Chris Sanders has only directed four animated features (plus a live action adaptation Call of the Wild), and the previous three (Lilo & Stitch, How to Train your Dragon and The Croods put him in four way tie for most nominations without a win in the Best Animated Feature category at the Oscars. It feels pretty certain that The Wild Robot will be the movie that finally wins him that Oscar, but we'll keep such speculation to a minimum.

Sanders's first feature, Lilo & Stitch, is probably the only truly great movie to come out of Walt Disney Animation Studios in the first decade of this century. (To be clear, you're allowed to like other movies from that decade, but most were flawed.) Anyway, the upshot of Lilo & Stitch becoming a beloved classic is that its directors, Sanders and his writing and directing partner, Dean Deblois, were driven out of Disney by John Lasseter a few years later (I don't like that guy).

Sanders and Deblois took their talents to DreamWorks Animation, where they delivered How to Train Your Dragon to the studio, often seen as one of the highlights of its output.

I've often seen Sanders cast as the "idea guy" in the Sanders/Deblois partnership, as well as being the guy who brings a lot of unique visual aspects to his projects, while Deblois is the more story-driven member of the partnership, bringing in the emotional aspects. I'm not so sure about that, especially after this movie, which features an emotional story just as potent as Lilo & Stitch and How to Train Your Dragon, sans Deblois. The Wild Robot also features a visual design that echoes the original illustrations of the book it's based on, by Peter Brown, showing Sanders is more than just a recognizable art style.

When discussing modern adaptations of classical Greek myths, you can frequently see people complain about the changes the authors made: "That's not authentic, not traditional; that's not what really happened in the original." In fact, reinterpreting old stories, giving them a new, contemporary meaning, weaving several different tales into one - is the truest, most authentic Ancient Greek tradition. That's what Greek (and, later, Roman) writers always did.

Of course, some older texts - Homer, in the first place - were regarded higher than others, but there was no 'canon', no Old Testament; no single authority on what 'really happened'. In one of Euripides' tragedies, Helen of Troy is a callous, cynical adulteress; in another by the same poet, she's a woman of the highest moral qualities who's never even been to Troy. That's because, when writing these two plays, Euripides set very different tasks before himself.

'Icare' (2022) is a French-language feature film mixing 2D and 3D animation. It was made by Luxembourg studio The Iris Group, directed and co-written by former Pixar employee Carlo Vogele. The movie was the Luxembourg's "Best Foreign Film" submission for the 2023 Oscars. It tells the story of Icarus, son of the illustrious artist and inventor Daedalus, entwining it with another famous Cretan myth - that of Asterion ("stellar", "star-like"), more commonly known as the Minotaur.

It's a flood of reviews! Today's trailers are for:

Those are in increasing order of recommendation. The first three are for kids, the fourth is anime, and the last one isn't furry but is worth mentioning!

Utterly out-of-nowhere department. Thanks to friends we stumbled upon Nightbitch, an upcoming horror-comedy starring Amy Adams (Enchanted, Arrival), based on a 2021 novel by Rachel Yoder. Adams stars as a suburban mom not only struggling with raising her young son, but also wrestling with resentment over having to give up her previous life as an artist. Oh, and at night, she’s turning into a domestic dog. Yes. The film is directed by Marielle Heller, and it’s coming to theaters on December 6th. Check out the first trailer — but be warned, it does have some naughty words!

image c. 2024 Searchlight Pictures

And speak of the Devil… Here’s another bit of Viva Pictures news we got (again from Cartoon Brew): “Viva Pictures has signed on as the U.S. distributor of Hitpig! and will release the film theatrically on November 1, 2024. The film, adapted from characters first introduced in the children’s book Pete & Pickles by Bloom County creator Berkeley Breathed, is from British production company Aniventure, which has previously completed Paws of Fury: The Legend of Hank and Riverdance: The Animated Adventure. The animation provider is Cinesite (The Addams Family 2, Iwájú, Teenage Mutant Ninja Turtles: Mutant Mayhem).” Here’s the official synopsis: “Hitpig is a clever bounty hunting pig who catches escaped animals and returns them to their owners. His next job is his biggest yet: return a dancing elephant named Pickles to a maniacal Vegas showman, for a million bucks. The mission quickly escalates into a wild adventure around the world. When danger looms, it is up to Hitpig to save the day but he can’t do it alone.” As you can see, there’s a lot of “professional furry” experience behind this film, and we’ve been talking about it for a while now. See the trailer, too!

More interesting news from Cartoon Brew: “Viva Pictures has picked up North American rights to the animated feature Grand Prix of Europe. The story of the film revolves around Edda, a racing car-obsessed young mouse, who must disguise herself as her idol, Ed, and take his place to compete in the Grand Prix to save her family’s amusement park. The film is a tie-in for the German theme park Europa-Park, which celebrates its 50th anniversary next year. The theme park has won the Golden Ticket Award eight times for being the best park worldwide.” Viva Pictures is also making quite a name for itself for distributing more obscure animated feature films. After finding success with The Amazing Maurice, they went on to bring us Dragonkeeper and the upcoming 200% Wolf.

image c. 2024 Viva Pictures

Before we even begin, what is some of y'all's problem with Chris Pratt as a voice actor?

He's a fine actor who can do comedy sidekick (his breakout role in the sitcom Parks and Recreation), character actor in supporting role (he had small but important roles in Best Picture nominees three years in row with Moneyball, Zero Dark Thirty and Her), full on movie star (he's great in Guardians of the Galaxy and, remember, I liked Jurassic World), and, yes, voice actor (The Lego Movie). And by all accounts he's a nice guy people like working with, and that does matter. He's hardly the only guy who does a lot of voice work, either. Since theaters like to play ten trailers before a movie before, I was able to notice a lack of Chris Pratt (or another personal favorite who people like to complain about online, Awkwafina), but not Keegan-Michael Key, who is way more ubiquitous as Pratt in voice work, and is often even in the same movie as both Pratt and Awkwafina, but who never gets this sort of backlash when cast. And, not to be too mean to Key, who I mostly like, but I've already noted Pratt is actually a pretty versatile actor and Awkwafina has a Golden Globe, while Key is the half of Key & Peele that is starting to look like he got carried by the other half. I'm sure he'll actually be great as Bumblebee, though.

But, to bring the movie I'm supposed to be reviewing into the picture, I really do not get why people were upset Chris Pratt was cast as Garfield, because, come on, it's freaking Garfield. Bill Murray voiced the role in 2004, and Murray went on to bash the movie in his cameo playing himself in 2009's Zombieland, picking it as his life's greatest regret. On the basis of that, if you don't like Chris Pratt, you should be thrilled he got the role! Garfield's creator, Jim Davis, has always been a pretty open about the commercial aspirations of the character. I mean, kind of like Keegan-Michael Key, I like the character fine, but he barely stands out as a comic strip and Saturday morning cartoon star, mediums that are known for producing mostly safe, crowd-pleasing pablum. And that's basically this movie.

One of the surprise hits at this year’s Cannes Film Festival was an animated film called Flow. It’s a CGI feature written and directed by Gints Zilbalodis, which features no humans and no dialogue. The synopsis goes like this: “The world seems to be coming to an end, teeming with the vestiges of a human presence. Cat is a solitary animal, but as his home is devastated by a great flood, he finds refuge on a boat populated by various species, and will have to team up with them despite their differences. In the lonesome boat sailing through mystical overflowed landscapes, they navigate the challenges and dangers of adapting to this new world.” And now, Cartoon Brew have let us know that Sideshow Pictures and Janus films have picked up Flow for distribution in North America.

image c. 2024 Sideshow / Janus Films

Kingdom of the Planet of the Apes is the fourth movie in the current continuity of the Planet of the Apes series of movies, and the tenth overall. It follows the adventures of intelligent chimp Noa (performed with motion capture technology by Owen Teague) some generations after the last movie, War for the Planet of the Apes. Directed by Wes Ball, it features a variety of apes, including gorillas and orangutans in addition to chimps (gibbons are also mentioned in passing).

It begins with a quick prologue to the funeral of Caesar, the ape protagonist of the previous trilogy of movies. I felt like those movies came to a definitive end with the last movie; Kingdom is less a direct sequel to War and more the start of a new story set in the same world, so it feels a bit like the proverbial cake that you can both have and eat, too, as far as previous trilogy endings are concerned.

Robot Dreams (trailer) is a 102-minute animated film released in December 2023, made by Arcadia, Lokiz and other studios. Based on a 2007 graphic novel (Amazon US - UK - Spanish edition) by Sara Varon, this Spanish-French production was written and directed by Pablo Berger, who had never worked in animation before, so he collaborated closely with art director José Luis Ágreda and storyboard artist Maca Gil for a year and a half to plan the project. It worked out really well!

Two neat things: it's a 2D film in an overbearingly 3D market, and there's no dialog. It takes place in a slightly alternative version of New York City in 1984, a funny-animal one. The main character, "Dog", lives in a Manhattan apartment. He's extremely lonely. One day he sees a TV ad for robot friends, so he orders one; after putting it together - he's not lonely anymore! Aside from this modern leap in artificial intelligence and robotics, the film is as early-80s as it gets: boomboxes, cassettes, VCRs, and Walkmen.

"I don't get the joke. Is it dirty, or what?"
-Gerald Ford, 38th President of the United States of America (attributed)

You guys remember Bitter Lake?

Way back in the before times, when dinosaurs roamed the land, there was a tiny, micro-budget, barely feature-length "fan-movie" known as Bitter Lake, featuring a cast entirely clad in fursuit to represent its anthropomorphic animal characters, made by furries, for furries.

Before Bitter Lake, I'd never considered this method to realize a furry movie, and after Bitter Lake, well, I still haven't. Noble experiment, sure. Quality movie? Well, we're not reviewing Bitter Lake now, so let's just move along…

Hundreds of Beavers is a sort of outside the fandom take on the "fursuit movie" that, after playing film festivals last year, had a very short theatrical release this year before launching on various streaming services. It is a black-and-white, mostly dialogue-free slapstick comedy featuring newbie fur trapper Jean Kayak (co-writer Ryland Brickson Cole Tews) as he struggles to survive in the wilderness around the Great Lakes region of pre-United States America. Fellow co-writer Mike Cheslik directs. The movie features beavers, raccoons, rabbits, dogs, skunks and wolves, all played by actors in mascot costumes.

Let's review some computer-animated films! Here are trailers for:

Short version: The Tiger's Apprentice, action, one character has a tiger form, lots of Chinese culture, story is nothing great. Heroes of the Golden Mask, terrible. Rumble, wrestling-sponsored sports comedy, very formula loser-wins story, maybe of interest to furry macro fans.

The Animal Kingdom (trailer) is a 128-minute live-action French film released in 2023 (Le règne animal). It's the second movie directed by Thomas Cailley, and co-written with Pauline Munier.

Set in modern-day France, there's been a worrying development: some people are slowly mutating into animals, and society has not been adjusting well. The story follows a small family, Émile (Paul Kircher), a disaffected and conflicted teenager, and his father François (Romain Duris), who move to the south-west of France to be near the family's mother, Lana, who's been in government care ever since she began to change. A road accident makes her fate unclear, adding stress to an already stressful situation. With many people heavily biased against the mutations, Émile finds himself starting to change too.

Despite the fantastical premise, it's primarily a drama about the relationship between Émile and his father. I'd hesitate to call it a coming-of-age film, because Émile isn't going to become an adult - at least, not a human one.

I've already seen this movie twice, paying full price both times. Kung Fu Panda 4 is the first movie I've watched multiple times in theaters since Zootopia. I liked it, is what I'm saying. It is part of the Kung Fu Panda series of movies, which would be important to furry movie fans even if they weren't very good. No other fully-anthropomorphic-animal-populated movie franchise out there has gotten to four movies. Fortunately, the series has consistently been one of the better animated franchises, furry or not.

In this fourth instalment, directed by Oklahoma's own Mike Mitchell (with co-director Stephanie Ma Stine), the titular Kung Fu Panda, Po (voiced by Jack Black), first Dragon Warrior of the Valley of Peace, is tasked with finding his replacement by Master Shifu (Dustin Hoffmann) – explicitly identified as a red panda for the first time in the series. Unwilling to accept giving up his role as protector of the Valley, he instead joins sneaky fox thief Zhen (voiced by Awkwafina, Zhen is not one of the "big three" fox species of red, Arctic and fennec, but a rarely-seen Corsac fox) on a quest to defeat the Chameleon (Viola Davis; no bonus points for guessing her species), an evil sorceress with the ability to shapeshift and steal kung fu powers, like a PG funny animal version of Mortal Kombat's Shang Tsung.

"Can a robot turn a canvas into a beautiful masterpiece?"
"Can you?"
-The one good part of I, Robot

Bogged down in all the recent controversy about "generative AI" is that one of the reasons the research began was, in creating a program that can "create" a painting, we are theoretically trying to answer the evergreen science fiction question of whether a machine can become, well, perhaps not "human". Maybe a better word would be "anthropomorphic".

DreamWorks Animation's The Wild Robot will be coming to theaters September 20 of this year. Pretentious preambles aside, this movie is not just of furry interest because it has a robot that can be described as anthropomorphic; the trailer reveals plenty of animal characters who can also be described as anthropomorphic.