Fiona

Esther Holley, the eldest in the family, has always had her life firmly in control until a miscarriage knocks her off course. Two months later, still emotionally spinning, she separates from her husband, Will, a sheep farmer and man of few words and moves back in with her parents. Life as a singleton 30-something living in her parents’ house is miserable, but Esther is determined to reboot her life, including going on a few unfortunate dates. She’s shocked when tight-lipped Will shows up on her doorstep determined to woo her back.

Mark Rivers was a firefighter until he got trapped in a wildfire and suffered third-degree burns on his face and body. After a year of recovering, Mark is trying to piece his life back together but struggles both emotionally and psychologically. He's been a recluse until he forces himself to attend his niece's school play and sees Riley, the school's art teacher. Immediately, Mark feels a connection to her. Maybe it's the kind way she greets his niece or the way the art she created for the school play is reminiscent of his late mom's artwork.

The course of true love never did run smooth.... When Fitzwilliam Darcy departs Hunsford after his disastrous proposal to Elizabeth Bennet, he does not expect their paths to cross again. Indeed, knowing the lady's true feelings for him, he makes every effort to see that they do not. But when a chance encounter leaves him stranded in an abandoned cottage with the one woman he can never have, Darcy quickly realizes there is more at risk than just Elizabeth's reputation.

Born at the time of Waterloo in the wild countryside of Shropshire, England, Prudence Sarn is a passionate girl, cursed with a harelip - her “precious bane”. She is cursed for it, too, by the superstitious people among whom she lives. Prue loves two things: the remote countryside of her birthplace and, hopelessly, Kester Woodseaves, the weaver. The tale of how Kester gradually discerns Prue’s true beauty is set against the tragic drama of Prue’s brother, Gideon, a man who is out of harmony with the natural world and whose recklessness may ensnare them all in tragedy.

It's 1922 in the Manhattan of gin, jazz and prosperity. Women wear makeup and hitched hemlines - and enjoy a new freedom to vote and work. Not so for Evelyn Lockhart, who is forbidden from pursuing her passion to become one of the first female doctors. Chasing her dream will mean turning her back on her family: her competitive sister, Viola; her conservative parents; and the childhood best friend she is expected to marry, Charlie.

Silvia Bradshaw begins her Hollywood career loving every aspect from the glamour and style of Audrey Hepburn to the behind-the-scenes filmmaking magic - and she is ready to prove her worth as the newest film editor at a major production studio in Hollywood. A studio scandal and lawsuit jeopardizes her job and forbids her from seeing love interest Ben from a rival studio.

Ever since Emma read Pride and Prejudice, she's been in love with Mr. Darcy and has regarded Jane Austen as the expert on all things romantic. So, naturally, when Emma falls for Blake Hampton and he invites her home to meet his parents, she is positive an engagement is in her future. After all, Blake is a single man in possession of a good fortune, and thus must be in want of a wife. But when it turns out that what Blake actually wants is more of a hook-up than a honeymoon, Emma is hurt, betrayed, and furious.

The shop girls of Harpers Emporium on Oxford Street are happy in their work, and their lives are moving on at quite a pace. United by the suffragette cause and now living under one roof, some will find love and marriage whilst others experience heartache and tears. Harpers is the bond that holds them together, bringing strength through hardship and pain and friendship and love.

All theater romances are tragedies. Ella Blythe knows this. Still, she cannot help but hope her own story may turn out different than most - and certainly different than the tragic story of the Ghost of Craven Street Theater. Yet as she struggles to maintain her tenuous place in the ever-shrinking ballet company, win the attentions of principal dancer Philippe, and avoid company flirt Jack, Ella cannot deny the uncanny feeling that her life is mirroring that of the dead ballerina.

A lonely young heiress becomes the poorest wealthy woman in Victorian England when her father dies without telling anyone where he hid his fortune. Can Tressa and the no-nonsense estate manager find the fortune before the greedy relatives get to it first? Tressa Harlowe's father did not trust banks, but neither did he trust his greedy extended family. He kept his vast fortune hidden somewhere on his estate in the south of England and died suddenly, without telling anyone where he had concealed it.