VALUTAZIONE IMDb
6,1/10
3846
LA TUA VALUTAZIONE
La figlia del potente Duca deve mostrare il suo coraggio e la sua inventiva per stare con l'uomo che ama.La figlia del potente Duca deve mostrare il suo coraggio e la sua inventiva per stare con l'uomo che ama.La figlia del potente Duca deve mostrare il suo coraggio e la sua inventiva per stare con l'uomo che ama.
- Premi
- 1 vittoria e 6 candidature totali
Nobuyuki Takano
- Charles
- (as Nobuyuki "Daishi" Takano)
Trama
Lo sapevi?
- QuizThis was the ninth and final film directed by Kenneth Branagh in which Richard Briers stars. The others are Enrico V (1989), Gli amici di Peter (1992), Il canto del cigno (1992), Molto rumore per nulla (1993), Frankenstein di Mary Shelley (1994), Nel bel mezzo di un gelido inverno (1995), Hamlet (1996) and Pene d'amor perdute (2000).
- BlooperLions are not native to Japan. The lion is a carryover from the original play, which was set in a generic European country at an indeterminate time in the Middle Ages. Even that didn't make much sense, as lions have been extirpated from the main part of Europe since the 4th century AD, and from the Caucasus since the 10th century. But many Europeans, possibly including William Shakespeare, didn't know that lions weren't around anymore.
- Citazioni
Touchstone: The fool doth think he is wise, but the wise man knows himself to be a fool.
- Curiosità sui creditiThe picture seems to end without the play's Epilogue. Then, the closing credits begin, when they are suddenly interrupted by Bryce Dallas Howard, still in character as Rosalind, who then is seen speaking the Epilogue as she begins to walk to her trailer, drinking a cup of coffee along the way. After the speech, Kenneth Branagh can be heard off-screen saying "Aaaand...cut!" After this, the closing credits resume.
- Versioni alternativeThe version shown on cable television has been formatted to the aspect ratio commonly used in HDTV production (that is, anywhere from 1.78:1 to 1.85:1), while the version released to movie theatres was released in the typical CinemaScope/Panavision aspect ratio (2.39:1). It is the theatrical version which has been issued on DVD. Since the film was made using the Super 35 format, it was possible to make versions of the film in different aspect ratios.
- ConnessioniFeatured in 14th Annual Screen Actors Guild Awards (2008)
- Colonne sonoreUnder the Greenwood Tree
Composed by Patrick Doyle
Lyrics by William Shakespeare
Performed by Patrick Doyle and London Symphony Orchestra
Recensione in evidenza
On the whole, I agree with the many reviewers before me who praise Kenneth Branagh in general and "As You Like It" in specific. So, I don't have to reiterate their comments here. I am writing to rebut the review by teacher_tom516 who completely misunderstands the movie, the play and the term "suspension of disbelief." Starting with the last, Samuel Taylor Coleridge called it "the willful suspension of disbelief," the tacit agreement made by the audience to leave reality at the door of the theater and accept the production's conceit as a temporary new reality. All theater, with the exception of the mercifully brief 19th century flirtation with "Realism/Naturalism", recognizes that it is an illusion to try to present "reality" on stage. Shakespeare certainly knew that and even tells his audience this in several of his plays (Henry V, Hamlet, The Tempest, A Midsummer Night's Dream, etc etc). His comedies are allegorical -- more subtly, so are his tragedies and even histories. His audiences accepted the premise without caviling over clocks striking in "Julius Caesar" and wild animals from different continents nonchalantly coexist. Shakespeare's Forest of Arden wasn't named for the Belgian Ardennes but taken from Lodge's romance "Rosalynde," from which Shakespeare cribbed his plot and characters. It is a magical place not found on maps -- it is the "Bitter Wood" of Medieval legend, the place where humans must face themselves, with or without Yoda. Arden was also Shakespeare's mother's family name. The writer plays the name game with the characters, seemingly unaware that Shakespeare's names are often chosen for their metaphoric associations. Falstaff is a "false staff" to Prince Hal. Why Orlando? Not because it's an Italian courtier's name, but because it's the Italian translation of Roland, the name of one of two legendary brothers-in-arms in the reign of Charlemagne, immortalized in "The Song of Roland." The other brother-knight's name was... Oliver! Also, It's Jaques, not Jacques, and may have been pronounced "Jakes", Brit slang for bathroom, which might be taken as ironic since he is such a pessimist, unlike his opposite, Touchstone, whose name might be taken as the iconic test of Truth. Do the hodge-podge of names in Hamlet disturb teacher_tom516? Claudius? Polonius? Laertes? Rosencrantz and Guildenstern!?
His biggest complaint is about the Japanese setting. Obviously, he didn't read the opening on-screen explanation Mr. Branagh thoughtfully provided for the edification of anyone interested in it. Is the Meiji Japan of the imagination be any less exotic than the locale of "A Winter's Tale" -- "the coast of Bohemia."? Bohemia doesn't have a coast -- it's completely landlocked. Oh yes, how absurd a scrawny kid could throw a Sumo wrestler? That's the whole point. Ever hear of Jack the Giant-killer? Beware people who confuse the truths of fairy tales with the factoids of spreadsheets. Yes, Shakespeare plays fast and loose with facts - so do creative directors interpreting his plays. As Miguel de Cervantes said, "One should never let facts get in the way of Truth." He also said, "Facts are the enemy of Truth."
His biggest complaint is about the Japanese setting. Obviously, he didn't read the opening on-screen explanation Mr. Branagh thoughtfully provided for the edification of anyone interested in it. Is the Meiji Japan of the imagination be any less exotic than the locale of "A Winter's Tale" -- "the coast of Bohemia."? Bohemia doesn't have a coast -- it's completely landlocked. Oh yes, how absurd a scrawny kid could throw a Sumo wrestler? That's the whole point. Ever hear of Jack the Giant-killer? Beware people who confuse the truths of fairy tales with the factoids of spreadsheets. Yes, Shakespeare plays fast and loose with facts - so do creative directors interpreting his plays. As Miguel de Cervantes said, "One should never let facts get in the way of Truth." He also said, "Facts are the enemy of Truth."
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- As You Like It
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Botteghino
- Lordo in tutto il mondo
- 563.162 USD
- Tempo di esecuzione2 ore 7 minuti
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