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SKWAD

  • 6
  • reviews
  • 14
  • helpful votes
  • 55
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Sounds like it’s read by AI

Overall
4 out of 5 stars
Performance
2 out of 5 stars
Story
4 out of 5 stars

Reviewed: 02-08-24

The premise, that Coenties Slip itself influenced the work of post-war, post-Ab Ex artists, makes a case for linking artists’ output by place rather than by style or movement.

However, the vocal performance sometimes reminded me of a GPS or Interactive Voice Response prompt (Press 2 to hear more about Ellsworth Kelly!) and the butchered French made me want to set fire to my earbuds.

If you can get past the uncanny valley aspects, give it a try.

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A Great Compendium, With Caveats

Overall
4 out of 5 stars
Performance
4 out of 5 stars
Story
4 out of 5 stars

Reviewed: 01-05-23

It’s lovely to have all of the Hercule Poirot stories in a single audio volume, but I found it a little jarring to toggle between narrators.

Also: there is some triggering racial language in certain stories (I’m thinking particularly of The Lost Mine). I understand that mores were different when Christie wrote these stories, but it’s still upsetting to hear.

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A few glitches w. the recording

Overall
4 out of 5 stars
Performance
5 out of 5 stars
Story
5 out of 5 stars

Reviewed: 01-12-22

I noticed some awkward recording skips and hiccups near the middle in this audio file and a random speed-up of the pace in a few of the later chapters.

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Death by bob souer

Overall
3 out of 5 stars
Performance
1 out of 5 stars
Story
3 out of 5 stars

Reviewed: 01-18-18

The book is interesting enough as a historical account of various artistic frenemies, but the narration is so bland and ugly that it kills any lyrical flow inherent in the stories. Bob Souer needs to learn how to pronounce foreign words— he waged an aural attack, with non-English terms as his weapons. Boo!

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10 people found this helpful

The Gilded Age Comes Alive Through Portraiture

Overall
5 out of 5 stars

Reviewed: 01-08-18

Donna M. Lucey's book illustrates the lives of the women in some of Sargent's most popular portraits. I especially loved learning about Isabella Stewart Gardner and her unique relationship with Sargent. A must-read (or must-listen, rarher) for those interested in the Gilded Age and the powerful families who patronized Sargent and established his reputation while simultaneously using his output to burnish their legacies. My only complaint is that some (but not all) of the French and Italian words are pronounced incorrectly in the reading.

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1 person found this helpful

Richard Armitage can do no wrong

Overall
5 out of 5 stars

Reviewed: 09-25-17

Dickens lovers will thoroughly enjoy this performance, which is really accurately called so, since it is so much more than a reading. Richard Armitage (from North & South) does a great justice to the work and highlights the humor and sarcasm that makes it feel relevant today.

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1 person found this helpful