Ed

Harry Flashman: the unrepentant bully of Tom Brown"s schooldays, now with a Victoria Cross, has three main talents - horsemanship, facility with foreign languages, and fornication. A reluctant military hero, Flashman plays a key part in most of the defining military campaigns of the 19th century, despite trying his utmost to escape them all. What was Harry Flashman doing on the slopes of Little Bighorn, caught between the gallant remnant of Custer"s 7th Cavalry and the attack of Sitting Bull"s braves?

Jeff Winston"s life is not how he imagined it would be. An unhappy marriage and unrewarding job - and then he died. Aged 43. And woke up again, back in his college room, in 1963, age 18. With all his memories intact. If he applies those memories, he can be rich - he can have anything he wants - in this new chance at life. Until he dies at 43 and wakes up in his 18-year-old body again...and again in a continuous 25-year cycle, each time starting from scratch at the age of 18 to reclaim lost loves, make a fortune or remedy past mistakes.

In The Madness of Crowds Douglas Murray investigates the dangers of ‘woke’ culture and the rise of identity politics. In lively, razor-sharp prose he examines the most controversial issues of our moment: sexuality, gender, technology and race, with interludes on the Marxist foundations of ‘wokeness’, the impact of tech and how, in an increasingly online culture, we must relearn the ability to forgive.

In The War on the West, international best-selling author Douglas Murray asks: if the history of humankind is a history of slavery, conquest, prejudice, genocide and exploitation, why are only Western nations taking the blame for it? It’s become, he explains, perfectly acceptable to celebrate the contributions of non-Western cultures, but discussing their flaws and crimes is called hate speech. What’s more it has become acceptable to discuss the flaws and crimes of Western culture, but celebrating their contributions is also called hate speech.

Once an Eagle is the story of one special man, a soldier named Sam Damon, and his adversary over a lifetime, fellow officer Courtney Massengale. Damon is a professional who puts duty, honor, and the men he commands above selfinterest. Massengale, however, brilliantly advances his career by making the right connections behind the lines and in Washington’s corridors of power.

Late one afternoon in April in the Year of Our Risen Lord 1468 a solitary traveller was to be observed picking his way on horseback across the wild moorland of that ancient region of south-western England known since Saxon times as Wessex....

If, like Kane, you"re a Denied Access Area spy for the CIA, then boundaries have no meaning. Your function is to go in, do whatever is required, and get out again - by whatever means necessary. You know when to run, when to hide - and when to shoot. But some places don"t play by the rules. Some places are too dangerous, even for a man of Kane"s experience. The badlands where the borders of Pakistan, Iran and Afghanistan meet are such a place - a place where violence is the only way to survive.

Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture - and increasingly in response to a recent wave of deadly anti-Semitic attacks - Horn was troubled to realize what all of these assignments had in common: She was being asked to write about dead Jews, never about living ones.

Born at the beginning of the 20th century, Raphael Ignatius Phoenix is determined to take his own life as the new millennium begins and he turns 100 years old. But before he ends it all, he wants to get his affairs in order, and that includes making sense of his own life. He decides to write it down, remembering the experiences, the myriad encounters and, of course, the 10 murders he committed along the way.

In Music as a Mirror of History, Great Courses favorite Professor Greenberg of San Francisco Performances returns with a fascinating and provocative premise: Despite the abstractness and the universality of music - and our habit of listening to it divorced from any historical context - music is a mirror of the historical setting in which it was created. Music carries a rich spectrum of social, cultural, historical, and philosophical information, all grounded in the life and experience of the composer.