Un ragazzino e sua sorella minore lottano per sopravvivere in Giappone durante la Seconda Guerra Mondiale.Un ragazzino e sua sorella minore lottano per sopravvivere in Giappone durante la Seconda Guerra Mondiale.Un ragazzino e sua sorella minore lottano per sopravvivere in Giappone durante la Seconda Guerra Mondiale.
- Premi
- 3 vittorie
Tsutomu Tatsumi
- Seita
- (voce)
Ayano Shiraishi
- Setsuko
- (voce)
Akemi Yamaguchi
- Aunt
- (voce)
Yoshiko Shinohara
- Mother
- (voce)
Kazumi Nozaki
- Cousin
- (voce)
Yoshio Matsuoka
- Gosaku
- (voce)
Michio Denpô
- Station worker
- (voce)
- …
Mika Sekita
- Nurse
- (voce)
Trama
Lo sapevi?
- QuizThis film was initially distributed with Il mio vicino Totoro (1988) because it was the only way that Miyazaki could have been able to make "Totoro." The reason being that the original film pitch for that film was rejected, so they pitched a double feature with "Grave of the Fireflies," and the project was eventually backed financially by the original writer of the book on which "Grave" is based. It often was overlooked as a film because whenever "Totoro" was screened first, people were left happy and did not wish to be saddened by "Grave" afterward.
- BlooperRight at the beginning, someone places what looks like a rice ball loosely wrapped in some tree bark as a protective cover next to the boy known as Seita. The scene cuts to Seita's face and soon after he collapses, the wrapped rice ball is nowhere to be seen.
- Colonne sonoreHome Sweet Home
Written by H.R. Bishop (uncredited)
Performed by Amelita Galli-Curci
Courtesy of RCA Victor Red Seal, a division of BMG Classics
Recensione in evidenza
This film proves without any doubt that animation isn't just suited to tales of fantasy, sci-fi or cartoon comedy and violence. This absolutely heartbreaking Japanese anime tells the story of a young boy, Seito and his younger sister, Setsuko, as they attempt to survive the American bombings on Japan in the last year of World War II.
The story itself, based on a true story, is powerful enough but the decision to animate the film truly elevates this film to a higher level. This would have been a powerful enough live action drama, along the lines of Spielberg's Empire of the Sun or even Schindler's List. However, the Studio Ghibli team, have brought an extraordinary amount of life to all the characters, but especially the young siblings. Now we're not talking realism as such here - the characters are in no way photo-realistic, they do have the usual characteristics of Japanese anime humans, large eyes and exaggerated expressions. What this achieves however is a heightened level of subtle nuances in expression which are arguably more powerful and provocative than anything a real-life actor may achieve. Some may claim this is overly manipulative or sentimental, but coupled with the characters movements and actions, it gives the characters such a strong, and very human, presence. You truly care for these kids, which is an astonishing achievement. The voice cast (original Japanese) contributes significantly here also.
It is the tiny moments which give this film so much power and emotional depth - from subtle expressions to brief scenes showing Seito playing with his sister at bath time, attempting, unsuccessfully, to cheer her up when she misses her mother. The painted backgrounds are works of art in themselves, just beautiful. And of course the scenes with the fireflies bring a touch of pure magic - a heightened innocent reality to contrast the horrific realities of the war.
The greatest achievement of this film is that, apart from a couple of obviously sentimental scenes, such as Setsuko's sobbing or illness, it doesn't force any false emotion on the viewer. It really comes from your involvement with the characters. It's completely honest to it's own story and even cuts off scenes abruptly, which could potentially have been milked for cheap sentiment. It often seems to say - This is what happened, you don't need to see anymore. Another of it's strengths is that it really doesn't comment on the politics of the war in any way, just the effects on innocent people.
This is an intensely moving film and a masterpiece of animation. If you aren't moved by these characters, you really need to check your pulse. 10/10
The story itself, based on a true story, is powerful enough but the decision to animate the film truly elevates this film to a higher level. This would have been a powerful enough live action drama, along the lines of Spielberg's Empire of the Sun or even Schindler's List. However, the Studio Ghibli team, have brought an extraordinary amount of life to all the characters, but especially the young siblings. Now we're not talking realism as such here - the characters are in no way photo-realistic, they do have the usual characteristics of Japanese anime humans, large eyes and exaggerated expressions. What this achieves however is a heightened level of subtle nuances in expression which are arguably more powerful and provocative than anything a real-life actor may achieve. Some may claim this is overly manipulative or sentimental, but coupled with the characters movements and actions, it gives the characters such a strong, and very human, presence. You truly care for these kids, which is an astonishing achievement. The voice cast (original Japanese) contributes significantly here also.
It is the tiny moments which give this film so much power and emotional depth - from subtle expressions to brief scenes showing Seito playing with his sister at bath time, attempting, unsuccessfully, to cheer her up when she misses her mother. The painted backgrounds are works of art in themselves, just beautiful. And of course the scenes with the fireflies bring a touch of pure magic - a heightened innocent reality to contrast the horrific realities of the war.
The greatest achievement of this film is that, apart from a couple of obviously sentimental scenes, such as Setsuko's sobbing or illness, it doesn't force any false emotion on the viewer. It really comes from your involvement with the characters. It's completely honest to it's own story and even cuts off scenes abruptly, which could potentially have been milked for cheap sentiment. It often seems to say - This is what happened, you don't need to see anymore. Another of it's strengths is that it really doesn't comment on the politics of the war in any way, just the effects on innocent people.
This is an intensely moving film and a masterpiece of animation. If you aren't moved by these characters, you really need to check your pulse. 10/10
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- La tomba delle lucciole
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.700.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 516.962 USD
- Fine settimana di apertura Stati Uniti e Canada
- 158.101 USD
- 12 ago 2018
- Lordo in tutto il mondo
- 801.143 USD
- Tempo di esecuzione1 ora 28 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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What is the streaming release date of Una tomba per le lucciole (1988) in Brazil?
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