Following the death of her former husband, Cam, fifty-four-year-old Eleanor has moved back to the New Hampshire farm where they raised three children to care for their brain-injured son, Toby, now an adult. Toby’s older brother, Al, is married and living in Seattle with his wife; their sister, Ursula, lives in Vermont with her husband and two children. Although all appears stable, old resentments, anger, and bitterness simmer just beneath the surface. How the Light Gets In follows Eleanor and her family through fifteen years (2010 to 2024).

Sam and Elena dream of another life. On the island off the coast of Washington where they were born and raised, they and their mother struggle to survive. Sam works on the ferry that delivers wealthy mainlanders to their vacation homes while Elena bartends at the local golf club, but even together they can’t earn enough to get by, stirring their frustration about the limits that shape their existence.

A young nanny who plunged to her death, or was she pushed? A nine-year-old girl who collects sharp objects and refuses to speak. A lawyer whose job it is to uncover who in the family is a victim and who is a murderer. But how can you find out the truth when everyone here is lying? Rose Barclay is a nine-year-old girl who witnessed the possible murder of her nanny—in the midst of her parent's bitter divorce—and immediately stopped speaking.

Julia Ames, after a youth marked by upheaval and emotional turbulence, has found herself on the placid plateau of mid-life. But Julia has never navigated the world with the equanimity of her current privileged class. Having nearly derailed herself several times, making desperate bids for the kind of connection that always felt inaccessible to her, she finally feels, at age fifty seven, that she has a firm handle on things. She’s unprepared, though, for what comes next.

When Hannah and Jasper move to Silverbanks, a luxury gated neighbourhood, it’s a dream come true. This house, with its floor-to-ceiling glass doors, direct access to the sandy beach, and close-knit, caring community, will be the perfect place to raise their precious daughter, Pia. And then Hannah meets her next-door neighbour. The flicker of recognition in his eyes only lasts for a second, but it’s enough. Suddenly, her safe haven has become the most dangerous place she could be. Unless she does something about it.

The Precipice is a legendary family-owned hotel on the rocky coast of Maine. With the recent passing of their father, the Bishop sisters—Iris, Vicki, and Faith—have come for the weekend to claim it. But with a hurricane looming and each of the Bishop sisters harboring dangerous secrets, there's murder in the air—and not everyone who checks into the Precipice will be checking out. Each sister wants what is rightfully hers, and in the mix is the Precipe's nineteen-year-old chambermaid Charley Kelley: smart, resilient, older than her years, and in desperate straits.

When Jane, an aspiring writer, meets filmmaker John Bridges, they both want the same things: to be in love, to live a successful, creative life, and to be happy. When they marry, Jane believes she has found everything she was looking for, including—a few years later—all the attendant joys and labors of motherhood. But it’s not long until Jane finds herself subsumed by John’s ambitions, whims, and ego; in short, she becomes a wife.

Emilia Ward lives in suburban London with her husband, their young son, and a teenager from her first marriage. Emilia is an ordinary mom—and she’s also the bestselling author of the Miranda Moody detective novels. But when writing her tenth—and most difficult—book, life takes a disturbing turn: an incident mimicking the plot of one of her novels occurs in real life. Just an unsettling coincidence, right? Until it happens again. And again.

It’s the opening night of The Manor, the newest and hottest luxury resort, and no expense, small or large, has been spared. The infinity pool sparkles; the “Manor Mule” cocktail (grapefruit, ginger, vodka, and a dash of CBD oil) is being poured with a heavy hand. Everyone is wearing linen.

From the author of the global breakout bestseller The Last Love Note comes the story of a young woman struggling to piece her life back together in the wake of a tragic accident, and the man who gives up everything to help her. When Evie Hudson wakes in an unfamiliar hospital room, she thinks she’s fresh out of a teenage party with her best friend, Bree. Except, Bree isn’t around anymore and high school was years ago. Evie had just survived the crash that killed her husband, Oliver—whom she can't remember either.

From the award-winning author of The One-in-a-Million Boy comes a heartfelt, uplifting novel about a chance encounter at a bookstore, exploring redemption, unlikely friendships, and the life-changing power of sharing stories.

They never considered how his wife might react, or that by the end of the summer a man would be dead. But Blakely always got her way, and the others followed her lead—even when they knew it was dead wrong. The girls had been friends from day one at Camp Pendleton, a haven for gifted children. But their senior summer was different. When Mr. Crosby, the handsome tennis coach, wound up murdered after a reckless lie, Blakely, Grace, Meg, and Thera swore themselves to secrecy. And never spoke to each other again.

Natalka and Edwin are perfect if improbable partners in a detective agency. At eighty-four, Edwin regularly claims that he’s the oldest detective in England. He is a master at surveillance, deploying his age as a cloak of invisibility. Natalka, Ukrainian-born and more than fifty years his junior, is a math whizz, who takes any cases concerning fraud or deception. Despite a steady stream of minor cases, Natalka is frustrated. She loves a murder, as she’s fond of saying, and none have come the agency’s way. That is until local writer Melody Chambers dies.

With her remarkable insight into the human condition and silences that contain multitudes, Elizabeth Strout returns to the town of Crosby, Maine, and to her beloved cast of characters—Lucy Barton, Olive Kitteridge, Bob Burgess, and more—as they deal with a shocking crime in their midst, fall in love and yet choose to be apart, and grapple with the question, as Lucy Barton puts it, “What does anyone’s life mean?”

Brooklyn psychiatrist Dr. Caroline Strange is certain she knows what's best for her patients, her family, and pretty much everyone else, but that all changes when a troubled young man arrives for his appointment and makes a pair of alarming confessions: I am going to kill someone, and I know who you really are. Dr. Caroline is accustomed to hearing her patients’ deepest, darkest secrets, but it seems Nelson Schack may be one step ahead when detectives show up later that day, inquiring about a missing woman.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.

Gia and Abby have been friends since childhood, forever bonded by the tragedy that unfolded in Greece when they were eighteen. Now thirty, heiress Gia is back in Greece with her shiny new husband, entertaining glamorous guests with champagne under the hot Mediterranean sun, while bookish Abby is working fourteen-hour-days as an attorney. When Gia invites Abby on an all-expenses-paid trip to Sweden to celebrate her birthday, Abby’s thrilled to reconnect.

The young English narrator of Lea Carpenter’s dazzling new novel has grown up unhappily in London, dreaming of escape, pretending to be someone else and obsessed with a locked private garden. On the eve of her twenty-first birthday, at a party near that garden, she meets its charismatic and mysterious new owner, Marcus, thirty-three years older, who sweeps her off her feet. Before long they are married at his finca in Mallorca, and at last she has escaped into a new role–but at what price?

Annie never much believed in love. That is, until meeting Mark. After crossing paths on morning commutes, they connect at a group counseling session for trauma survivors. Each recognizes something in the other, though both hide their own troubled pasts. It’s a whirlwind romance that propels Annie through their courtship, all the way to her wedding day—a day she couldn’t have predicted for herself once upon a time yet now feels surer about than anything in her life.

Ro Krishna is the American son of Indian parents, educated at the finest institutions, equally at home in London’s poshest clubs and on the squash court, but unmoored after he is dramatically forced to leave a high-profile job under mysterious circumstances. He decides it’s time to check in for some much-needed R&R at Samsara, a world-class spa for the global cosmopolitan elite nestled in the foothills of the Indian Himalayas. A person could be spiritually reborn in a place like this. Even a very rich person.

Following the death of her former husband, Cam, fifty-four-year-old Eleanor has moved back to the New Hampshire farm where they raised three children to care for their brain-injured son, Toby, now an adult. Toby’s older brother, Al, is married and living in Seattle with his wife; their sister, Ursula, lives in Vermont with her husband and two children. Although all appears stable, old resentments, anger, and bitterness simmer just beneath the surface. How the Light Gets In follows Eleanor and her family through fifteen years (2010 to 2024).

Sixteen-year-old Odile vies for a coveted seat on the Conseil. If she earns the position, she’ll decide who may cross her town’s heavily guarded borders. To the east, the town is twenty years ahead in time. To the west, it’s twenty years behind. The towns repeat in an endless sequence across the wilderness. When Odile recognizes two visitors she wasn’t supposed to see, she realizes that the parents of her friend Edme have been escorted across the border from the future, on a mourning tour, to view their son while he’s still alive in Odile’s present.

Jenny Bowen is going home. Following an acrimonious split from her husband, she is quitting her job and moving back from London to the small town in the Scottish Highlands where she grew up. After tying up some last-minute loose ends, she rushes to Euston and boards the Caledonian Sleeper, headed north on a 500 mile, 10-hour journey through the night. As Jenny is getting settled in her cabin, she hears a commotion outside in the corridor.

Dorothy Graham is dead, which is inconvenient, not least for her. Luckily, she has planned for this eventuality. Now, if any of the truly dreadful people she is related to want to get their hands on her money, they’re going to have to do so via a fiendish difficult and frankly bizarre competition of Dorothy’s devising. After all, just because you’re dead, it doesn’t mean you can’t enjoy a last laugh at the expense of people who made your life miserable.

Since We Fell follows Rachel Childs, a former journalist who, after an on-air mental breakdown, now lives as a virtual shut-in. In all other respects, however, she enjoys an ideal life with an ideal husband. Until a chance encounter on a rainy afternoon causes that ideal life to fray. As does Rachel's marriage. As does Rachel herself. Sucked into a conspiracy thick with deception, violence, and possibly madness, Rachel must find the strength within herself to conquer unimaginable fears and mind-altering truths.

Katy Sweeney is looking for her sister. A year earlier, just three weeks into a solo vanlife trip, her free-spirited younger sister, Phoebe, vanished without a trace on the remote, achingly beautiful coastal highway in Western Australia. With no witnesses, no leads, and no DNA evidence, the case has gone cold. But Katy refuses to give up on her.

Ava Bonney is a compassionate and studious fourteen-year-old girl with a dark secret: she has an obsessive interest in the macabre. She is fascinated by the rate at which dead animals decompose. The highway she lives by regularly offers up gifts of roadkill, and in the dead of night Ava loves nothing more than to pull her latest discovery into her roadside den and record her findings. One night, she stumbles across the body of her classmate and, fearing that her secret ritual could be revealed, she makes an anonymous call to the police.

Sam and Elena dream of another life. On the island off the coast of Washington where they were born and raised, they and their mother struggle to survive. Sam works on the ferry that delivers wealthy mainlanders to their vacation homes while Elena bartends at the local golf club, but even together they can’t earn enough to get by, stirring their frustration about the limits that shape their existence.

Everyone in America knows Dylan Read, or at least has heard her music. Since releasing her debut album her senior year of high school, Dylan’s spent fifteen years growing up in the public eye. She’s not only perfected her skills when it comes to lyrics and melody; she’s also learned how to craft a public narrative that satisfies her fans, her label, and the media. In the circles of fame and celebrity in which she now travels, the careful maintenance of Dylan Read pop star is often more important than the songs themselves.

Kate Bowler is a professor at Duke Divinity School with a modest Christian upbringing, but she specializes in the study of the prosperity gospel, a creed that sees fortune as a blessing from God and misfortune as a mark of God's disapproval. At 35, everything in her life seems to point toward "blessing". She is thriving in her job, married to her high school sweetheart, and loves life with her newborn son. Then she is diagnosed with stage IV colon cancer.

Cordelia Black loves exactly three things: her chosen family, her hairdresser (worth every penny plus tip), and killing bad men. By day she's an ambitious pharma rep with a flawless reputation and designer wardrobe. By night, she culls South Louisiana of unscrupulous men—monsters who think they've evaded justice, until they meet her. Sure, the evening news may have started throwing around phrases like serial killer, but Cordelia knows that's absurd. But when Cordelia discovers a flaw in her perfectly designed system for eliminating monsters, pressure heightens.