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I’m not yours and you’re not mine. That’s what I say to his dreaming face as I watch the shadows of his dark eyelashes dance by the light of a Tilley lamp. It’s not the first lie I’ve told myself. When I was 16, I wanted to fly. I was going to take off like an angel from heaven and leave the muck and madness of Northern Ireland behind as I struck out across the west coast of Donegal, heading straight for America. Nothing but the Land of Happy Ever After would do for me. It was him I blamed for clipping my wings.

Indian American journalist Smita has returned to India to cover a story, but reluctantly: long ago she and her family left the country with no intention of ever coming back. As she follows the case of Meena–a Hindu woman attacked by members of her own village and her own family for marrying a Muslim man–Smita comes face to face with a society where tradition carries more weight than one's own heart, and a story that threatens to unearth the painful secrets of Smita's own past.

One Thursday lunchtime the Earth gets unexpectedly demolished to make way for a new hyperspace bypass. For Arthur Dent, who has only just had his house demolished that morning, this seems already to be more than he can cope with.

There was a time when Lindy Morris escaped to London and walked along the Thames in the moonlight. When life was full and exciting. Decades later, Lindy lives back with her Auntie Bell on the edge: on the edge of Donegal and on the edge of Granda Morris's land. Granda Morris is a complicated man, a farmer who wanted sons but got two daughters: Auntie Bell and Lindy's mother, who disappeared long ago.

Rough Beast is Máiría Cahill's harrowing story of her life and of what she went through at the hands of what is now Ireland’s largest and richest party. That story is told here for the first time in full detail and with unsparing honesty. It is a story of unimaginable trauma and political corruption. It brings to life a world of paramilitary secrecy and parallel laws, but above all it is the story of one young woman’s defiance of the power wielded by ex-gunmen inspiring fear and silence, and their influence over elected politicians.

Hello there. Welcome to my autobiography. Throughout this audiobook I talk about my life and work, including Little Britain, Come Fly with Me, Bridesmaids, Les Miserables, Alice in Wonderland and, of course, Shooting Stars. The thing is, this is a bit different to most memoirs you may have listened to, because it comes in the form of an A-Z. Anyway, I hope you buy it at least twice. Thank you.

Life is short - no one knows that better than 17-year-old Lenni Petterssen. On the Terminal Ward, the nurses are offering their condolences already, but Lenni still has plenty of living to do. When she meets 83-year-old Margot Macrae, a fellow patient offering new friendship and enviable artistic skills, Lenni's life begins to soar in ways she'd never imagined. As their bond deepens, a world of stories opens up: of wartime love and loss, of misunderstanding and reconciliation, of courage, kindness and joy.

In the 1960s, Florence, a pregnant 16-year-old, is banished to one of the remotest parts of the UK. Years later, Nell and Dougie are both at critical moments in their lives when their paths cross. Sometimes who we are goes way beyond where we are from. What happened to Florence? Why is Dougie so reluctant to return home? How can Nell make peace with the lies she's been told?

Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing. But it's the early 1960s and her all-male team at Hastings Research Institute take a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant Nobel-prize-nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results.

Nahr has been confined to the Cube: nine square metres of glossy grey cinderblock, devoid of time, its patterns of light and dark nothing to do with day and night. Journalists visit her, but get nowhere; because Nahr is not going to share her story with them. The world outside calls Nahr a terrorist and a whore; some might call her a revolutionary, or a hero. But the truth is, Nahr has always been many things and had many names.