Slow Horses
Slough House, Book 1
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Narrated by:
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Gerard Doyle
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By:
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Mick Herron
About this listen
Slough House is a dumping ground for British intelligence agents who've screwed up cases in any number of ways - by leaving a secret file on a train or blowing a surveillance. River Cartwright, one such "slow horse", is bitter about his failure and about his tedious assignment transcribing cell phone conversations.
When a young man is abducted and his kidnappers threaten to broadcast his beheading live on the Internet, River sees an opportunity to redeem himself.
Is the victim whom he first appears to be? And what's the kidnappers' connection with a disgraced journalist? As the clock ticks on the execution, River finds that everyone has his own agenda.
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- By J.Hamp on 02-09-21
By: Belinda Bauer
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Dr Yes
- By: Colin Bateman
- Narrated by: Stephen Armstrong
- Length: 8 hrs and 57 mins
- Unabridged
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The hilarious new Mystery Man crime caper from the master of menace and mirth. Beauty is in the eye of the be header. The wife of crime writer Augustine Wogan disappeared shortly after entering the exclusive clinic of the mysterious Dr Yes, plastic surgeon extraordinaire. As fatherhood approaches, the Small Bookseller with No Name is persuaded to investigate. He soon finds himself up to his neck in murder, make-up and madness - and face to face with the most gruesome serial killer since the last one.
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Fun diversion from the usual fair
- By Dennis on 11-09-12
By: Colin Bateman
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Ordinary Thunderstorms
- A Novel
- By: William Boyd
- Narrated by: Gideon Emery
- Length: 12 hrs and 4 mins
- Unabridged
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One May evening in London, Adam Kindred, a young climatologist in town for a job interview, is feeling good about the future as he sits down for a meal at a little Italian bistro. He strikes up a conversation with a solitary diner at the next table, who leaves soon afterward. With horrifying speed, this chance encounter leads to a series of malign accidents, through which Adam loses everything—home, family, friends, job, reputation, passport, credit cards, cell phone—never to get them back.
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Amazing Story Teller
- By Dorothy on 09-07-14
By: William Boyd
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The Year's Top Short SF Novels 5
- By: Cory Doctorow, Ken Liu, John P Murphy, and others
- Narrated by: Tom Dheere, Nancy Linari
- Length: 15 hrs and 54 mins
- Unabridged
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Short novels are movie-length narratives that may well be the perfect length for science fiction stories. This audio collection presents the best-of-the-best short science fiction novels published in 2014 by current and emerging masters of this vibrant form of storytelling.
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Narrator sounds like Tony Danza
- By Sean on 03-05-16
By: Cory Doctorow, and others
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Give Me the Child
- By: Mel McGrath
- Narrated by: Adjoa Andoh
- Length: 9 hrs and 51 mins
- Unabridged
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Dr Cat Lupo aches for another child despite the psychosis which marked her first pregnancy. So when Ruby Winter, a small girl in need of help, arrives in the middle of the night, it seems like fate. But as the events behind Ruby's arrival emerge - her mother's death, her connection to Cat - Cat questions whether her decision to help Ruby has put her own daughter at risk.
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Give Me the Child will give you a heck of a read!
- By Cassandra on 08-04-17
By: Mel McGrath
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Dear Amy
- By: Helen Callaghan
- Narrated by: Michelle Ford
- Length: 10 hrs and 52 mins
- Unabridged
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Margot Lewis is a teacher at an exclusive high school in the English university town of Cambridge. In her spare time, she writes an advice column, "Dear Amy", for the local newspaper. When one of Margot's students, 15-year-old Katie, disappears, the school and the town fear the worst. And then Margot gets a "Dear Amy" letter unlike any of the ones she's received before. It's a desperate plea for rescue from a girl who says she is being held captive and in terrible danger - a girl called Bethan Avery, who was abducted from the local area 20 years ago and never found.
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Stunning debut
- By Mystery Maven on 11-18-16
By: Helen Callaghan
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Talking to the Dead
- Fiona Griffiths, Book 1
- By: Harry Bingham
- Narrated by: Siriol Jenkins
- Length: 11 hrs and 8 mins
- Unabridged
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For rookie detective constable Fiona Griffiths, her first major investigation promises to be a tough initiation. A young woman and her six-year-old daughter have been found brutally murdered in a squalid flat, the single clue a platinum credit card belonging to a millionaire businessman who died in a plane crash six months before. Fiona, however, has secrets of her own. She is still recovering from a crushing psychological breakdown, and the feelings that haunt her are constantly threatening to undermine the mask of normality she has learned to wear.
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thoroughly enjoyable
- By marc on 07-25-19
By: Harry Bingham
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Safe Houses
- By: Dan Fesperman
- Narrated by: Dan Fesperman
- Length: 13 hrs and 32 mins
- Unabridged
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West Berlin, 1979. Helen Abell oversees the CIA's network of safe houses, rare havens amidst the dangerous milieu of a city in the grips of the Cold War. Helen's world is upended when she overhears a meeting between two people speaking a coded language that hints at shadowy realities far beyond her comprehension. Before the day is out, she witnesses a second unauthorised encounter. Her attempts to expose the dark truths about what she has witnessed will bring about repercussions that reach across decades and continents into the present day.
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to long, lacking suspense
- By stefan derungs on 02-03-23
By: Dan Fesperman
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Going Grey
- Ringer, Book 1
- By: Karen Traviss
- Narrated by: Euan Morton
- Length: 22 hrs and 16 mins
- Unabridged
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Ian isn't crazy. Life would be a lot simpler if he was. He's eighteen, on the run, and scared - the shape-shifting delusions he's had since childhood have turned out to be real. He's the result of a dynamic mimicry project intended to help undercover agents "go grey" and blend in unnoticed. Now the biotech company wants its property back, and the only people he can trust are two private military contractors sent to find him...
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Oddly wonderful
- By Barbara Kindle Customer on 08-24-15
By: Karen Traviss
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Luther
- The Calling
- By: Neil Cross
- Narrated by: David Bauckham
- Length: 11 hrs and 2 mins
- Unabridged
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Meet Detective Chief Inspector John Luther. He’s a murder detective with an extraordinary case clearance rate. He’s obsessive, instinctive, and intense. Nobody who ever stood at his side has a bad word to say about him. And yet there are rumors that Luther is bad - not corrupt, not on the take, but tormented. He seethes with a hidden fury that at times he can barely control. Sometimes it sends him to the brink of madness, making him do things he shouldn’t - things well beyond the limits of the law.
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Scapegoat
- By David on 02-10-13
By: Neil Cross
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Caballos lentos [Slow Horses]
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El reino del irreverente y sarcástico Jackson Lamb está en Londres y se llama Casa de la Ciénaga, un vertedero al que van a parar los miembros de los servicios secretos que han cometido un error, ya sea olvidar un documento en un tren, despistarse en una ronda de vigilancia o volverse poco fiables a causa del alcohol. Sus colegas los denominan "caballos lentos", son los parientes pobres del espionaje británico y todos comparten las ganas de salir de allí a cualquier precio y volver a la acción.
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Sphere
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In ONCE GONE, women are turning up dead in the rural outskirts of Virginia, killed in grotesque ways, and when the FBI is called in, they are stumped. A serial killer is out there, his frequency increasing, and they know there is only one agent good enough to crack this case: Special Agent Riley Paige. Riley is on paid leave herself, recovering from her encounter with her last serial killer, and, fragile as she is, the FBI is reluctant to tap her brilliant mind. Yet Riley, needing to battle her own demons, comes on board, and her hunt leads her through the disturbing subculture of doll collectors, into the homes of broken families, and into the darkest canals of the killer’s mind. As Riley peels back the layers, she realizes she is up against a killer more twisted than she could have imagined.
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After receiving a distress call from a drill team on a distant planet, a skeleton crew is sent into deep space to perform a standard search-and-rescue mission. When they arrive, they find the planet littered with the remains of the project - including its members’ dead bodies. As they try to piece together what could have possibly decimated an entire project, they discover that some things are best left buried - and some monsters are only too ready to awaken.
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Yes!
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What listeners say about Slow Horses
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Joe Bledsoe
- 07-24-17
Great read!
This is a terrific Spy story with lots of twists and turns (all believable)! Interesting characters who surprise us frequently. The story kept me on the edge of my seat, and Gerard Doyle is simply the best reader/narrator living!!
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5 people found this helpful
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- K R D
- 12-29-17
Brilliant!
This was a slow burner which erupted into an intriguing and gripping
listen.. thoroughly recommended!
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5 people found this helpful
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- KB
- 02-02-17
Excellent spy drama
With the classic feel of the great British spy novels Slow Horses excels creating a wonderful group of characters together with a thrilling story to make an excellent book with an excellent narrator. Highly recommended.
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3 people found this helpful
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- Joe Kraus
- 08-25-19
Promising Concept Hampered by Style & Contrivance
There are a lot of good ideas percolating in this one, and that gives me enough optimism that I’m tempted by its sequel, but there are also a lot of deep problems that keep this from being an especially memorable work as it stands.
Above all, the great idea is that our collective protagonists are a group of MI-5 British intelligence agents who have all screwed up in one way or another. One shut down the London tube for a day when he had his squad hold a gun to a suspect a with a blue flannel over a white t-shirt when the real suspect had the reverse colors. Another slept with the wife of the Venezualan consul. Another drank too much. And another simply forgot a confidential file on the bus.
They’ve all been exiled to the dead end of “Slough House,” a place named after the suburb so awful and backwater that it’s where they set the British version of The Office. (And the American version chose Scranton, where I work and think of at least partly as home.) The idea is that, while others do the glamorous work of spycraft, they’re left to push paper and occasionally sort through rubbish for old credit card statements. They are the titular “slow horses,” suspect figures doomed to depressing careers and held hostage by the promise of modest pensions.
When a seeming group of National Front-like anti-immigrants determine to kidnap a young Pakistani-English man and promise to cut his head off, though, it’s the Slow Horses who have a better chance to make things right. Like Derek Raymond’s The Devil’s Home on Leave – though better than that one (while less good than Raymond’s amazing He Died with His Eyes Open) – this gives the underdogs a chance at solving a crime other law enforcement people have overlooked.
At the heart of this, that anger, that barely repressed sense of the fundamental unfairness of life, permeates the novel in interesting ways. Our potential victim, Hassan, doesn’t deserve what happens to him any more than anyone else. And we come to see that many of the fortunate thrivers don’t deserve their luck either. In a flickering way, it conjures what noir has to do (at least as far as I’m concerned): raise ideas of fundamental morality in the context of crime and the specter of amorality.
There are two major problems with this iteration of the experiment, though.
First, it’s irritating to see Herron switch perspectives as frequently and erratically as he does. The scenes here are almost all short and choppy, and he way overplays the pregnant pause; there are simply too many instances where, right before a big reveal, he changes scene. And, even more frustratingly, he’ll often rewind a bit when he returns to the thread he’s dropped. In small doses, that can work; overdone like this, it’s irritating.
Second, too much of what actually happens is contrived. Above all, [MAJOR SPOILER:] the plot to kidnap Hassan turns out to have been hatched as a counter-espionage effort by an MI-5 official who wants to frame the anti-immigrant right and, in foiling them, to win credit abroad. That’s such a bad idea that it undermines the effect of the whole set-up here; the “winners” in the race for espionage careers may not be any smarter than the Slow Horses themselves, but surely they can’t be that stupid.
And that problem persists in less structural ways too. For instance, two different characters trip during crucial physical showdowns, keeping their good-guy antagonists from having to kill them. That’s a clear failure of imagination on Herron’s part, and it’s too bad because it seems as if he could push this just a hair farther to something more compelling. We don’t need LeCarre level inspiration at every turn, but a little more attention can bolster the whole.
As I say, though, those real flaws may simply be growing pains. There’s a kernel of real inspiration here and, given the good reviews I see of the sequel, I have a sense that Herron may have moved beyond them in his later work.
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3 people found this helpful
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- Keenan
- 06-11-20
Why have I never heard of this series before?
The other day, Ann Cleeves said on Twitter that this series is a must-read. So I bought the audio which, as it happens, is narrated by one of my favorites. It's a spy thriller with a taste of Camel Club or Tinker, Tailor but it is humorous and quirky without being slapstick and I love it. Bought the second in the series and about to start listening to that.
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2 people found this helpful
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- Liz
- 07-10-21
The thing about an axe is you never have to reload
There is a complex twisted tale and some deep background plots here. Read carefully and enjoy like a good meal. Sarcasm and dark humor sneak in before you realize it and you have to go back and read a part again. Don't miss anything. It's all worth it! Gerard Doyle is the perfect narrator here and Mick Herron is my new favorite author!
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1 person found this helpful
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- Sarah
- 04-09-22
Great book, narrator is soporific
Complaints that the book is hard to follow really comes down to the fact that the narrator generally sounds mesmeric. One, two, your eyelids are getting heavy now, three, four, you've lost the plot and have to rewind. I plan to listen to the other books but might give them a miss in favor of print just because I don't need to be made so sleepy while commuting or doing housework.
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- CJR
- 12-28-20
New to Mick Herron and wondering why it took me so long.
Excellent plot, with nice underdog theme.
Most impressed with the quality of the language, and actually found myself writing down some of the more insightful phrases. Unexpectedly literate, considering the genre Read the author’s biography and realized why!
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- Amazon Customer
- 11-13-17
Whatever happened to...?
River Cartwright is a young British intelligence officer who fails a field exercise. He is sent to Slough House where disgraced former agents spend time in the most boring grunt work with the expectation that they will eventually resign.
River knows he was sabotaged and tries to find something real to work on in hopes of being reinstated as an active field agent. Jackson Lamb, the head of Slough House, tries to keep the group quietly working and out of trouble.
However a young man is abducted and his kidnappers threaten to behead him and filming online. The group at Slough House slowly get involved in an attempt to save the abductee's life while River and Jackson uncover activity behind the scenes at headquarters.
“AUDIBLE 20 REVIEW SWEEPSTAKES ENTRY”
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- Carol
- 06-21-18
I'm hooked!
I really enjoyed this book. The only reason I gave it just four stars was that the beginning was a little slow. Once you get past that it takes flight and has many acrobatic twists and turns . Can't wait to read Book number two.
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