It is 1987, and a small Irish community is preparing for a wedding. The day before the ceremony, a group of young friends, including the bride and groom, are involved in an accident. Three survive. Three are killed. The lives of the families are shattered and the rifts between them ripple throughout the small town. Connor survived, but living among the angry and the mourning is almost as hard as carrying the shame of having been the driver. He leaves the only place he knows for another life, taking his secrets with him.

Toronto, 1843: Das junge Dienstmädchen Grace wird mit sechzehn des Doppelmordes an ihren Arbeitgebern schuldig gesprochen. In letzter Sekunde wandelt das Gericht ihr Todesurteil in eine lebenslange Gefängnisstrafe um. Sie verbringt Jahre hinter Gittern, bis man sie schließlich entlässt. Im Haushalt des Anstaltdirektors begegnet sie dem Nervenarzt Simon, der ihrer Geschichte auf den Grund gehen will: Ist Grace eine gemeingefährliche Verbrecherin oder unschuldig?

Nearly a half century into being a feminist and legal pioneer, something funny happened to Supreme Court Justice Ruth Bader Ginsburg: The octogenarian won the Internet. Across America, people who weren't even born when Ginsburg made her name are tattooing themselves with her face, setting her famously searing dissents to music, and making viral videos in tribute.

Kabul, 1978: The daughter of a prominent family, Sitara Zamani lives a privileged life in Afghanistan’s thriving cosmopolitan capital. The 1970s are a time of remarkable promise under the leadership of people like Sardar Daoud, Afghanistan’s progressive president, and Sitara’s beloved father, his right-hand man. But the ten-year-old Sitara’s world is shattered when communists stage a coup, assassinating the president and Sitara’s entire family. Only she survives.

Japan, 1957. Seventeen-year-old Naoko Nakamura’s prearranged marriage to the son of her father’s business associate would secure her family’s status in their traditional Japanese community, but Naoko has fallen for another man - an American sailor, a gaijin - and to marry him would bring great shame upon her entire family. When it’s learned Naoko carries the sailor’s child, she’s cast out in disgrace and forced to make unimaginable choices with consequences that will ripple across generations.

Alix St. Pierre. An unforgettable name for an unforgettable woman. She grew up surrounded by Hollywood glamor, but, as an orphan, never truly felt part of that world. In 1943, with WWII raging and men headed overseas to fight, she lands a publicity job to recruit women into the workforce. Her skills—persuasion, daring, quick-witted under pressure—catch the attention of the U.S. government and she finds herself with an even bigger assignment: sent to Switzerland as a spy. Soon Alix is on the precipice of something big, very big. But how far can she trust her German informant…?

Rookie Det. Kenda investigates a 1975 case that begins with the murder of a beloved Colorado philanthropist and society figure whose husband, a gambler and womanizer, appears to have an air-tight alibi. Mentored by his veteran partner Det. Lee Wilson, a former Nashville singer turned skilled investigator, Kenda’s case quickly attracts attention from the FBI, CIA, and Interpol, for its similarity to a string of killings involving wealthy married women. All the murders appear to have been committed by a hired professional.

Amsterdam, 1941. When the Nazis invade Amsterdam, singer Johanna Vos watches in horror as her Jewish friends are forbidden from performing with her onstage, and the vibrant music scene she loves is all but erased. Johanna helps organize the Artists’ Resistance, an underground network that arranges for Jewish musicians to perform at house concerts hosted by their allies. When Johanna is told about a Jewish orphan who is headed for deportation, she does not think twice: she takes the baby in as her own, hiding the truth from everyone, including her sister, Liesbeth.

What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift?

India, 1986: Mukta, a 10-year-old village girl from the lower-caste Yellama cult, has come of age and must fulfill her destiny of becoming a temple prostitute, as her mother and grandmother did before her. In an attempt to escape her fate, Mukta is sent to be a house girl for an upper-middle class family in Mumbai. There she discovers a friend in the daughter of the family, high-spirited eight-year-old Tara, who helps her recover from the wounds of her past.