Quinn

She said yes to Morelli. She said yes to Ranger. Now Stephanie Plum has two fiancés and no idea what to do about it. But the way things are going, she might not live long enough to marry anyone. While Stephanie stalls for time, she buries herself in her work as a bounty hunter, tracking down an unusually varied assortment of fugitives from justice. There’s Eugene Fleck, a seemingly sweet online influencer who might also be YouTube star Robin Hoodie, masked hero to the homeless, who hijacks delivery trucks and distributes their contents to the needy.

Elly Griffiths has always written short stories to experiment with different voices and genres as well as to explore what some of her fictional creations such as Ruth Galloway, Harbinder Kaur, and Max Mephisto might have done outside of the novels. The Man in Black gathers these bite-sized tales all together in one splendid volume.

If she wasn’t dead already, Delphie would be dying of embarrassment. Not only did she just die by choking on a microwaveable burger, but now she’s standing in her ‘shine like a star’ nightie in front of the hottest man she’s ever seen. And he’s smiling at her. As they start to chat, everything else becomes background noise. That is until someone comes running out of a door, yelling something about a huge mistake, and sends the dreamy stranger back down to earth. And here Delphie was thinking her luck might be different in the afterlife.

A simple search-and-rescue mission sends Shelby into the woods, where she stumbles on a long-dead secret. Add a spur-of-the-moment trip to San Francisco that goes horribly wrong, and Shelby is in a race against time. Good thing she’s got friends who are willing to help, but even that may not be enough to save the man she loves. In a game of secrets and shadows, Shelby must trust her instincts, or lose everything.

Emma Wheeler desperately longs to be a screenwriter. She’s spent her life studying, obsessing over, and writing romantic comedies—good ones! That win contests! But she’s also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates—The Charlie Yates! Her personal writing god!—it’s a break too big to pass up.

When Lydia takes a job running the Senior Citizens’ Social Club three afternoons a week, she assumes she’ll be spending her time drinking tea and playing gentle games of cards. The members of the Social Club, however, are not at all what Lydia was expecting. From Art, a failed actor turned kleptomaniac to Daphne, who has been hiding from her dark past for decades to Ruby, a Banksy-style knitter who gets revenge in yarn, these seniors look deceptively benign—but when age makes you invisible, secrets are so much easier to hide.

St Mary's has never lacked for enemies, but danger has never been closer to home. A state of war has broken out between St Mary's and the Women's Institute - the Raffia Mafia. Markham, Max, Peterson and Miss Sykes must jump to Restoration London in search of real Christmas pie - the honour of St Mary's is at stake. At least that how it all begins, but this is St Mary's after all.

It's nearly Christmas, Julia Devine's favourite time of the year. She's just programmed a wonderful lead into the holidays at Sunny Street Cinema, which leaves her plenty of time to worry about going home to Cumbria for Christmas. Her mum and stepdad are fine, but the thought of spending another holiday with her awful stepsister Becca is enough to make a Scrooge out of anyone. When Becca calls to let her know about the dreamy pilot she's bringing to Christmas lunch, Julia finally snaps and does something very silly.

Monday mornings aren’t supposed to be fun, but they should be predictable. However, on this particular Monday, Stephanie Plum knows that something is amiss when she turns up for work at Vinnie’s Bail Bonds to find that longtime office manager Connie Rosolli, who is as reliable as the tides in Atlantic City, hasn’t shown up. Stephanie’s worst fears are confirmed when she gets a call from Connie’s abductor. He says he will only release her in exchange for a mysterious coin that a recently murdered man left as collateral for his bail.

Bailey is a young, aspiring actress that has never had a real acting job besides a role in a high school play. But when she sees an ad for a production that takes place in 1954, she decides to take a chance. The only thing she knows is that it is fully immersive, and would require her to live in the fictional town for one full year. The rules are simple, stay in character and she gets a nice payout of more than one hundred thousand dollars. But would a black woman willingly live in the 50s?