Diatonic scale
The diatonic scale is one of the scales used in music. It is also called heptatonic scale, because it uses seven distinct pitch classes or tones. For each octave there are five whole steps and two half steps. The two half steps are separated by two or three whole steps. The word "diatonic" comes from the Greek διατονικός, meaning progressing through tones.[1]
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The seven pitches of any diatonic scale can be obtained using a chain of six perfect fifths. An example of this would be the seven natural pitches which form the C-major scale. It can be constructed from a stack of perfect fifths starting from F:
- F—C—G—D—A—E—B
This property of the diatonic scale is called Pythagorean tuning. It was historically relevant and contributed to the worldwide diffusion of diatonic scales, because it allowed musicians to tune musical instruments easily by ear.
Any sequence of seven successive natural notes, such as C-D-E-F-G-A-B, and all transpositions, are diatonic scales. Piano keyboards are designed to play natural notes, which are diatonic scales, with their white keys. A diatonic scale can be also described as two tetrachords separated by a whole tone.
The term diatonic originally referred to the diatonic genus, one of the three genera of the ancient Greeks. In musical set theory, Allen Forte classifies diatonic scales as set form 7–35.
The following scales are diatonic:
- Modes, mainly used in Church music
- The altered scale, which is widely used for Jazz music
- harmonic minor or the melodic minor.
Examples of scales that are not diatonic are whole-tone scales, as well as the gypsy scales, which are often used for folk music.
Other websites
change- Diatonic Scale Archived 2015-12-09 at the Wayback Machine on Eric Weisstein's Treasure trove of Music
- The diatonic scale on the guitar
References
change- ↑ Ball, Philip (2010). The Music Instinct, London: Vintage, p.44
