Un avvocato vede la possibilità di salvare la sua carriera e il rispetto nei suoi confronti portando un caso di malasanità in tribunale piuttosto che risolverlo con un risarcimento.Un avvocato vede la possibilità di salvare la sua carriera e il rispetto nei suoi confronti portando un caso di malasanità in tribunale piuttosto che risolverlo con un risarcimento.Un avvocato vede la possibilità di salvare la sua carriera e il rispetto nei suoi confronti portando un caso di malasanità in tribunale piuttosto che risolverlo con un risarcimento.
- Candidato a 5 Oscar
- 3 vittorie e 14 candidature totali
- Dr. Gruber
- (as Lewis Stadlen)
Trama
Lo sapevi?
- QuizPaul Newman did Frank Galvin's closing statement in one take.
- BlooperIn the climactic courtroom scene, when Frank calls Kaitlin to the stand, Concannon is flustered and confers with one of his lawyers. The lawyer then leaves the courtroom, presumably having been given some direction by Concannon. Later, after Kaitlin has been questioned by Frank and cross-examined by Concannon, the lawyer returns with a book containing the case Concannon cites to get the judge to disallow the admittance of the photocopy of the hospital admission form as evidence. However, at the point at which Concannon calls the lawyer over and then, presumably, sends him out to "find" this book/case, he doesn't even know about the existence of the photocopy because he hasn't yet questioned Kaitlin; it's during his questioning of Kaitlin that she reveals she has a photocopy of the form. So there's no way the lawyer would have known to go out and find a case regarding the inadmissibility of a photocopy.
- Citazioni
[Frank is giving his summation to the jury]
Frank Galvin: You know, so much of the time we're just lost. We say, "Please, God, tell us what is right; tell us what is true." And there is no justice: the rich win, the poor are powerless. We become tired of hearing people lie. And after a time, we become dead... a little dead. We think of ourselves as victims... and we become victims. We become... we become weak. We doubt ourselves, we doubt our beliefs. We doubt our institutions. And we doubt the law. But today you are the law. You ARE the law. Not some book... not the lawyers... not the, a marble statue... or the trappings of the court. See those are just symbols of our desire to be just. They are... they are, in fact, a prayer: a fervent and a frightened prayer. In my religion, they say, "Act as if ye had faith... and faith will be given to you." IF... if we are to have faith in justice, we need only to believe in ourselves. And ACT with justice. See, I believe there is justice in our hearts.
[he sits down]
- Versioni alternativeNBC edited 33 minutes from this film for its 1985 network television premiere.
- ConnessioniFeatured in At the Movies: Tootsie/The Verdict/Sophies Choice/Airplane II (1982)
His interpretation of Frank Galvin, a desperate, conniving, down-to-the-last-case attorney, is fascinating and totally convincing. And he has a fantastic supporting cast -- from Jack Warden as his partner, Charlotte Rampling as his chance for romantic redemption, Milo O'Shea as the corrupt judge, Lindsay Crouse as his surprising ace-up-his-sleeve, and most of all, in a landmark supporting actor role, James Mason as the seemingly distinguished and respected defense attorney.
And I found the direction by Sidney Lumet to be, once again, outstanding. Lumet has such a long list of great movies that you wonder why he has never won an Oscar or been given an AFI Lifetime Achievement award.
This is a riveting movie -- about the law, but mainly about the flawed nature of the human beings who are entrusted with it. Please hear Newman, as Frank Galvin, on his last, crippled, despairing leg, give the summation to the case. It needs to be carved in marble somewhere. David Mamet, who wrote the screenplay, deserves accolades for how he was able to hand Paul Newman such a moving summation. The summation is about life, not just the law. It is a masterpiece, worth seeing the entire movie for.
Most of all, it is Newman's Finest Hour.
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Dettagli
Botteghino
- Budget
- 16.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 53.977.250 USD
- Fine settimana di apertura Stati Uniti e Canada
- 100.982 USD
- 12 dic 1982
- Lordo in tutto il mondo
- 53.993.738 USD