She is a housewife: young, healthy, blissfully happy. He is an actor: charismatic and ambitious. The spacious, sun-filled apartment on Manhattan's Upper West Side is their dream home, a dream that turns into an unspeakable nightmare. Enter the chilling world of Ira Levin, where terror is as near as your new neighbors and where evil wears the most innocent face of all.

Alive and hiding in South America, the fiendish Nazi Dr. Josef Mengele gathers a group of former colleagues for a horrifying project. Barry Koehler, a young investigative journalist, gets wind of the scheme and informs famed Nazi hunter Yakov Liebermann, but before he can relay the evidence, Koehler is killed. Thus Ira Levin opens one of the strangest and most masterful novels of his career. Why has Mengele marked a number of harmless aging men for murder? What is the hidden link that binds them?

Jeremy Thorn and his wife, Katherine, have just welcomed the newest member of their family to the world: Their beautiful son Damien. But as the boy grows, so does the terror surrounding him. Fatal accidents, suicides, and unexplained violence seem to follow the Thorns wherever they go - but why? And how can Damien have anything to do with the carnage and bloodshed? He is only a child. But Damien Thorn is like no child on Earth. He bears the mark of the beast. And his time is at hand.

Danny is only five years old, but in the words of old Mr Hallorann he is a 'shiner', aglow with psychic voltage. When his father becomes caretaker of the Overlook Hotel, Danny's visions grow out of control. As winter closes in and blizzards cut them off, the hotel seems to develop a life of its own. It is meant to be empty. So who is the lady in Room 217, and who are the masked guests going up and down in the elevator? And why do the hedges shaped like animals seem so alive?

When the Bates Motel looms up out of the storm, Mary Crane thinks it is her salvation. The rooms are musty but clean. The manager, Norman Bates, seems like a nice enough fellow, if a little strange. Then Mary decides to take a shower, and the nightmare begins....

A self-anointed spinster at 51, Myra Lipinski is reasonably content with her quiet life, her dog, Frank, and her career as a visiting nurse. But everything changes when Chip Reardon, the golden boy she adored in high school, is assigned as her new patient. Choosing to forgo treatment for an incurable illness, Chip has returned to his New England hometown to spend what time he has left. Now, Myra and Chip find themselves engaged in a poignant redefinition of roles, and a complicated dance of memory, ambivalence, and longing.

When a gay Los Angeles magician named Parsifal dies suddenly, he leaves behind his heartbroken assistant, Sabine, and a secret past that leads her to Nebraska and a father she never knew he had.

The tragicomedy of a young man in New York City, a writer, never named, who works as a fact-checker for a prestigious magazine. He struggles with the reality of his mother's death, alienation, and the seductive pull of drugs and a vibrant nightlife.

Rebecca Rothstein Rabinowitz is a plump, sexy chef who has a wonderful husband, a restaurant that's received citywide acclaim, a beautiful baby girl and the mother-in-law from hell. Kelly Day's life looks picture-perfect. But behind the doors, she's struggling to balance work, motherhood, and marriage, while dealing with an unemployed husband who seems content to channel-surf for eight hours a day....

To all appearances, John Wilder has all the trappings of success, circa 1960: a promising career in advertising, a loving family, a beautiful apartment, even a country home. John's evenings are spent with associates at quiet Manhattan lounges and his weekends with friends at glittering cocktail parties. But something deep within this seemingly perfect life has long since gone wrong.

In 1965 Manhattan, patrons flock to Masha’s to savor its brisket bourguignon and impeccable service and to admire its dashing owner and head chef Peter Rashkin, the most eligible bachelor in town. But Peter does not care for the parade of eligible women who come to the restaurant hoping to catch his eye. Running Masha’s consumes him, as does his terrible guilt over surviving the horrors of the Nazi death camp while his wife, Masha - the restaurant’s namesake - and two young daughters perished. Then exquisitely beautiful June Bouquet, an up-and-coming young model, appears at the restaurant, piercing Peter’s guard.

Gayle was the beauty who believed that a man could make her life complete. Patricia was the intellectual who thought that rising to the top of her career would make her happy. And then there is Marcus Carter, who has been linked to both Gayle and Pat since the tragedy that occurred when they were all children. Can either one save him from himself? Can friends survive a love that comes between them? Each of them gets what she wants, but no one counts on the price they have to pay.

Young Billie Ames naively fell for the exciting pilot Moss Coleman at the Philadelphia Navy Yard during World War II. Within a few months, she was pregnant, married, and traveling across the country to Austin...to the 250,000-acre spread known as Sunbridge and into the tantalizing world of the Texas rich. In a vast land dominated by the industrious Colemans, Billie fights to maintain control of her life and her marriage.

Clare and Henry have known each other since Clare was six and Henry was 36. They were married when Clare was 23 and Henry was 31. Impossible but true, because Henry is one of the first people diagnosed with Chrono-Displacement Disorder: periodically his genetic clock resets and he finds himself misplaced in time, pulled to moments of emotional gravity from his life, past and future. His disappearances are spontaneous, his experiences unpredictable, alternately harrowing and amusing.

Welcome to the Chapel House, the old oceanfront mansion where a group of close friends share their hopes and dreams and where love is sometimes an unexpected guest. Heartfelt and deeply moving, Private Relations won the 1989 RITA Award for Best Single Title Contemporary Novel from the Romance Writers of America.

He's a self-described beach bum who won his houseboat in a card game. He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out, and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.

Piper Donovan never imagined that decorating wedding cakes could be so dangerous! A struggling actress with no immediate prospects and a recently broken engagement, Piper moves back in with her parents to take stock of her life. She steps tentatively into the family bakery business and finds herself agreeing to create a wedding cake for the acclaimed star of a daytime television drama. But soon someone close to the bride-to-be is horribly murdered.

Jadine Childs is a Black fashion model with a white patron, a white boyfriend, and a coat made out of ninety perfect sealskins. Son is a Black fugitive who embodies everything she loathes and desires. As Morrison follows their affair, which plays out from the Caribbean to Manhattan and the deep South, she charts all the nuances of obligation and betrayal between Blacks and whites, masters and servants, and men and women.

This novel represents the first appearance of Lawrence Sanders' most famous character, Edward X. Delaney, and the masterpiece of murder and suspense that launched Sanders' career. This suspenseful classic is brought to life by a full cast, including L. J. Ganser, Marc Vietor, Mark Boyett, Zoe Hunter, Gabra Zackman, Lauren Fortgang, Kevin T. Collins, Josh Hurley and Peter Ganim.

Only God knew why Jillian Slater agreed to return to New Orleans on the news that her father had finally drunk himself to death. It's not like they were close. She hadn't seen him - or her grandmother, the ice queen - in almost 20 years. But when Adella Atwater, the manager of her grandmother's apartment house, called and said her expenses would be paid if she'd fly in for the burial, a free trip to New Orleans was too intriguing to resist.

She is a housewife: young, healthy, blissfully happy. He is an actor: charismatic and ambitious. The spacious, sun-filled apartment on Manhattan's Upper West Side is their dream home, a dream that turns into an unspeakable nightmare. Enter the chilling world of Ira Levin, where terror is as near as your new neighbors and where evil wears the most innocent face of all.

Considered one of the great dystopian novels - alongside Anthony Burgess's A Clockwork Orange and Aldous Huxley's A Brave New World - Ira Levin's frightening glimpse into the future continues to fascinate listeners even 40 years after publication. The story is set in a seemingly perfect global society. Uniformity is the defining feature; there is only one language and all ethnic groups have been eugenically merged into one race called "The Family".

The modern master of suspense Ira Levin returns to the horror of his 1967 groundbreaking novel Rosemary's Baby with this darkly comic sequel set at the dawn of the millennium. Thirty-three years ago, Rosemary gave birth to the Devil's child while under the control of the satanic cult of witches. Now the year is 1999, and humanity dreads the approaching 21st century, desperately in search of a savior for this troubled world.

Alive and hiding in South America, the fiendish Nazi Dr. Josef Mengele gathers a group of former colleagues for a horrifying project. Barry Koehler, a young investigative journalist, gets wind of the scheme and informs famed Nazi hunter Yakov Liebermann, but before he can relay the evidence, Koehler is killed. Thus Ira Levin opens one of the strangest and most masterful novels of his career. Why has Mengele marked a number of harmless aging men for murder? What is the hidden link that binds them?

Max Maurey should be on top of the world. He's a famous horror director. Actors love him. Hollywood needs him. He's making money hand over fist. But it's the 80s, and he's directing cheap slashers for audiences who only crave more blood, not real art. Not real horror. And Max's slimy producer refuses to fund any of his new ideas. But when Max discovers an old camera that filmed a very real Hollywood horror, he knows that he has to use this camera for his next movie. The only problem is that it came with a cryptic warning and sometimes wails.