First appearing in 1782, Dangerous Liaisons is one of the most scandalous and controversial novels in European literature. The plot unfolds through a series of letters as the two main protagonists, the Vicomte de Valmont and the Marquise de Merteuil, attempt to bring about the seduction of a young woman. The epistolary nature of the novel gives a multi-faceted perspective of the action, which places the book firmly in the tradition of libertine literature.

Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.

A House for Mr. Biswas, by Nobel and Booker Prize-winning author V. S. Naipaul, is a powerful novel about one man's struggle for identity and belonging. Born into poverty, then trapped in the shackles of charity and gratitude, Mr. Biswas longs for a house he can call his own. He loathes his wife and her wealthy family, upon whom he is dependent. Finding himself a mere accessory on their estate, his constant rebellion is motivated by the one thing that can symbolize his independence.

Justine is the first volume in the Alexandria Quartet, four interlinked novels set in the sensuous, hot environment of Alexandria just before the Second World War. Within this polyglot setting of richly idiosyncratic characters is Justine, wild and intense, wife to the wealthy businessman Nessim, a Mari complaisant. Her emotional and sexual wildness fuels a highly charged atmosphere.

The Roman poet Publius Ovidius Naso (Ovid) is best known for his epic poem Metamorphoses, a collection of myths and legends from Ancient Greece and Rome. His works continue to be widely read and admired, and he is regarded as one of the most significant poets of ancient Rome. Ovid’s love poems are both brilliant and evocative. In Amores, the romantic mysteriousness of elegiac love-poetry is exploded by his witty and ironic treatment of the form. Ars Amatoria and Remedia Amoris both lay down the rules for the game of love, which both sexes can play.

In Balthazar, the second volume in Durrell’s Alexandria Quartet, the story and the characters come more clearly into focus. Darley, the reflective Englishman, receives from Balthazar, the pathologist, a mass of notes that attempt to explain what really happened between the tempestuous Justine, her husband, Nessim, Clea the artist, and Pursewarden the writer; new figures emerge and play key roles.

Wealthy Maggie Verver has everything she could ever ask for - except a husband and a title. While in Italy, acquiring art for his museum back in the States, Maggie’s millionaire father, Adam, decides to remedy this and acquire a husband for Maggie. Enter Prince Amerigo, of a titled but now poor aristocratic Florentine family. Amerigo is the perfect candidate.

Jane Austen’s most popular novel, originally published in 1813, some 17 years after it was first written, presents the Bennet family of Longbourn. Against the background of gossipy Mrs. Bennet and the detached Mr. Bennet, the quest is on for husbands for the five daughters. The spotlight falls on Elizabeth, second eldest, who is courted by Mr. Darcy, though initially she is more concerned with the fate of her other sisters. This marvelous account of family life in Regency England is read with customary panache by Juliet Stevenson.

Following a violent and messy divorce, young Maisie Farange floats back and forth between her parents, Beale and Ida, who use her as a weapon to torment each other in their ongoing, internecine war. Eventually the parents both remarry, and it becomes clear that the new spouses care more for Maisie than her own parents. Beale and Ida soon embark on a series of extramarital affairs, leaving Maisie in the care of the new step-parents, who begin their own affair with each other.

Self-made American millionaire Christopher Newman arrives in Paris brimming with hope and optimism, excited to experience the culture and, hopefully, find the perfect woman to become his wife. After a chance encounter with American expatriate friends, his attention is drawn to Madame de Cintré, 25-year-old widowed daughter of the late Marquis de Bellegarde. Having fallen on hard times, the centuries-old aristocratic family permits Newman's courtship to proceed; however, they later persuade the widow to break off her engagement to the nouveau-riche businessman.

Thérèse is a half Algerian orphan, brought up in provincial France by her aunt and married off to her sickly cousin Camille. His ambition takes the three of them to Paris, where they set up home in the dank and dingy backstreets that run down to the Seine. The relentless tedium of life for Thérèse is eventually broken by the presence of Camille’s unscrupulous friend Laurent, sparking a series of increasingly desperate acts.

To the Lighthouse is a landmark work of English fiction. Virginia Woolf explores perception and meaning in some of the most beautiful prose ever written, minutely detailing the characters thoughts and impressions. This unabridged version is read by Juliet Stevenson.

Published in 1897, The Spoils of Poynton is one of the quintessential works of James's middle period. The "spoils" of the book's title refer to furniture and other objets d'art that the widow Adela Gereth moves to her cottage so that they are kept away from the clutches of her coarse future daughter-in-law, Mona Brigstock. However, events take an unexpected turn when her married son Owen is attracted to her friend, Fleda Vetch.

The serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, and their children and assorted guests are on holiday on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Woolf constructs a remarkable, moving examination of the complex tensions and allegiances of family life and the conflict between men and women.

Meeting by chance at a gambling hall in Europe, the separate lives of Daniel Deronda and Gwendolen Harleth are immediately intertwined. Daniel, an Englishman of uncertain parentage, becomes Gwendolyn's redeemer as she finds herself drawn to his spiritual and altruistic nature after a loveless marriage. But Daniel's path was already set when he rescued a young Jewess from suicide.

When mystery author D. B. Ziegler is late delivering her book, Abi Schore steps in to help. Surely she can give her favorite author moral support over the holiday break and get the manuscript to her boss at Tea & Sympathy Publishing in time for the new year. When Abi shows up on Ms. Ziegler’s doorstep bearing holiday treats, she’s met by the author’s handsome grandson Dov, who reveals a startling plot twist. His grandmother isn’t able to finish the book and Dov promised he’d complete it so fans won’t be disappointed—a task that’s harder than he ever imagined.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

There's no place like home for the holidays ... especially for Lesley Carver. Life in the big city just wasn't her jam and now she's back in Hickory Falls, working at the family diner and helping her mom after she took a tumble. Lesley longs to build a life here, working at the cafe, selling her handmade ornaments and ... er, apparently reviving her high school crush on her best friend’s older brother. Only one problem, her mom wants her to leave Hickory Falls far behind.

Tilly Farriday isn’t feeling very jolly this season. Recently divorced and broke, she’s squatting in one of her rental agency’s properties until her new home is ready. The sprinkles on top of the burnt Christmas cookie that is her life? The new owner shows up early, forcing Tilly to hide in the attic to save her job…and what remains of her dignity.

First published in 1843, it tells the story of Ebenezer Scrooge, a mean and unpleasant man who dislikes people generally and Christmas especially. One Christmas Eve he is visited by the ghost of his former business partner Jacob Marley and the spirits of Christmas Past, Present and Yet to Come and given a glimpse of the many homes and lives which Scrooge has touched in his wretched life to date. After their visits, Scrooge is transformed into a kinder, gentler man.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Clark Griswold was onto something...at least with his annual holiday meltdown. And since the last three weeks of my life have been riddled with humbug—another breakup, a broken toe, an office promotion I deserved and didn’t get—I’m not at all in the mood to celebrate nor have the happ, happ, happiest Christmas EVER.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

As his tale begins, Orlando is a passionate young nobleman whose days are spent in rowdy revelry, filled with the colourful delights of Queen Elizabeth's court. By the close, he will have transformed into a modern, thirty-six-year-old woman and three centuries will have passed. Orlando will not only witness the making of history from its edge, but will find that his unique position as a woman who knows what it is to be a man will give him insight into matters of the heart.

To the Lighthouse is a landmark work of English fiction. Virginia Woolf explores perception and meaning in some of the most beautiful prose ever written, minutely detailing the characters thoughts and impressions. This unabridged version is read by Juliet Stevenson.

Orlando is the extraordinary biography of a young nobleman in the court of Elizabeth I who transforms into a woman and lives for over three centuries. In his youth, Orlando is a passionate lover and poet. He dotes on the Queen, serves King James faithfully, falls deeply in love with a Russian princess, and becomes an ambassador to Constantinople, but at his heart all Orlando ever wants to be is a great writer (and living at the same time as Marlowe, Donne, and Shakespeare, this is no easy thing). But while living in Constantinople, one evening Orlando is transformed into woman.

Meeting by chance at a gambling hall in Europe, the separate lives of Daniel Deronda and Gwendolen Harleth are immediately intertwined. Daniel, an Englishman of uncertain parentage, becomes Gwendolyn's redeemer as she finds herself drawn to his spiritual and altruistic nature after a loveless marriage. But Daniel's path was already set when he rescued a young Jewess from suicide.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

Orlando is one of the most unforgettable creations of twentieth-century literature. He emerges as a young man at the court of Queen Elizabeth I and progresses, with breathtaking ease, through three centuries until, by now a woman, she arrives in the bustle and diversion of the 1920's.

Virginia Woolf's semi-biographical novel, inspired by her life changing love affair with Vita Sackville-West, takes us on an exhilarating, fantastical roller coaster, tracing 400 years of English history, in the company of her shape-shifting, gender-bending, time-travelling hero Orlando, whose inner conflicts and triumphs challenge our preconceptions of the nature of love, the battle of the sexes, posing socal and metaphysical questions including what we now call climate change.

Orlando: A Biography is a groundbreaking English novel by Virginia Woolf that explores English history, gender roles, and sexual politics in a way few books have before or since. Inspired by the life of Woolf's friend and lover Vita Sackville-West—herself an accomplished poet and novelist—the story follows the life of an aristocratic nobleman who changes from man to woman and goes on to live for centuries, meeting all of the most influential and powerful figures in English history.

This recording presents a scholarly but accessible 20th century translation by Constantine FitzGibbon, and opens with an introduction to the life and works of La Rochefoucauld, as well as his own description of himself. It closes with a brief but interesting bibliography, in which FitzGibbon brings clarity to the various editions. It is presented in a very listenable manner by David Rintoul, who gives each maxim the weight and character it deserves.

Jane Austen’s most popular novel, originally published in 1813, some 17 years after it was first written, presents the Bennet family of Longbourn. Against the background of gossipy Mrs. Bennet and the detached Mr. Bennet, the quest is on for husbands for the five daughters. The spotlight falls on Elizabeth, second eldest, who is courted by Mr. Darcy, though initially she is more concerned with the fate of her other sisters. This marvelous account of family life in Regency England is read with customary panache by Juliet Stevenson.

Published four years after Rousseau's death, Confessions is a remarkably frank and honest self-portrait, described by Rousseau as "the history of my soul". From his idyllic youth in the Swiss mountains, to his career as a composer in Paris and his abandonment of his children, Rousseau lays bare his entire life with preternatural honesty.

One of the three great tragic playwrights of ancient Greece, Sophocles wrote over 120 plays during his 60-year career, though only seven survive today. The most famous of these are the Theban Plays, all three of which are included in this collection alongside adaptations of Electra and Philoctetes, brought to life by celebrated writers, poets, and playwrights.

There is now no doubt that not only is Waiting for Godot the outstanding play of the 20th century, but it is also Samuel Beckett's masterpiece. Yet it is both a popular text to be studied at school and an enigma. The scene is a country road. There is a solitary tree. It is evening. Two tramp-like figures, Vladimir and Estragon, exchange words. Pull off boots. Munch a root vegetable. Two other curious characters enter. And a boy. Time passes. It is all strange yet familiar.

When Catherine Morland, a country clergyman's daughter, is invited to spend a season in Bath with the fashionable high society, little does she imagine the delights and perils that await her. Captivated and disconcerted by what she finds, and introduced to the joys of "Gothic novels" by her new friend, Isabella, Catherine longs for mystery and romance. When she is invited to stay with the beguiling Henry Tilney and his family at Northanger Abbey, she expects mystery and intrigue at every turn.