Anunț publicat de Rompetrol (KMG International)

Many believe that the Dragon Boat Festival originated in ancient China based on the suicide of the poet and statesman of the Chu kingdom, Qu Yuan in 278 BCE. The festival commemorates the life and death of the famous Chinese scholar Qu Yuan, who was a loyal minister of the King of Chu in the third century BCE. Qu Yuan’s wisdom and intellectual ways antagonized other court officials, thus they accused him of false charges of conspiracy and was exiled by the king. During his exile, Qu Yuan composed many poems to express his anger and sorrow towards his sovereign and people. Qu Yuan drowned himself by attaching a heavy stone to his chest and jumping into the Miluo River in 278 BCE at the age of 61. The people of Chu tried to save him believing that Qu Yuan was an honorable man; they searched desperately in their boats looking for Qu Yuan but were unable to save him. Every year the Dragon Boat Festival is celebrated to commemorate this attempt at rescuing Qu Yuan. The local people began the tradition of throwing sacrificial cooked rice into the river for Qu Yuan, while others believed that the rice would prevent the fishes in the river from eating Qu Yuan’s body. At first, the locals decided to make zongzi in hopes that it would sink into the river and reach Qu Yuan's body. However, the tradition of wrapping the rice in bamboo leaves to make zongzi began the following year. Isn’t it amazing how a cultural festival can still celebrated today since 278BC? It has come a long way. Through culture and tradition we know where our root is. Only then we know ourselves. Don’t confuse culture and tradition for religious practice.

Enjoyed my postings about intangible cultural heritage. or ICH? Here is an interesting story of the instrument called Suona. Hope they are successful in the application of the 1 or 2 mentioned instruments as ICH. UNESCO Our cultural identity is at stake. #zerocarbon #netzero Read: https://lnkd.in/gP8haQxZ #intangibleculturalheritage #unesco #regenerativetourism #socialinnovation #retailmanagement #highereducation #traditionalart #musicindustry #studyinaustralia #musicindustry #esgstrategy

March 24 | Sunday | 4:00pm RSVP: http://surl.li/rvbbg In parallel, global festivals such as the Edinburgh International Book Festival have undergone strategic revamps, both thematically and logistically, to stay relevant in a rapidly changing world. Similarly, major events like the Jaipur Literature Festival have experienced metamorphoses over the years. As we contemplate the future, questions arise about how these festivals will evolve in response to the interplay between city dynamics, societal shifts, and cultural influences. What trajectory will these festivals take, especially concerning their interactions with the burgeoning landscape of events like the Bangalore Literature Festival? The answers lie at the nexus of urban life, cultural expression, and the ever-evolving festival landscape.

As the month of July draws to a close, the latest edition of Public Sector Leaders takes a moment to celebrate a milestone in national arts and culture. The National Arts Festival (NAF) held in Makhanda, celebrated five decades of serving as a platform for showcasing artistic creativity, inspiring artists to delve into pressing societal matters and engage with the nation’s abundant cultural heritage. Having took place from the 22nd of June to the 2nd of July, the festival marked a triumphant return for countless art enthusiasts and artists, as it became their first post-Covid experience of the National Arts Festival in three years. Since 1974, Makhanda has been the cherished home of the NAF, offering unique experiences that go beyond entertainment. As the largest annual celebration of the arts in Africa, the festival connects artists and audiences, creating transformative cultural experiences. It holds deep historical significance, attracting diverse individuals who gather at the Monument to commemorate the arts. Despite global challenges including the pandemic, the festival has adapted by embracing new technologies and transitioning to hybrid editions. With resolute commitment, the festival embraced the opportunity to exhibit unrivalled excellence across a diverse array of artistic disciplines. From captivating drama and enchanting dance to intellectually stimulating physical theatre, laughter-inducing comedy, soul-stirring music and mesmerising jazz, as well as immersive exhibitions and experiences. To see some of the numerous highlights and profoundly talented winners and award recipients from this year, read the article in the post comments below. ⬇️ #Arts #Culture #Music #PublicSectorLeaders #Publication #TopcoMedia

In this blog, W2SF talks about seeing flamenco in museums, typically associated with static visual arts, historical artifacts, and quiet contemplation. Flamenco is a dynamic, loud, and highly emotive performance art, and this combination of contrasting environments, from the habitual serenity of museums to the intense and energetic performance of flamenco provides a striking dissimilarity in atmosphere. In a departure from conventional venues, seeing flamenco in a museum offers a multi-sensory experience that enhances the appreciation of both the visual and performing arts. Whereas museums showcase historical and cultural artifacts, flamenco is a contemporary expression of cultural heritage. Seeing flamenco in a museum context highlights the ongoing evolution of cultural traditions, making the past and present resonate together. This fusion of environments creates a rich, layered experience, offering a new perspective on both the museum's collection and the flamenco performance. https://lnkd.in/drcHrQTc

Can arts festivals safeguard cultural heritage? Global arts and culture leaders convened in Davos at the World Economic Forum earlier this year to address the pressing threats facing tangible and intangible cultural heritage. These include the erosion of languages, societal changes, and conflicts that endanger diverse traditions worldwide. The Catalogue of Endangered Languages*, a comprehensive repository, underscores the gravity of the situation, featuring entries from 180 countries and territories. Germany alone has 11 endangered languages, including Upper Sorbian and Western Yiddish, while the US has 165, ranging from Aleut to Zuni. This erosion of intangible heritage—embracing language, customs, ceremonies, rituals, and traditions—stems from the complex interplay of political dynamics and the relentless march of globalisation, ushering in societal and technological transformations at an unprecedented pace. Both these intangible and tangible (art works, festivals and monuments) heritage contain the diversity of human experience, and a framework for both individual and community identity. They nurture resilience in the face of change or crisis. It is therefore vital to protect and sustain what has been handed down from previous generations, in the face of multiple threats: climate change; armed conflict; unrestricted development; and unsustainable tourism. While these dangers exist worldwide, they tend to worsen exponentially under crisis conditions. More of the article on the Festivals From India platform https://lnkd.in/eUBEu4Um

 "Show da Virada: A Brazilian New Year's Eve Extravaganza to Remember" Presentation: As the year attracts to a nearby, individuals all over the planet enthusiastically expect the appearance of the New Year with merriments and festivities. In Brazil, one of the most notable and enthusiastically anticipated occasions is the "Show da Virada," Another Year's Eve party that enamors the hearts of millions. In this article, we'll dive into the energetic embroidered artwork of "Show da Virada," investigating its rich history, social importance, and the sensational encounters it offers to those lucky enough to participate in this yearly festival. The Historical backdrop of Show da Virada: "Show da Virada," deciphered as "New Year's Eve Show," has its foundations profoundly implanted in Brazilian culture. Starting as a broadcast music and diversion extraordinary, the show has developed into an enormous live occasion that joins individuals from varying backgrounds. The first "Show da Virada" broadcasted in the mid 2000s, rapidly acquiring prevalence for its elegant exhibitions, energetic climate, and the commitment of introducing the New Year with unmatched energy. read more... https://lnkd.in/g2Tde2rV

Surprising Traditional Coincide (Druk Wangyel & Shap) “Shaap” is a ritual celebrated by the Shina-speaking communities living in Gilgit-Baltistan. It is a festival that celebrates the arrival of new year. Throughout the festival, youth and elders, wearing masks, singing and dancing, visit houses in the vicinity, praying for prosperity, peace and good crops. The house residents to whom they visited offer them favors in return. On the other hand, The Druk Wangyel Festival happens annually on 13th December annual Bhutanese festival that takes place at the Druk Wangyel Lhakhang (temple) in Dochula. This festival stands out from the other religious festivals in the country due to its distinctive dances. The image shows the Dance of Gadpo and Ganmo (Dance of old men and women). For this, the dancers wear wrinkled masks and grey wigs; this performance is believed to bring longevity and happiness to the festival attendees. These rituals are seeming to be similar, however their olden times history is entirely unrelated. Nowadays, both rituals indicate similar enthusiasm “praying for prosperity and wellness”. We have never imagined the cultural similarities around the globe. Been logically sound we can come across several bound of many cultures in this world. Understanding other cultures builds bridges. It is the finest way to bring the world closer together and to Truth. Through understanding, others able to see their similarities before differences. Zamir Haider