joan Fontaine, who died in 2013 at 96. The two Academy Award-winning actresses were estranged for most of their lives. Olivia Mary de Havilland was born in Tokyo on July 1, 1916. Her parents, Walter de Havilland, an English professor, and actress Lilian Fontaine, were British. De Havilland and her sister grew up in Saratoga, California, with their mother. Her father married the family’s housekeeper and remained in Tokyo. Havilland’s first performance was in a school production of Alice in Wonderland.

She made her stage debut in Max Reinhardt’s production of Shakespeare’s A Midsummer Night’s Dream.

Netflix may get most of the attention, but it’s hardly a one-stop shop for cinephiles who are looking to stream essential classic and contemporary films. Each of the prominent streaming platforms — and there are more of them all the time — caters to its own niche of film obsessives.

From chilling horror fare on Shudder, to the boundless wonders of the Criterion Channel, and esoteric (but unmissable) festival hits on Film Movement Plus and Ovid.tv, IndieWire’s monthly guide will highlight the best of what’s coming to every major streaming site, with an eye towards exclusive titles that may help readers decide which of these services is right for them.

Here’s the best of the best for August 2019.

Amazon Prime

There are some big new movies coming to Amazon Prime this month, but most of these recent Hollywood titles will also be available to stream on Hulu and/or Netflix.

Ricardo Cortez: Although never as big a star as fellow 1920s screen heartthrobs Rudolph Valentino, Ramon Novarro, and John Gilbert, Cortez had a long – and, to some extent, prestigious – film career, appearing in nearly 100 movies between 1923 and 1950. Among his directors: Allan Dwan, Cecil B. DeMille, D.W. Griffith, James Cruze, Alexander Korda, Herbert Brenon, Roy Del Ruth, Frank Lloyd, Gregory La Cava, William A. Wellman, Alexander Hall, Lloyd Bacon, Tay Garnett, Archie Mayo, Raoul Walsh, Frank Capra, Walter Lang, Michael Curtiz, and John Ford. See previous post: “Remembering Ricardo Cortez: Hollywood's Silent “Latin Lover” & Star of Original 'The Maltese Falcon'.” First of all, why Ricardo Cortez? Since I began writing about classic movies and vintage filmmakers roughly 30 years ago, people have always been curious why I choose particular subjects. It sounds kind of corny, but I have always wanted to do original work and perhaps make a minor contribution to film history at the...

Wow! Fritz Lang's second western is a marvel -- a combo of matinee innocence and that old Germanic edict that character equals fate. It has a master's sense of color and design. Robert Young is an odd fit but Randolph Scott is nothing less than terrific. You'd think Lang was born on the Pecos. Western Union Blu-ray Kl Studio Classics 1941 / Color /1:37 flat Academy / 95 min. / Street Date November 8, 2016 / available through Kino Lorber / 29.95 Starring Randolph Scott, Robert Young, Virginia Gilmore, Dean Jagger, John Carradine, Chill Wills, Slim Summerville, Barton MacLane, Victor Kilian, George Chandler, Chief John Big Tree, Iron Eyes Cody, Jay Silverheels. Cinematography Edward Cronjager, Allen M. Davey Original Music David Buttolph Written by Robert Carson from the novel by Zane Grey Produced by Harry Joe Brown (associate) Directed by Fritz Lang

Reviewed by Glenn Erickson

Darryl Zanuck of 20th Fox treated most writers well, was good for John Ford...

Above: 1960s French stock poster for Marx Brothers revivals.This weekend New York’s Film Forum begins a week-long series entitled The Marx Brothers & The Golden Age of Vaudeville which is as good an excuse as any to look at the representation of the greatest sibling comedy team in cinema through movie posters. It has long been a tradition in movie poster illustration to render comedy stars as caricatures—often with oversized heads on small bodies—and Groucho, Harpo and Chico were a caricaturist’s dream. (Zeppo, the straight man, less so, but he left the act after Duck Soup in 1933, and re-release posters for the films he appeared in tend to ignore him, as in the Belgian Duck Soup and the Danish Horse Feathers below). With their distinctive props—Groucho’s oversized greasepaint mustache and cigar, Harpo’s curly blonde wig and Chico’s Alpine hat—the threesome could...

Wonderful isn't a good enough word to describe this joyful, funny and visually intoxicating Alice Faye musical by Busby Berkeley. Decades later it became part of a big Camp revival, but the real draw is still the Benny Goodman swing music, delightful performers like Carmen Miranda, and Berkeley's bizarre Technicolor visions. The Gang's All Here Blu-ray Twilight Time 1943 / Color / 1:37 Academy / 103 min. / Street Date July 19, 2016 / Available from Twilight Time Movies Store 29.95 Starring Alice Faye, Carmen Miranda, Phil Baker, Benny Goodman and Orchestra, Eugene Pallette, Charlotte Greenwood, Edward Everett Horton, Tony De Marco, James Ellison, Sheila Ryan, Dave Willock, Jeanne Crain, Frank Faylen, June Haver, Adele Jergens. Cinematography Edward Cronjager Special Effects Fred Sersen Original Music Harry Warren, Leo Robin, Hugo Friedhofer, Arthur Lange, Cyril J. Mockridge, Alfred Newman, Gene Rose Written by Walter Bullock, Nancy Wintner, George Root Jr., Tom Bridges Produced by William LeBaron Directed by Busby Berkeley

Reviewed...

Woo hoo! The pre-Code marvels return for one last go-round -- tales of sin and moral turpitude but also serious pictures about social issues that the Production Code effectively swept from Hollywood screens -- financial crimes and ethnic bigotry. Forbidden Hollywood Volume 10 Guilty Hands, The Mouthpiece, Secrets of the French Police, The Match King, Ever in My Heart DVD-r The Warner Archive Collection 1932-1934 / B&W / 1:37 flat Academy / 63, 62, 78, 85, 70 min. / Street Date October 27, 2015 / available through the WBshop / 40.99 Starring Lionel Barrymore, Kay Francis, Madge Evans; Warren William, Sidney Fox, Aline McMahon; Frank Morgan, Gwili Andre, Gregory Ratoff Rochelle Hudson; Warren William, Lili Damita, Glenda Farrell, Claire Dodd; Barbara Stanwyck, Otto Kruger, Ralph Bellamy, Ruth Donnelly. Cinematography Merritt B. Gerstad, Barney McGill; Alfred Gilks; Robert Kurrie; Written by Bayard Veiller; Joseph Jackson, Earl Baldwin, Frank J. Collins; Samuel Ornitz, Robert Tasker; Houston Branch, Sidney Sutherland, Einar Thorvaldson; Bertram Millhauser, Beulah Marie Dix.

Pat O'Brien movies on TCM: 'The Front Page,' 'Oil for the Lamps of China' Remember Pat O'Brien? In case you don't, you're not alone despite the fact that O'Brien was featured – in both large and small roles – in about 100 films, from the dawn of the sound era to 1981. That in addition to nearly 50 television appearances, from the early '50s to the early '80s. Never a top star or a critics' favorite, O'Brien was nevertheless one of the busiest Hollywood leading men – and second leads – of the 1930s. In that decade alone, mostly at Warner Bros., he was seen in nearly 60 films, from Bs (Hell's House, The Final Edition) to classics (American Madness, Angels with Dirty Faces). Turner Classic Movies is showing nine of those today, Nov. 11, '15, in honor of what would have been the Milwaukee-born O'Brien's 116th birthday. Pat O'Brien and James Cagney Spencer Tracy had Katharine Hepburn.

Constance Cummings in 'Night After Night.' Constance Cummings: Working with Frank Capra and Mae West (See previous post: “Constance Cummings: Actress Went from Harold Lloyd to Eugene O'Neill.”) Back at Columbia, Harry Cohn didn't do a very good job at making Constance Cummings feel important. By the end of 1932, Columbia and its sweet ingenue found themselves in court, fighting bitterly over stipulations in her contract. According to the actress and lawyer's daughter, Columbia had failed to notify her that they were picking up her option. Therefore, she was a free agent, able to offer her services wherever she pleased. Harry Cohn felt otherwise, claiming that his contract player had waived such a notice. The battle would spill over into 1933. On the positive side, in addition to Movie Crazy 1932 provided Cummings with three other notable Hollywood movies: Washington Merry-Go-Round, American Madness, and Night After Night. 'Washington Merry-Go-Round...

Child actor Dickie Moore: 'Our Gang' member. Former child actor Dickie Moore dead at 89: Film career ranged from 'Our Gang' shorts to features opposite Marlene Dietrich and Gary Cooper 1930s child actor Dickie Moore, whose 100 movie career ranged from Our Gang shorts to playing opposite the likes of Marlene Dietrich, Barbara Stanwyck, and Gary Cooper, died in Connecticut on Sept. 7, '15 – five days before his 90th birthday. So far, news reports haven't specified the cause of death. According to a 2013 Boston Phoenix article about Moore's wife, MGM musical star Jane Powell, he had been “suffering from arthritis and bouts of dementia.” Dickie Moore movies At the behest of a persistent family friend, combined with the fact that his father was out of a job, Dickie Moore (born on Sept. 12, 1925, in Los Angeles) made his film debut as an infant in Alan Crosland's 1927 costume drama The Beloved Rogue,...

Douglas Fairbanks Jr. ca. 1935. Douglas Fairbanks Jr. was never as popular as his father, silent film superstar Douglas Fairbanks, who starred in one action-adventure blockbuster after another in the 1920s (The Mark of Zorro, Robin Hood, The Thief of Bagdad) and whose stardom dates back to the mid-1910s, when Fairbanks toplined a series of light, modern-day comedies in which he was cast as the embodiment of the enterprising, 20th century “all-American.” What this particular go-getter got was screen queen Mary Pickford as his wife and United Artists as his studio, which he co-founded with Pickford, D.W. Griffith, and Charles Chaplin. Now, although Jr. never had the following of Sr., he did enjoy a solid two-decade-plus movie career. In fact, he was one of the few children of major film stars – e.g., Jane Fonda, Liza Minnelli, Angelina Jolie, Michael Douglas, Jamie Lee Curtis – who had successful film careers of their own.

Olivia de Havilland on Turner Classic Movies: Your chance to watch 'The Adventures of Robin Hood' for the 384th time Olivia de Havilland is Turner Classic Movies' “Summer Under the Stars” star today, Aug. 2, '15. The two-time Best Actress Oscar winner (To Each His Own, 1946; The Heiress, 1949) whose steely determination helped to change the way studios handled their contract players turned 99 last July 1. Unfortunately, TCM isn't showing any de Havilland movie rarities, e.g., Universal's cool thriller The Dark Mirror (1946), the Paramount comedy The Well-Groomed Bride (1947), or Terence Young's British-made That Lady (1955), with de Havilland as eye-patch-wearing Spanish princess Ana de Mendoza. On the other hand, you'll be able to catch for the 384th time a demure Olivia de Havilland being romanced by a dashing Errol Flynn in The Adventures of Robin Hood, as TCM shows this 1938 period adventure classic just about every month. But who's complaining? One the...

Olivia de Havilland picture U.S. labor history-making 'Gone with the Wind' star and two-time Best Actress winner Olivia de Havilland turns 99 (This Olivia de Havilland article is currently being revised and expanded.) Two-time Best Actress Academy Award winner Olivia de Havilland, the only surviving major Gone with the Wind cast member and oldest surviving Oscar winner, is turning 99 years old today, July 1.[1] Also known for her widely publicized feud with sister Joan Fontaine and for her eight movies with Errol Flynn, de Havilland should be remembered as well for having made Hollywood labor history. This particular history has nothing to do with de Havilland's films, her two Oscars, Gone with the Wind, Joan Fontaine, or Errol Flynn. Instead, history was made as a result of a legal fight: after winning a lawsuit against Warner Bros. in the mid-'40s, Olivia de Havilland put an end to treacherous...

Continuing the tradition of brisk pre-Code films, Joel McCrea’s occasional appearances in Gregory La Cava’s 1933 Bed of Roses serve as strange moral medium between the wanton hedonism of the lead Constance Bennett and the upcoming censorship of the era. Screenwriter Wanda Tuchock’s story of jail-hopping prostitutes-on-the-side seems like a victory lap for vice-ridden cinematic world of the early 30s, including flippant talk of suicide, heavily implied sex, liberal boozing, and poking fun at previous attempts of government sponsored moral judgment (“The Eighteenth Amendment is a law, and as a law should be enforced until it stops being a law”). The film begins in a prison as Bennett’s Lorry Evans and partner-in-crime Minnie (Pert Kelton) walk out of their cells, trash-talking life outside in radio-ready cadence and street-ready slang. They have short hair, hats tipped on the side of their head (I assume gravity worked differently in...

Above: French poster by Boris Grinsson for You’ll Never Get Rich (Sidney Lanfield, USA, 1941).In the new edition of Film Comment, out this week, I write about British airbrush artist Philip Castle and his iconic poster for Stanley Kubrick’s A Clockwork Orange. The other man behind that poster, aside from Kubrick himself, was producer, director and writer Mike Kaplan who, at the time, was Kubrick’s marketing guru.Kaplan, who has been collecting movie posters, as well as art directing them, for 35 years, is a tireless proselytizer for the art form and his latest project is a labor of love and a pure delight. Gotta Dance! The Art of the Dance Movie Poster, a book he wrote and curated, was born out of a touring exhibition of his own personal collection that he has been exhibiting around the country for the past few years. Its latest stop is...

This week on Trailers from Hell, Joe Dante talks about Archie Mayo's controversial 1937 film "Black Legion," starring Humphrey Bogart. One of the more provocative entries in Warner Bros.' line of socially conscious potboilers, "Black Legion" is based on the real events surrounding a murderous splinter group of the Ku Klux Klan that, though numbering only around 30,000 members, still managed to rattle the nerves of a large portion of the populace in the late thirties. Humphrey Bogart stars as the ill-fated pawn of the black-hooded vigilantes and he's supported by Warner Bros.' favorite gum-cracking girlfriend, Ann Sheridan, along with future Universal contractor Dick Foran as his best friend. Directed by Archie Mayo with some uncredited help from Michael Curtiz. From the Believe It or Not Dept., the Ku Klux Klan sued Warners for using their patented logo in the film.

One of the more provocative entries in Warner Bros.’ line of socially conscious potboilers, Black Legion is based on the real events surrounding a murderous splinter group of the Ku Klux Klan that, though numbering only around 30,000 members, still managed to rattle the nerves of a large portion of the populace in the late thirties. Humphrey Bogart stars as the ill-fated pawn of the black-hooded vigilantes and he’s supported by Warner Bros.’ favorite gum-cracking girlfriend, Ann Sheridan, along with future Universal contractor Dick Foran as his best friend. Directed by Archie Mayo with some uncredited help from Michael Curtiz.

The post Black Legion appeared first on Trailers From Hell.

Above: Us poster for Forbidden (Frank Capra, USA, 1932)

In honor of the month-long retrospective of the films of the great Barbara Stanwyck starting today at Film Forum in New York, I thought I’d select my favorite Stanwyck posters. Brooklyn-born Ruby Catherine Stevens made 85 films over 37 years in Hollywood so there is an awful lot to choose from. But the remarkable thing about looking back at these posters is how artists seemed to have had a hard time capturing her likeness. The poster for one of her earliest films, Capra’s 1932 Forbidden, above, captures her beautifully, but the poster for Stella Dallas (1937), her first Oscar-nominated role (she never won, shockingly), seems to be of a different actress entirely. As for the sexed-up illustration on the flyer for The Bitter Tea of General Yen (1933), in that she looks more like Jean Harlow. Some of my favorite posters for her films are the Swedish and Danish designs,...

Browse all the sections of the 57th London Film Festival (Oct 9-20) including the galas, competition titles and individual sections.

Alphabetical list of titles by section including feature premiere status

Wp = Wp

Ep = European Premiere

IP = International Premiere

UK = UK Premiere

Gala’s

Opening Night

Captain Phillips, Paul Greengrass (Us) Ep

Closing Night

Saving Mr Banks, John Lee Hancock (Us/UK) Ep

Philomena, Stephen Frears (UK) UK12 Years A Slave, Steve Mcqueen (UK) EPGravity, Alfonso Cuaron (Us) UKInside Llewyn Davis, Ethan Coen, Joel Coen (Us) UKLabor Day, Jason Reitman (Us) EPThe Invisible Woman, Ralph Fiennes (UK), EPThe Epic Of Everest, John Noel (UK) WPBlue Is The Warmest Colour, Abdellatif Kechiche (France) UKNight Moves, Kelly Reichardt (Us) UKStranger By The Lake, Alain Guiraudie (France) UKDon Jon, Joseph Gordon-Levitt (Us) UKMystery Road, Ivan Sen (Australia) UKOnly Lovers Left Alive, Jim Jarmusch (Us) UKNebraska, Alexander Payne (Us) UKWe Are The Best!, Lukas Moodysson (Sweden) EPFoosball 3D, Juan Jose Campanella (Argentina...

Bette Davis movies: TCM schedule on August 14 (photo: Bette Davis in ‘Dangerous,’ with Franchot Tone) See previous post: “Bette Davis Eyes: They’re Watching You Tonight.” 3:00 Am Parachute Jumper (1933). Director: Alfred E. Green. Cast: Douglas Fairbanks Jr., Bette Davis, Frank McHugh, Claire Dodd, Harold Huber, Leo Carrillo, Thomas E. Jackson, Lyle Talbot, Leon Ames, Stanley Blystone, Reginald Barlow, George Chandler, Walter Brennan, Pat O’Malley, Paul Panzer, Nat Pendleton, Dewey Robinson, Tom Wilson, Sheila Terry. Bw-72 mins. 4:30 Am The Girl From 10th Avenue (1935). Director: Alfred E. Green. Cast: Bette Davis, Ian Hunter, Colin Clive, Alison Skipworth, John Eldredge, Phillip Reed, Katharine Alexander, Helen Jerome Eddy, Bill Elliott, Edward McWade, André Cheron, Wedgwood Nowell, John Quillan, Mary Treen. Bw-69 mins. 6:00 Am Dangerous (1935). Director: Alfred E. Green. Cast: Bette Davis, Franchot Tone, Margaret Lindsay, Alison Skipworth, John Eldredge, Dick Foran, Walter Walker, Richard Carle, George Irving, Pierre Watkin, Douglas Wood,...

High Sierra

Written by W. R. Burnett and John Huston

Directed by Raoul Walsh

U.S.A., 1941

Last week’s column entry, White Heat, was a film directed by Raoul Walsh which exemplified some of the very best assets of both the gangster and noir genres within the same picture. Given that the latter evolved, in part, out of the former, it only seemed natural that by the end of the 1940s, when the gangster pictures were less prominent at the theatre and noir was picking up considerable steam, the two would coalesce seamlessly. In truth, White Heat s not the first Walsh picture to attempt a perfect marriage between the two iconic genres. 8 years prior in 1941 audiences were treated to High Sierra, starring Humphrey Bogart and co-written by yet another legend, John Huston (based on a W. R. Burnett novel, who also partook in the screenwriting process). As the spiritual precursor to White Heat,...

Gone With The Wind Actress Ann Rutherford Dies. [Photo: Ann Rutherford as Carreen O'Hara, Evelyn Keyes as Suellen O'Hara in Gone with the Wind.]

Ann Rutherford‘s most notable screen roles were in films made away from both MGM and Wallace Beery. She was a young woman who falls for trumpeter George Montgomery in Archie Mayo’s 20th Century Fox musical Orchestra Wives (1942), and became enmeshed with (possibly) amnesiac Tom Conway in Anthony Mann’s Rko thriller Two O’Clock Courage (1945).

Following a couple of minor supporting roles — in the Danny Kaye comedy The Secret Life of Walter Mitty (1947) at Goldwyn and the Errol Flynn costumer The Adventures of Don Juan (1948) at Warner Bros. — and the female lead in the independently made cattle drama Operation Haylift (1950), opposite Bill Williams, Ann Rutherford retired from the screen. (Rutherford would later say that her Operation Haylift experience was anything but pleasant.)

She then turned to television, making regular television appearances in the ’50s (The Donna Reed Show, Playhouse 90,...

Gong Li in (but not as) Marco Polo? Director Tarsem Singh (Immortals / Mirror Mirror) and producer Gianni Nunnari (300 / 300: Battle of Artemisia) are reportedly working on a film project about the life of the Italian explorer, previously incarnated on screen by the likes of Gary Cooper (in Archie Mayo’s The Adventures of Marco Polo, 1938), Rory Calhoun (Piero Pierotti and Hugo Fregonese’s Marco Polo, 1962), Horst Buchholz (Denys de La Patellière and Raoul Lévy’s Marco the Magnificent, 1965), and Ian Somerhalder (Kevin Connor’s TV movie Marco Polo, 2007). According to Screen Daily, the Chinese Gong Li would play a Mongolian princess. In Memoirs of a Geisha Gong played a Japanese geisha. She hasn’t played any Swedes yet, I don’t think, even though that would be karmic. After all, Swedish-born Warner Oland was a frequent "Chinaman," including Charlie Chan, in numerous Hollywood movies of the ’20s and ’30s. The...

While 13th century China remains a mystery, we learn a lot about 1930s Hollywood through this fictionalised romp

The Adventures of Marco Polo (1938)

Director: Archie Mayo

Entertainment grade: C–

History grade: D

Marco Polo was the first European to document travel to China in his Description of the World. Whether or not he actually visited China himself is a subject of dispute among historians.

Trade

The opening title cards state that Marco Polo (Gary Cooper) was the first European to visit China and "the first travelling salesman". Even if you do believe Marco went to China, he himself claims that his father Niccolò and uncle Maffeo Polo went first. He was blatantly not the first travelling salesman. The first evidence of long international trade routes dates them to at least 3,000 years earlier. But the movie had to get 1930s American audiences to identify with a 13th-century Venetian merchant somehow – hence the claim.

Taj Enlighten Film Society is all set to launch its New Delhi chapter with the screening of Away With Words, a 1999 film by Hong Kong cinematographer, Christopher Doyle. The film will begin at 4 Pm on November 5th 2011.

The screening will take place in Sirifort Auditorium 3. The society will begin its weekly-screening programme from November 5, 2011 onwards at the same venue.

The film society will screen films every Saturday evening from 4 Pm to 10 Pm – with two films playing in the time-slot. The inaugural month of the film society, November, will be dedicated to screening comedy films by directors like Ernst Lubistch, Jacques Tati, Mel Brooks and Archie Mayo.

The memberships to the Delhi chapter of the film society opened on 1st October 2011. To inquire about details of the membership and to ask for the programme schedule, contact : Suraj Prasad (7838340196) or send an email to : [email protected]. The inaugural day screenings are complimentary.

Linda Darnell Linda Darnell on TCM: A Letter To Three Wives, No Way Out Schedule (Et) and synopses from the TCM website: 6:00 Am Zero Hour! (1957) When a flight crew falls ill only man who can land the plane is afraid of flying. Dir: Hall Bartlett. Cast: Dana Andrews, Linda Darnell, Sterling Hayden. Bw-81 mins, Letterbox Format. 7:30 Am Sweet And Low Down (1944) Dir: Archie Mayo. Cast: Benny Goodman, Linda Darnell, Jack Oakie. Bw-76 mins. 9:00 Am Rise And Shine (1941) The college president head cheerleader and a gambling gangster try to keep a flunking football star in the game. Dir: Allan Dwan. Cast: Jack Oakie, George Murphy, Linda Darnell. Bw-88 mins. 10:45 Am Brigham Young (1940) Two young Mormons struggle to survive their people's journey to a new home in the West. Dir: Henry Hathaway. Cast: Tyrone Power, Linda Darnell, Dean Jagger. Bw-113 mins. 12:45 Pm Two Flags West (1950) A bitter...

Bette Davis on TCM: The Old Maid, Now, Voyager, The Working Man Bette Davis has a cameo in John Paul Jones (1959), which happens to be an insufferable bore despite the presence of Robert Stack in the title role, and she plays second banana to Spencer Tracy in the run-of-the-Warners-mill prison drama 20,000 Years in Sing Sing (1932), but she is at the center of The Corn Is Green (1945) as Miss Lily Moffat, a teacher in a poor Welsh mining town. Now, Voyager's Irving Rapper directed this film adaptation of Emlyn Williams' semi-autobiographical play — and it shows. Davis is a little too stiff in Ethel Barrymore's Broadway role, John Dall fails to convey his character's emotional turmoil, the dialogue has a theatrical lilt to it, and for the most part the potentially compelling drama feels stilted. Had William Wyler directed The Corn Is Green, it would have been a fantastic movie.

Miriam Hopkins, Bette Davis, The Old Maid Bette Davis, Warner Bros.' top female box-office attraction from the mid-'30s to the late '40s, is Turner Classic Movies' "Summer Under the Stars" performer-of-the-day this Wednesday, August 3. TCM will be presenting 12 Bette Davis movies, in addition to the 2005 documentary Stardust: The Bette Davis Story. [Bette Davis Movie Schedule.] Unfortunately, none of TCM's Bette Davis movies is a local premiere. So, don't expect anything rare like The Bad Sister, Seed, The Menace, or Way Back Home. Or, for that matter, Connecting Rooms, Bunny O'Hare, The Scientific Cardplayer, or Wicked Stepmother. (Luigi Comencini's The Scientific Cardplayer, co-starring Alberto Sordi, Joseph Cotten, and Silvana Mangano, is an interesting film; hopefully TCM will get a hold of it one of these days.) Anyhow, at least there's the little-known The Working Man (1933), a perfectly enjoyable Depression Era comedy-drama starring a surprisingly effective George Arliss as a big businessman who,...

Your weekly fix of great movies made before you were born that you should check out before you die. This week’s Old Ass Movies celebrates the nonsense of the best American comedians of all time. Groucho, Harpo and Chico move in on Bogart’s territory by setting up camp at a hotel in Casablanca, mocking Nazis, playing with a toupee, and remembering to set their watches. A Night in Casablanca (1946) Directed By: Archie Mayo Written By: Joseph Fields & Roland Kibbee Starring: Groucho Marx, Chico Marx, Harpo Marx, Sig Ruman, Lisette Verea, Lois Collier, and Charles Drake Selling someone on watching a Marx Brothers movie should be as easy as standing on the street corner offering free bacon, but A Night in Casablanca isn’t the typical Marx movie. It certainly shouldn’t be the first a newcomer should see, since that distinction goes to Duck Soup. It shouldn’t even be the second or third film...