Nerine Dorman

Absolutely riveting

Revisado: 08-17-24

What W Scott Poole does so well with Wasteland, is draw the parallels between World War I and the lasting impact it made on the West's collective psyche in terms of how horror, as a genre, has developed. I will admit that I've not watched nearly as many of the early horror films as I should have, but the connections that Poole makes with the awfulness that has been inflicted on Europe during the 20th century are impossible to ignore – especially the examination of how individuals give way to creative expression in the wake of their experiences of warfare or its aftereffects.

If we consider how the human body was brutalised, depersonalised, it's easy to see this echoed in the rise of body horror and, of course, those perennial favourites such as the vampire and the zombie that continue to stalk the outskirts of our cultural objects. He goes into great depth, for instance, in a discussion of J'accuse (1919) where zombies made their debut, incidentally employing survivors from conflict to appear on screen. We gain glimpses into the creative genius of the likes of Fritz Lang, Murnau, Tod Brown, TS Eliot, Arthur Machen, and Franz Kafka, among many others who would have had first-hand experiences either on the battlefield or in a society distorted by the ripples caused by war.

Poole is clearly not only invested in the vast body of film and literature of the time that he discusses, but he is incredibly erudite and passionate in how he expands upon the subject. The audiobook is narrated by Andrew Eiden, who most certainly does justice to the subject matter, and helps contribute to an engaging listener experience.

There is no glorification of battle here, but rather a deep dive into the horrors of warfare – something that is all too easily glossed over by history books when we do not pause to consider the high individual cost in armed conflict. At times, Poole steps away from mere historian to make emotive observations, but overall, Wasteland is a veritable treasure trove that has inspired me to read and view more broadly.

If you're looking for a starting point in the horror genre in general, you can't go wrong with this book. I thoroughly enjoyed this and feel like I have a greater understanding of the genre in general – and certainly have more context for the works that I have already dipped into.

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A frank glimpse into the origins of a princess...

Revisado: 11-23-23

I've had this one marked on my wishlist for quite some time, so dropped my Audible credit on The Princess Diarist by Carrie Fisher, which is narrated by her, as well as her daughter, Billie Lourd. Honestly, I had no idea what to expect. I'll admit to a long-standing admiration for Fisher, for her role of Princess Leia, but I've known precious little else about her other than maintaining an appreciation her outspokenness in the media. What I got with this was a short dip into the behind-the-scenes activities for the first Star Wars film way back in the day, as well as a warts-and-all glimpse into Fisher's personal life.

I met a young woman, adorably insecure, navigating an industry known for eating people alive. Her involvement with Harrison Ford at the tender age of 19 was, let's be honest, questionable, and yet I don't gain the impression that Fisher feels ill-disposed to him or even that she was taken advantage of. She discusses the affair quite frankly and with great empathy for her younger self.

Fisher reveals herself as an astute somewhat introspective observer of people, and boy she can write. I will admit that it's difficult for me to give a free pass to people who indulge with other people's spouses, but as Fisher states, the event happened so many years ago, she has no qualms now about discussing the distant past. And indeed she does so, in a way that doesn't at any time make you feel as if the tale is sordid.

Stars are revealed as being merely people, whose paths run parallel for a while before they shoot off in different directions. As a time capsule, The Princess Diarist is a somewhat sweetly wistful memoir that encapsulates a period in a young woman's life where she is establishing her identity. I think we can safely say that we've all had that one intense love affair in our younger years that did not last but made a lasting impression. Carrie Fisher was and in many ways still is, a delight, and our princess is sorely missed.

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It sounds like a full-cast production

Revisado: 11-14-23

I think by now it's pretty pointless to give a blow-by-blow account of JRR Tolkien's masterpiece, The Lord of the Rings (LotR) considering that it has become so firmly entrenched in popular culture. But I do feel I need to share a few of my thoughts and feelings about the Andy Serkis reading of all three books, which total approximately whopping 65 hours of listening pleasure combined.

I've been threatening for years to revisit the trilogy. I first read it around the tender age of 12, one heady summer holiday that had my mom complaining I spent too much time indoors when other kids my age were working on future basal cell carcinoma on Cape Town's beaches. I knew from the moment that I first read these books (I own the hardcover centenary edition, now sadly sans dust cover, with Alan Lee's illustrations) that I wanted to be an author who wrote about elves and dragons, and created worlds I could get lost in. The Peter Jackson films remain among my firm favourites.

So, yeah, LotR inhabits a very special place in my heart. It was my gateway to becoming a SFF author, and it's one of the few epics that has left me in tears at the end. Every time those elves go West. Sam's almost anticlimactic "Well, I'm back" at the end always slays me – that we can embark on these earth-shattering adventures and still return to merely being ourselves. We are forever changed on the inside, even if we present a face to our friends and family that appears the same as always. I can peel back so many layers.

The problem with LotR, is I simply don't have the time to sit down and read the entire thing, but I do have time when I'm doing mindless menial things like washing dishes and driving, to listen to audiobooks. Audible has been a lifesaver, and The Fellowship of the Ring, The Two Towers, and The Return of the King, as narrated by Andy Serkis, are absolute gems.
It's one thing to read Tolkien, and have an appreciation for his exquisite style, but it's quite another to hear a gifted actor such as Serkis breathe life into the story so that it feels as if my earballs are giving me a full-cast production. Of course, as always, Gollum steals the show.

I feel as if I've reconnected with the work in a different way through having listened to this rendition of one of the greatest works of fantasy literature in my personal library, and if you find the idea of sitting down with a dead-tree version daunting, you can't go wrong with these three chaps. Granted, it took me about three months to work through all of them consecutively, but they served to remind me why I keep returning to Tolkien's writing. His wordplay remains exceptional, and very few authors come close to how he describes the beauty of nature. (I realise I'm one of those individuals who won't tire of endless descriptions of bloody trees, okay?)

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Absolutely wonderful

Revisado: 06-12-23

If you ever want to come to grips with a true understanding of exactly how puny the existence of the human race is, A New History of Life – a series of lectures given by Professor Stuart Sutherland (Department of Earth, Ocean and Atmospheric Sciences at The University of British Columbia) will set you right. Brought out by The Great Courses, this series takes you on a journey right from the theoretical origin of our solar system all the way to our current rather catastrophic Anthropocene Age – a subset of the Holocene.

Understandably, any attempt to frame Earth's history in easy-to-digest chunks is, ahem, a mammoth task. But Townsend is lovely. Not only does he break down the super-technical terms in plain language for mere mortals like you and me to understand, but he does so in an often funny, very informative manner as he takes us on a journey through the ages. Actually, he's not just lovely, he's frigging adorable, because he often stumbles over his own words in his enthusiasm, which just makes his talks all the more delightful.

I walked away from this series feeling like I've gained an even greater perspective of and better appreciation for the centuries of work scientists have put into figuring out how it all fits together. This knowledge has also hammered home how incredibly fragile life is, and how exceptional it is that life as we know it has even come into being on this ball of water and dirt with its molten core in the first place. If you possess even an ounce of interest in our origins as Earthlings, then dig into this series.

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Sublime

Revisado: 06-07-23

My mom tried, unsuccessfully, to get me to read W Somerset Maugham in all the years that I was a teenager living under her roof. Teenagers are stubborn dears. That being said, I don't think teenaged Nerine would have gotten half as much out of reading Of Human Bondage as middle-aged Nerine has. The audiobook was part of my Audible subscription, but when it timed out, I absolutely had to know how the story panned out, and I have zero regrets purchasing it with one of my credits.

While the novel kicks off with the very young Philip Carey, newly orphaned, who goes to live with his uncle and aunt, who don't have children themselves. It's pretty clear from the get go that they have zero idea how to handle a little one in the house. But if we consider that the novel (by my estimation) takes place before World War I in England, I would hazard to say that this was an era where raising children meant putting them in situations were they were rarely seen and heard even less.

So poor little Philip, with his club foot (he really hasn't lucked out) really has a rough time of things growing up.

As the title suggests, this is a story about the bonds between people – bonds of love and hate, of obligation and responsibility. We watch Philip grow from being a sarcastic yet timid child to a deeply insecure adult, who is struggling to find his place in the world. As a youth, he rebels against the notions of what is expected of him, and yet in his attempts to establish himself – first completing his studies in Germany, then while trying a range of rather diverse careers – he still isn't satisfied with what the world offers and becomes the author of his own downfall. (Which savvy readers could have predicted early on.)

Added to the mix is one incredibly awful complication of unrequited love, that is so full of cringe that I found myself muttering along with the narrator, with an "Oh god, Philip. No, Philip. Don't do it, Philip. Choose life, Philip."

Throughout this, Maugham's observations of the people around Philip are sharp and biting. We see the best juxtaposed against the worst, expressed with incredible pathos. Everyone is morally grey, with both good and bad, and Maugham discusses many philosophies framed within Philip's journey, as he starts from a position of childlike faith until he hits a profound passive nihilistic nadir before he manages to attain ecstatic existential release, and in a way freedom through acceptance of the basic absurdity of the human condition. Watching Philip navigate many of the admittedly self-imposed obstacles he places in his own path is a thing of beauty that I don't often see, and when I do, I relish.

This novel also exists as a sort of time capsule, capturing the essence of a particular era of European culture and history, that reflects the tragedies of being human as well as those sweet moments of pure joy. Read by Steven Crossley, this Audible edition is well worth the investment, and I'm definitely adding Steven Crossley to my list of narrators worth stalking.

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I'm here for the parrot-cats

Revisado: 04-18-23

This one was included in my Audible subscription, and I appear to have given it a spin out of order – I listened to book 2 not so long ago. This is book 1. In the House of Aryaman, a Lonely Signal Burns by Elizabeth Bear is part of the Sub-Inspector Ferron Mysteries and offers listeners a somewhat quirky dive into an India of the future, where virtual and augmented reality blend seamlessly with real life, and humanity deals with the challenges of climate change in a technologically driven society.

Genetic manipulation is par for the course in this setting, and designer pets are de rigueur – so if you want to meet a talkative parrot-cat called Chairman Meow, who is the only witness to what at face value appears to be an utterly bizarre murder, then step right this way. Actually, I was sold by the fact that this story has a talking cat.

Narrated by Zehra Jane Naqvi, this is a short escapade of two hours (unlike the 20 hour beasts I tend to download) which I admit took me ten or so minutes to get used to Zehra's voice. I don't know why, but I seem to inadvertently mostly listen to audiobooks narrated by British men, so hitting a woman-narrated work was a bit of an adjustment – especially with her accent being on point in terms of the setting. But once I was used to her voice, I was fine, and Zehra oozes quirk in abundance.

There's much to be unpacked in this setting, and my only real complaint is that it's too short! I'm definitely going to keep a lookout for further titles, should these be rolled out. It's great to have a story that's not the usual western-centric fare. If fun, light mysteries, with unexpected twists are your jam, then this one is the cat's whiskers. Oh dog, I shouldn't mix so many metaphors.

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Plenty of intrigue...

Revisado: 02-07-23

I'm on a bit of an Eighteenth Dynasty kick when it comes to ancient Egypt, for Reasons. So I was super excited to pick up this title through my Audible subscription, and it was, simply put, not quite what I expected, and also a whole lot more than I'd asked for. To give a little background for the peeps who are not on such a major ancient Egypt thing like I am, this is the dynasty that spawned the legendary King Tutankhamen, whose fabulous and intact tomb was discovered by the British archaeologist Howard Carter, amid much fanfare during the early years of the 20th century.

But the Eighteenth Dynasty also gave us another pharaoh who was perhaps a little more on the notorious side – one Akhenaten, who's known for how he did his level best to usher in an age of monotheism into Egypt of the time's polytheistic culture. So much has been written about the time, with many Egyptologists (and authors) taking stabs at putting out their favourite pet theories. Thing is, we have just enough research to allow us to string together dozens of fascinating theories, and the Eighteenth Dynasty certainly has its fair share of intrigue and mystery. Unless fresh finds are dug up from the sands, a lot of what is put forward is mainly conjecture, but hey ... it's fodder for cool stories.
So, to get back to House of Rejoicing by Libbie Hawker, it's book 1 of a series that details Hawker's fictionalising of the events that transpired during Akhenaten's rule. Told from multiple points of view (mainly that of the wives, mothers) this is part murder mystery, part courtly intrigue, and very much a lively imagining of what life in ancient Egypt must have been like during a time of great turmoil.

A small warning, however, if underage shenanigans and sibling love that goes beyond the platonic bothers you, perhaps this is not the book for you. We must remember that Egypt of that era was a rather different place in terms of societal values, and it was common for brothers and sisters to be wed, and often at a young age.

Most of this book, I suspect, acts as a prequel of sorts, putting the players on the stage and introducing us to their complex interpersonal relationships in the years running up to Akhenaten taking his father's throne and getting the bright idea in his noggin that the Aten is the one and only god before all others ... and we all know how well that sort of thinking plays out. However, Hawker does an excellent job subverting my loyalties between the different players (something I quite love, thank you, George RR Martin) and I'm definitely keen to check out the next title.

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What an adventure!

Revisado: 01-17-23

In the case of Beneath the Sands of Egypt by Donald P Ryan, the subtitle of Adventures of an Unconventional Archaeologist is pretty much spot on. This fascinating book serves Ryan's memoir, as he recounts the winding path that brought him to Egypt and the many adventures he had there, not only digging in the sands but also participating in the filming of documentaries. As an added bonus, he also shares how he came to cross paths with the legendary explorer Thor Heyerdahl and ended up helping this legend with his own research. That's quite a career, and Ryan himself shows that not only does he possess a lively curiosity, but he delivers the account of exploits in an engaging fashion with somewhat wryly humorous observations.

In listening to this audiobook, beautifully narrated by Paul Boehmer, I also inadvertently also learnt a lot more about the importance of fibre technology in ancient Egypt than I expected I would (!!!) – and I love it when books deliver such seemingly inconsequential factoids. Yes, there is an Egypt Papyrus Museum, and yes, I want to go there one day.

Ryan offers a perfect blend of archaeological research and amusing anecdotes, so there is never a dull moment in this book. I was quite sad when I reached the end, and I'm happy to report that I've since picked up two copies of his other publications. Perhaps one of the highlights for the read was Ryan describing how they staged the scenes where he and a television presenter encountered bats in old tombs. Ryan also reminds me why although I love all things Egypt, I'm rather glad that I'm able to indulge in my passion without trying to monetise it. While many people may have a desire to embark on careers in Egyptology, the opportunities to make a career of it are far and few between.

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Simply fabulous!

Revisado: 01-12-23

Stephen Fry has got one of those honey-gold voices I just want to distill and pour directly into my brain. If ever there is one human being on this planet who is so overwhelmingly talented and absolutely fabulous, and who deserves every honour accorded to him, it's this man. And the audiobook for Heroes further underpins my opinion about Stephen Fry.

Anyone who's worth their salt in terms of languages and literature should have at least a passing familiarity with the Greek myths. I had a module at university that focused primarily on the mythology, so I was treading familiar territory when I gave Heroes a whirl. And while a bewildering array of gods and goddesses, nymphs and monsters feature prominently in this hefty tome, it's the heroes who are, ahem, well, the heroes of this book. Well, duh.

From Jason and Perseus, to Atalanta and Hercules, we follow a bunch of ancient Greek luminaries on their quests for golden fleeces, the slaying of terrible monsters, and a quest for power and glory. Fry delivers the tales of derring-do, wonder, and tragedy all with his singular wit and fantastic sense for the dramatic. If you've ever encountered anyone who's complained that reading the primary sources is dull, the rather put them onto Fry. You'll thank me later, and if anything, this might yet inspire folks to dip into the original texts.

The old Greek myths have it all – epic quests, tragedies, dramatic love affairs, adventures, horror. In fact, I'd hazard to say, that modern fantasy fiction owes a vast debt to these great classics. And it's been a special treat to have them brought to life by the author himself. I could probably carry on heaping praise on this book until the cows come home to roost, and I'm most certainly going to pick up the rest of the titles in this series that Fry has been working on.

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A fair intro if you're not hundreds about history

Revisado: 12-25-22

Perhaps if you're new to the topic, this book will be a good starting point. Norman F Cantor has a fairly chatty style in Alexander the Great – Journey to the End of the Earth, but I found him annoying at times in his poking, ahem, at the nature of Alexander's relationship with Hephaestion and Alexander's (and the men at the time's) sexuality in general. Who cares? They weren't haunted by the ghosts of Victorian prudery back then.

This isn't an expansive volume, so if you're looking for a read/listen with more meat on its bones, then rather go elsewhere. I had this as part of my Audible subscription and wasn't too wild about the overall (lack of) production value. Things got a bit patchy, which is kinda sad considering this is such a short read.

I did gain an idea of the brutality of the lives of the Macedonians of this age, however. There was a whole lot of drinking, boinking, and killing, and the picture that Cantor paints is of a emperor who, as his conquests mount up, and he gets further and further away from home in both physical and metaphorical sense, grows more and more paranoid and delusional. I'm reminded of that little quip from Highlander where the Kurgan tells Connor, "It's better to burn out than to fade away" – which in this case most certainly applies to Alexander.

Other reviewers with a little more historical smarts than me have also pointed out that Cantor makes a bunch of errors that were not caught by any editor, but considering that I have the attention span of a goldfish, I didn't pick up these incorrect historical details. So my caution is to keep this in mind, should you pick up a copy. And if in doubt, cross reference.

Did I enjoy this book? Yeah, it was pretty good. I'm currently indulging in a pile of research about ancient times for my own work, so it's good to immerse. This was a fair to middling read/listen, but I've been reliably told that there are better works out there that go into far more detail.

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