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Rob and his now ex-wife, Victoria, met at university. Their relationship started off happily, they moved to Falmouth in Cornwall before getting married. However, it quickly descended into a nightmare marriage of psychological manipulation, coercive control and emotional abuse - all from the woman who was supposed to love him. Rob's life was gradually destroyed as Victoria extended a web of lies around him, manipulating, suffocating and isolating him from the outside world. It was only through his baby daughter, Grace, that he found the courage to leave Victoria.

In November 2001, the body of a young doctor named Andrew Bagby was discovered in Keystone State Park outside Latrobe, Pennsylvania, five bullet wounds in his face, chest, buttocks, and the back of the head. For parents Dave and Kate, the pain was unbearable? But Andrew's murder was only the first in a string of tragic events.

Following Kate Marshall’s first year in the mortuary at a north of England NHS hospital, with each month exploring the people she meets, in life and death, as well as her own growing awareness of life behind the veil. Sorry for Your Loss is haunting, uplifting and informative, with many moments of laughter, and shows us that the way we approach death can make life all the more precious.

Detective Sergeant Washington Poe is in court, fighting eviction from his beloved and isolated croft, when he is summoned to a backstreet brothel in Carlisle where a man has been beaten to death with a baseball bat. Poe is confused—he hunts serial killers and this appears to be a straightforward murder-by-pimp—but his attendance was requested personally, by the kind of people who prefer to remain in the shadows. As Poe and the socially awkward programmer Tilly Bradshaw delve deeper into the case, they are faced with seemingly unanswerable questions.

On 15th June 1994, Travis Green—husband, father, upstanding citizen—walked through the streets of Hartstead and killed 11 of his neighbours. The final victim was four-year-old Cassie Colman's father. As the 25-year anniversary approaches, Cassie would rather forget the past—even as her mother struggles to remember it at all. Then something hidden in her mother's possessions suggests those 11 murders were not what everyone believes.

Put yourself in Tracy King's shoes. Growing up in an ordinary council estate outside Birmingham; a house filled with creativity, curiosity and love, but marked by her father's alcoholism and her mother's agoraphobia. By the time she turns twelve her father has been killed, her sister taken into care and her mother ensnared by the promises of born-again Christianity. This isn't the stuff of cult documentaries; this is the story of an ordinary family trapped in a broken system. It's a story that could happen to anyone without the tools to transform their circumstances.

Stephen Smith is the boy who did not exist. Born out of wedlock in the early 1960s, Steve's parents - both devout Catholics - had felt so 'shamed' by their son's illegitimate birth that they hid him away from the world by locking him in the cellar...for 13 years. Apart from a few admissions to hospital as a result of his 'imprisonment', Steve remained in the coal cellar of the family home where he was deprived of daylight, his childhood, school and human contact until he'd reached his teenage years.

Janey Markham is thrilled to be moving with her family to Buckingham Crescent, the smartest address in a desirable suburban town. Worried she’ll be excluded by the glossy local mothers, Janey is thrilled when she meets Tanya, the kind of woman she has always looked up to. Tanya takes Janey under her wing and her teenage daughter, Angel, is amazing with Janey’s little boy. As Janey and Tanya grow closer, Janey feels she can finally leave her troubled past behind.

When Lydia was a teenager, she made a decision that ruined her family's life. They've spent the last 30 years living with the consequences and doing their best to pretend it never happened. Lydia's husband, the gorgeous and reliable Mark, and her two teenage children know nothing about that summer back in 1982. And that's the way Lydia wants it to stay. The opportunity to come clean is long gone, and now it's not the lie that matters; it's the betrayal of hiding the truth for so long.

One night Lauren finds a strange man in her flat who claims to be her husband. All the evidence – from photos to electricity bills – suggests he’s right. Lauren’s attic, she slowly realises, is creating an endless supply of husbands for her. But when you can change husbands as easily as a lightbulb, how do you know whether the one you have now is the good enough one, or the wrong one, or the best one? And how long should you keep trying to find out?