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CHAPTER 1
MAY 1982
Little Gold is pacing fast along the road, eyes on the patchwork of paving stones, stepping on every pink one she can reach without breaking stride too much. In her head she's reciting the words to the Lord's Prayer. She doesn't believe in God any more than she believes in Father Christmas but it's a luck thing, like the paving stones. Bad days can get better and bad days can get worse and she reckons it doesn't cost anything to try to tip this one onto a better trajectory.
Still, in spite of the need to pick her path, and the distraction of the looping prayer, she can't stop her mind from offering up scenarios of the evening ahead and none of them are welcome. She misjudges a leap to the left and lands squarely on a grey paving slab scarred with the crusted remains of pale dog shit and a grey fleck of gum. Lousy luck.
Start again, LG, and it doesn't count ... Our father ...
She notices the shoes first – crinkled brown leather over yellow crepe soles. They're anonymous from this far along the road. Anonymous, androgynous shoes that look like they've been abandoned there at the bottom of someone's steps. But, as she gets nearer, legs in bottle green corduroy grow out of them, followed by a strange draping of something like a pale skirt over the knees. As the whole body appears, the skirt explains itself, suddenly, as a newspaper – a broadsheet, spread open there, with a head bowed over it.
She slows slightly as she passes and glances at the newspaper. There's an upside down, grey-scale image of a building that looks rather like The Pavilion in town. Floating over it is a head of soft, white hair. As if sensing her gaze, the head jerks up and pale blue eyes lock into her own.
'I'd like to see the Taj Mahal, wouldn't you?'
The voice is precise, each word delivered whole and perfect, as if she had the question ready for whoever came along. It just happened to be her, Little Gold supposes, but she feels somehow chosen nonetheless, and stuck for words.
Her failure to answer doesn't seem to matter to the old woman. The pale eyes continue to hold her own and Little Gold finds she's stopped, the toes of her trainers on the mossy line between a pink slab and a grey.
Forgive us our trespasses ...
The words of the prayer spiral away into nothing and now there's just the sound of her own breath.
The old woman smiles and fans of deep lines spring open from the outer corner of each eye. She takes a drag on a cigarette held loosely in her right hand and then starts to rotate the newspaper, spinning the Taj Mahal until it's the right way up for Little Gold to see properly. There's the dome, the pillars she thinks might be called minarets, the strips of water. The whole thing is distorted though by the shape of the bony legs over which it's lying. The woman sweeps away a scattering of cigarette ash with the back of her hand.
'I believe it's wonderful.'
She might, possibly, be mad. There are two mad old people already round Fiveways – the lady who wears a powder blue mac, filthy down the front, who everyone says is naked underneath; and the man they call The Major, who strides down the road with a cane under his arm, talking to someone who isn't there.
But she is here, after all, and this old woman isn't dirty, she doesn't even have the old person smell.
'Is it in India?'
'It is. So I don't suppose I shall. Perhaps you will.'
It's not something she's ever considered, going to India, and for a moment she pictures herself there, standing alongside the water, looking up at the dome against a sky that would surely be a deep, deep blue. It would be hot, a heat far fiercer than this late May day. There would be smells she can't imagine, curls of unknown language around her head. The woman's voice brings her back.
'You're from 167, aren't you?'
She sucks on the cigarette again and Little Gold lifts her eyes from the newspaper and watches the fat snake of ash lengthen. It seems that the old woman won't ever exhale, so hard and so deep she holds the smoke inside, but, at last, it pours from her flared nostrils. Little Gold replies through the stream of blue.
'Yes.'
'I'm Peggy Baxter. I don't think we've ever been introduced.'
She grinds the stub of her cigarette onto the step, tosses it across the pavement into the gutter and holds out her hand.
Little Gold takes it. The palm is warm and dry and the long fingers enfold her own with a gentle firmness that feels somehow familiar. But it's over in a moment, the handshake, and then the old woman stands.
'Time for my cat to have his tea and for you to have yours, no doubt. Goodbye.'
'Goodbye.'
She uses the garden wall to steady herself, the newspaper folded in her other hand, and Little Gold watches her ascent – not ancient and doddery but careful, considered. When she reaches her front door she turns and raises a hand before disappearing inside. The sun winks from the letterbox, biting Little Gold's eye, and she has to look away.
There are plenty of pink slabs on this stretch so she can run and she abandons the prayer, freeing her mind to replay the moments before. She pictures again the slowly rotating palace, draped across the old woman's corduroy-clad legs.
I believe it's wonderful.
She feels the press of the heavy, loose-skinned palm against her own.
I'm Peggy Baxter.
The whole thing was odd – finding her there where she'd never been before, the way she'd spoken, the fact that she wanted to shake hands. But there's something else nagging in Little Gold's mind – some faux pas of her own that she senses but can't pin down.
It takes her until she reaches her front steps to work it out. And, as she sprints up them, panting now, it comes to her. She didn't say her name back. She was supposed to say her name. She flushes with embarrassment. What a div to just stand there. Still, Peggy Baxter didn't ask. She didn't say,
'And what's your name?'
in the sing-song way she might have done.
The key's still under the brick so she knows she's the first one home but still she calls into the house as the door swings open,
'Hello?'
Because he might be here. It's not impossible. He might be here because he has a key. He has a key on his blue leather keyring, stamped in gold, Carisbrooke Castle, that Malcy bought him for his birthday last year.
So, he could open the door, walk in and be here, waiting here when they got back, one day.
There's no reply, just the hum of the fridge. She closes the door behind her but slips the catch so that the others won't need the key.
The smell is overpowering. It's a combination of the riotous, rotten scent of the kitchen bin, with the usual sticky undertone that is the smell of home now. The south-facing house, sealed all through the hot day, has been simmering, building up its stench, and she runs through the kitchen to fling open the back door.
For a moment she stops and looks back into the room. Beside the overflowing swing-bin, the sink is a fortress of piled crockery, cutlery protruding at angles like the weapons of snipers. A fat, black fly is circling, soundlessly, above it.
Alongside the sink, a heap of used tea bags are a small, damp hill, behind which the enemy might be lurking. She remembers Malcy's soldiers, camouflage green, plastic men they used to set up against each other in lines across the front room carpet. He'd always sneak some behind the curtain to ambush her. Back when she was too little to know how devious people can be.
Turning away, she crosses a shady little yard and climbs the steps to a ragged square of grass. Wedged in the corner of the lawn, grown tight there with the thickening of its trunk, is an aged pear tree, rising to about twelve feet at its crown and spreading gently over the gardens to the right and behind. The bark is a chequerboard of nubby softness, dense and spongy against the sole of her foot as she braces it on the trunk. She hauls herself up and into the sitting branch.
He'd said to her, when she was first able to climb it, that it was a rotten old tree, that maybe one day he'd take it out and give the lawn a bit more light. But he didn't. He never got round to that. He took himself away instead.
The sitting branch is worn smooth as glass from generations of children's bums. But for now it's hers, passed on by Ali and Malcy, and hers alone. Letting her body find its place, she relaxes into the curve of the branch. She's wearing her blue cotton dungarees, tough and containing, the bib locked in place like a breastplate of armour.
The tree has not long lost its blossom and the leaves are still young. Little Gold pinches one between forefinger and thumb and feels its spring, the slight stickiness of something fresh from the bud. A rotten old tree, he'd said. But no rotten tree could do this every year, make all this from its ancient, brittle body.
She closes her eyes. It's a trick to amplify every other sense and it never fails. She can feel the cradle of the branch against her spine; smell cut grass suddenly, drifting from a garden down the road; hear the faint shouts of the boys over in the park. One of them will be Malcy, holding up his hand,
Pass!
No-one will.
Close beside her there's a wing-beat – feathers rippling the air. The rippling stills and she imagines, surely it can only be that she imagines, the tiny tick of a bird's blinking eyelid.
She opens her own eyes. Oblique, to her left, there is a blackbird, splitting his yellow beak and starting to sing. It's the song of a summer evening, pouring out, seasoning the air with its rolls and trills.
How lucky must this be? How lucky? Uninvited, with no wishes, it's surely as good as a four leaf clover or a solid chocolate Kit Kat with no wafer inside. And she keeps still, still, to preserve the blessing.
'LG! Little Gold! Are you up the tree?'
The bird flies.
'LG!'
She looks through the leaves. Ali's leaning out of her bedroom window, her hands on the sill, white arms braced and long hair framing her face. She's peering at the tree but not seeing her here, so close and so hidden.
'LG!'
A wash of anger over it now; she has to reply.
'Yeah! I'm here.'
'Bring the washing in!'
'Can't you?'
'I'm working for my bloody A levels, in case you've forgotten, and you're sitting in a tree. I put it out this morning. Just do it.'
Her head disappears and there's a squeal and thud as she lowers the sash. Little Gold climbs down and picks up the over-turned laundry basket.
The washing is a mess of lights and darks, odd socks, everything bunched and twisted. There's one of Mum's skirts hanging in wonky, concertina pleats; Ali's best jeans; some of Malcy's pants and just one of her own, favourite orange socks.
The bra is one of Ali's. At its centre there's the body of a butterfly, spreading its wings across the shiny cups. As she yanks it from the line it catches on the strap of Little Gold's watch, fixing itself to her wrist like a lingerie viper. She shakes it off violently and it curls atop the pile waiting its moment to strike again.
Hefting the chaotic basket of clothes, sleeves and legs trailing, onto her skinny hip, Little Gold picks her way down the back steps and into the stinking kitchen.
CHAPTER 2
Peggy's appointment is the last of the afternoon and the young man jangling keys is clearly keen for her to be on her way. As the door swings closed, he steps in to lock it behind her, glancing through the wire-meshed panel of glass. She catches the youthful, brown eyes but he ducks his head and concentrates on the lock.
Best not to encourage an old lady to interact, especially one who comes here alone.
But perhaps that's ungenerous of her. Perhaps he just wants to get home, out of the garrotte of collar and tie and into what's left of this glorious day.
She turns into a side-street that runs down towards the sea, away from the roar of a double decker bus belching exhaust that she feels in her chest. The intense heat of the day has faded but it's echoing in the bricks of the low wall on which she sits to light up. She stretches her legs across the sun-soaked pavement, flicks her lighter, inhales. She smokes with her customary dedication, letting the rattle of the cough roll up and out with the first exhalation, holding the passing moment steady with the drawing in of the glowing tip.
The street runs away towards the sea and, as Peggy sucks in the last of her smoke, her eyes are fixed on the spangled water. The cig has done its job and she feels revived, soothed, and surprisingly tempted by the beach. It's not sensible when she should probably get home and have a rest. Crossing the coast road, she takes a flight of steep steps that lead down to a lower prom, beyond which the pebble beach descends to the sea. It's calm today and she hears her mother's voice in her mind,
It's like a mill pond.
It was always that on a calm day and, on the days when, whipped by wind, it brought breakers up to fling shingle over the prom, Mum would declare it a bit choppy. A lifetime living beside the sea and she'd applied just those two categories. But then, the sea was a backdrop for Mum, the scenery past which she rushed to the market or the chemist, not something to sit beside, not something to watch.
What are you mooning at, Margaret? Come along, we've got things to do.
There are a few folk dotted across the beach today. The trippers' world of lollipop lights and slot machines doesn't reach far and then the people of Brighton stake their claims – loosening work clothes, kicking off sticky shoes, smoking, chatting. Peggy takes her place, her back against the pebble bank, her face turned to the glitter of the sea. No-one will speak to her and she need speak to no-one. Thank God.
The appointment, the need to find words to satisfy someone else, has been an effort and it's a relief now to be alone again, with just the regular thump of wave onto shingle and the tumbling drag of stone over stone as the water retreats.
The sea repeats its natural litany. If the tumble of questions never ceases, no more does the unchanging answer of wave on beach and that's a comfort. Peggy isn't a tranquil woman, not at the best of times, but she knows how to sit with her restless mind. Here the stones rattle their panic and turmoil but every time the wave answers. And that's enough.
Looking through the racks of leaflets in the waiting room, she'd passed over every one that smacked of religion. Line drawings of daffodils and crosses, offers of sponge cake and fellowship, none of them had tempted Peggy. She leaves church to other people. Nothing has ever appealed in the promise of everlasting life or the all-seeing eyes of a deity and there's always the obvious problem too. Even now, when the local Methodists are determined that any single old lady must be in need of coffee mornings or friendship visits, Peggy steers well clear. This is her church, she thinks, and she's given it a life-time of attendance.
But if Peggy has come for memories, she's not finding them today. Somehow the beach is demanding that she be right here with it, now, on this May day. There are three youngsters at the water's edge, their spiked hair and t-shirts splashed with sea-water and the scrawled names of rock bands she doesn't recognise. They're larking about, catching each other's wrists and shrieking as the water rushes around their ankles, and she watches them for a while. They seem oblivious to her stares. She's just an old woman. Just an old woman watching.
An old woman who won't be able to sit here very much longer. The low sun is weak now and already the breeze is cooling the skin of her chest through her cotton shirt and numbing her fingers. The nail beds are lilac, bright as petals as she trails her palms over the stones. The blankest, blue-grey flints are her particular favourites but today the fates bring her a piece of pink quartz. It's the sort of pebble you never find on Brighton beach if you go looking for it. She slides it into her pocket and clambers to her feet, aware, suddenly, of the growl in her stomach.
In the arches on the prom there's a chippy, with a blackboard out offering tea and coffee, and Peggy counts coins into the pink palm of a youngster at the till. The girl wipes her hands on a greasy apron and starts to shovel the steaming chips onto their bed of paper.
(Continues…)
Excerpted from "Little Gold"
by .
Copyright © 2017 Allie Rogers.
Excerpted by permission of Legend Times Ltd.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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