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Category
Artwork (Traditional) / Fantasy
Species Unspecified / Any
Gender Multiple characters
Size 1060 x 1550
File Size 3.61 MB
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Commissioned by 
! Thank you!
Her character, Gina, is forced to fight her mentor. It seems like only one of them is going to walk away from this encounter alive.
Working on this was an adventure and a rich learning experience. The picture is roughly 11×17 inches (A3), ivory paper. It was drawn with a 0.5 Rotring mechanical pencil (2B lead), as usual.
! Thank you!Her character, Gina, is forced to fight her mentor. It seems like only one of them is going to walk away from this encounter alive.
Working on this was an adventure and a rich learning experience. The picture is roughly 11×17 inches (A3), ivory paper. It was drawn with a 0.5 Rotring mechanical pencil (2B lead), as usual.
Category Artwork (Traditional) / Fantasy
Species Unspecified / Any
Gender Multiple characters
Size 1060 x 1550px
File Size 3.61 MB
Something that wasn't apparent before I got the scanned version, is how consistent your are with each pencil stroke, so it all has such a strong sense of directon. And that in itself, makes the piece a lot of fun to look over and explore c:
And not to sound like a broken record, but thank you again so much! It was nice to actually get a com that was set in my little headword for a change ^^
And not to sound like a broken record, but thank you again so much! It was nice to actually get a com that was set in my little headword for a change ^^
Thank you too! I was happy about the opportunity to take my traditional art tools out for a change!
I developed this "stroke style" a while back because i didn't like crosshatching. I'm very happy with "just hatching, no cross". :D I'm glad you like the effect!
(aw shoot, i accidentally put my reply to the wrong place on the first try)
I developed this "stroke style" a while back because i didn't like crosshatching. I'm very happy with "just hatching, no cross". :D I'm glad you like the effect!
(aw shoot, i accidentally put my reply to the wrong place on the first try)
the directions give every surface it's own value, somehow. looks more lively than crosshatching or doing smooth shading. :)
gorgeous scene, great body language. :)
gorgeous scene, great body language. :)
Thank you! I'm moderately sure that i started doing this style consciously shortly after the copper etchings we had to do in art school (i remember one of mine was a copy of Rembrandt's "The Windmill" although it's not the best example). Some aspects of that technique really clicked with me. :>
What Dürer had created if he had been a better artist - and a furry!
https://en.wikipedia.org/wiki/List_.....cuts_by_Dürer
https://en.wikipedia.org/wiki/List_.....cuts_by_Dürer
Albrecht Dürer is on the line; he wants to know if you give instruction...
This is worthy of the best pulp artists I've studied over the years. It's definitely book-illustration quality!
This is worthy of the best pulp artists I've studied over the years. It's definitely book-illustration quality!
Gorgeous technique holy shit. Composition and shapes too. Be proud of this one, haha damn.
This is magnificent!!!
Are you open for any more commissions like this?
Are you open for any more commissions like this?
I will be! Traditional pictures of this size were not on the menu before, but i'll add them to the available categories before i open again (by the way i fixed my commission newsletter service just yesterday so i'll definitely use it to announce future openings).
Amazing amount of detail! Love the perspective and point of view on this! Great work!
i have no words... this is masterpiece not only inside the art about anthro animals. How did you create the perspective of composition?
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