15 Must-Reads by Asian American, Native Hawaiian, and Pacific Islander Authors

A lyrical novel set against the backdrop of China’s Cultural Revolution that follows a father’s quest to reunite his family before his precocious daughter’s momentous birthday, which Garth Greenwell calls “one of the most beautiful debuts I’ve read in years.”

How many times in life can we start over without losing ourselves?

In the summer of 1986 in a small Chinese village, ten-year-old Junie receives a momentous letter from her parents, who had left for America years ago: her father promises to return home and collect her by her twelfth birthday. But Junie’s growing determination to stay put in the idyllic countryside with her beloved grandparents threatens to derail her family’s shared future.

What Junie doesn’t know is that her parents, Momo and Cassia, are newly estranged from one another in their adopted country, each holding close private tragedies and histories from the tumultuous years of their youth during China’s Cultural Revolution. While Momo grapples anew with his deferred musical ambitions and dreams for Junie’s future in America, Cassia finally begins to wrestle with a shocking act of brutality from years ago. In order for Momo to fulfill his promise, he must make one last desperate attempt to reunite all three members of the family before Junie’s birthday—even if it means bringing painful family secrets to light.

“A beautifully written, poignant exploration of family, art, culture, immigration, and most of all, love,” (Jean Kwok, New York Times bestselling author of Searching for Sylvie Lee) Swimming Back to Trout River weaves together the stories of Junie, Momo, Cassia, and Dawn—a talented violinist from Momo’s past—while depicting their heartbreak and resilience, tenderly revealing the hope, compromises, and abiding ingenuity that make up the lives of immigrants.

This “novel of extraordinary humanity” (Madeleine Thien, author of Do Not Say We Have Nothing) from New York Times bestselling author Vaddey Ratner reveals “the endless ways that families can be forged and broken hearts held” (Chicago Tribune) as a young woman begins an odyssey to discover the truth about her missing father.

Leaving the safety of America, Teera returns to Cambodia for the first time since her harrowing escape as a child refugee. She carries a letter from a man who mysteriously signs himself as “the Old Musician” and claims to have known her father in the Khmer Rouge prison where he disappeared twenty-five years ago.

In Phnom Penh, Teera finds a society still in turmoil, where perpetrators and survivors of unfathomable violence live side by side, striving to mend their still beloved country. She meets a young doctor who begins to open her heart, confronts her long-buried memories, and prepares to learn her father’s fate.

Meanwhile, the Old Musician, who earns his modest keep playing ceremonial music at a temple, awaits Teera’s visit. He will have to confess the bonds he shared with her parents, the passion with which they all embraced the Khmer Rouge’s illusory promise of a democratic society, and the truth about her father’s end.

A love story for things lost and restored, a lyrical hymn to the power of forgiveness, Music of the Ghosts is a “sensitive portrait of the inheritance of survival” (USA TODAY) and a journey through the embattled geography of the heart where love can be reborn.

THE NEW YORK TIMES BESTSELLER

“A mesmerizing new historical novel” (O, The Oprah Magazine) from Lisa See, the bestselling author of The Tea Girl of Hummingbird Lane, about female friendship and devastating family secrets on a small Korean island.

Mi-ja and Young-sook, two girls living on the Korean island of Jeju, are best friends who come from very different backgrounds. When they are old enough, they begin working in the sea with their village’s all-female diving collective, led by Young-sook’s mother. As the girls take up their positions as baby divers, they know they are beginning a life of excitement and responsibility—but also danger.

Despite their love for each other, Mi-ja and Young-sook find it impossible to ignore their differences. The Island of Sea Women takes place over many decades, beginning during a period of Japanese colonialism in the 1930s and 1940s, followed by World War II, the Korean War, through the era of cell phones and wet suits for the women divers. Throughout this time, the residents of Jeju find themselves caught between warring empires. Mi-ja is the daughter of a Japanese collaborator. Young-sook was born into a long line of haenyeo and will inherit her mother’s position leading the divers in their village. Little do the two friends know that forces outside their control will push their friendship to the breaking point.

“This vivid…thoughtful and empathetic” novel (The New York Times Book Review) illuminates a world turned upside down, one where the women are in charge and the men take care of the children. “A wonderful ode to a truly singular group of women” (Publishers Weekly), The Island of Sea Women is a “beautiful story…about the endurance of friendship when it’s pushed to its limits, and you…will love it” (Cosmopolitan).

For fans of All the Light We Cannot See and Orphan Train, the author of the “thought-provoking” (Library Journal, starred review) and “must-read” (PopSugar) novel The Gilded Years crafts a captivating tale of three young people divided by the horrors of World War II and their journey back to one another.

During the turbulent months following the 1941 bombing of Pearl Harbor, twenty-one-year-old Emi Kato, the daughter of a Japanese diplomat, is locked behind barbed wire in a Texas internment camp. She feels hopeless until she meets handsome young Christian Lange, whose German-born parents were wrongfully arrested for un-American activities. Together, they live as prisoners with thousands of other German and Japanese families, but discover that love can bloom in even the bleakest circumstances.

When Emi and her mother are abruptly sent back to Japan, Christian enlists in the United States Army, with his sights set on the Pacific front—and, he hopes, a reunion with Emi—unaware that her first love, Leo Hartmann, the son of wealthy of Austrian parents and now a Jewish refugee in Shanghai, may still have her heart.

Fearful of bombings in Tokyo, Emi’s parents send her to a remote resort town in the mountains, where many in the foreign community have fled. Cut off from her family, struggling with growing depression and hunger, Emi repeatedly risks her life to help keep her community safe—all while wondering if the two men she loves are still alive.

As Christian Lange struggles to adapt to life as a soldier, his unit pushes its way from the South Pacific to Okinawa, where one of the bloodiest battles of World War II awaits them. Meanwhile, in Japanese-occupied Shanghai, as Leo fights to survive the squalor of the Jewish ghetto, a surprise confrontation with a Nazi officer threatens his life. For each man, Emi Kato is never far from their minds.

Flung together by war, passion, and extraordinary acts of selflessness, the paths of these three remarkable young people will collide as the fighting on the Pacific front crescendos. With her “elegant and extremely gratifying” (USA TODAY) storytelling, Karin Tanabe paints a stunning portrait of a turning point in history.

In this dazzling and critically acclaimed debut collection, Mary Yukari Waters provides a rare glimpse into the heart and humanity of a society in the midst of immense change. These graceful, expertly crafted stories, set in Japan, explore the gray areas between the long shadow of World War II and the rapid advance of Westernization. The women and children who inhabit this terrain have lost husbands and fathers to the war, and ancient traditions to American pop culture. Parents are mystified by the future of forks and knives, hairspray and hip-hop; children embrace it.
With these stories of upheaval and renewal, estrangement and reconciliation, Waters provides keen insight into the experience and sensibility of different generations as they confront an altered world. A virtuoso collection infused with warmth, The Laws of Evening announces a stunning new voice in fiction.

From an immensely talented new voice in international fiction, this “fascinating, ambitious” (The New York Times Book Review) and epic novel seamlessly interweaves five love stories that, together, chronicle sixty years of Bangladeshi history—for fans of Khaled Hosseini’s The Kite Runner and Rohinton Mistry’s A Fine Balance.

Shahryar, a recent PhD graduate and father of nine-year-old Anna, must leave the United States when his visa expires. In their last remaining weeks together, we learn Shahryar’s history, in a vil­lage on the Bay of Bengal, where a poor fisherman and his wife are preparing to face a storm of historic proportions. That story intersects with those of a Japanese pilot, a British doctor stationed in Burma during World War II, and a privileged couple in Calcutta who leaves everything behind to move to East Pakistan following the Partition of India. Inspired by the 1970 Bhola cyclone, in which half a million-people perished overnight, the structure of this riveting novel mimics the storm itself. Building to a series of revelatory and moving climaxes, it shows the many ways in which families love, betray, honor, and sacrifice for one another.

At once grounded in history and fantastically imaginative, The Storm “moves us deftly through time and across borders, beautifully illustrating the strange intersections we call fate, and reminding us how the past shapes the present” (Rumaan Alam, author of Rich and Pretty). Exploring the human­ity that connects us beyond the surface differences of race, religion, and nationality, “this powerful and important debut is a story for our time” (Library Journal, starred review).

A sweeping, lyrical novel following a Korean immigrant pursuing the American dream who must confront the secrets of the past or risk watching the world he’s worked so hard to build come crumbling down.

Dr. Yungman Kwak is in the twilight of his life. Every day for the last fifty years, he has brushed his teeth, slipped on his shoes, and headed to Horse Breath’s General Hospital, where, as an obstetrician, he treats the women and babies of the small rural Minnesota town he chose to call home.

This was the life he longed for. The so-called American dream. He immigrated from Korea after the Korean War, forced to leave his family, ancestors, village, and all that he knew behind. But his life is built on a lie. And one day, a letter arrives that threatens to expose it.

Yungman’s life is thrown into chaos—the hospital abruptly closes, his wife refuses to spend time with him, and his son is busy investing in a struggling health start-up. Yungman faces a choice—he must choose to hide his secret from his family and friends or confess and potentially lose all he’s built. He begins to question the very assumptions on which his life is built—the so-called American dream, with the abject failure of its healthcare system, patient and neighbors who perpetuate racism, a town flawed with infrastructure, and a history that doesn’t see him in it.

Toggling between the past and the present, Korea and America, Evening Hero is a sweeping, moving, darkly comic novel about a man looking back at his life and asking big questions about what is lost and what is gained when immigrants leave home for new shores.

New York City Book Awards Hornblower Award Winner

One of Vogue and NPR’s Best Books of the Year

This beautifully written “masterclass in memoir” (Elle) recounts a young girl’s journey from war-torn Vietnam to Queens, New York, “showcas[ing] the tremendous power we have to alter the fates of others, step into their lives and shift the odds in favor of greater opportunity” (Star Tribune, Minneapolis).

Ly Tran is just a toddler in 1993 when she and her family immigrate from a small town along the Mekong river in Vietnam to a two-bedroom railroad apartment in Queens. Ly’s father, a former lieutenant in the South Vietnamese army, spent nearly a decade as a POW, and their resettlement is made possible through a humanitarian program run by the US government. Soon after they arrive, Ly joins her parents and three older brothers sewing ties and cummerbunds piece-meal on their living room floor to make ends meet.

As they navigate this new landscape, Ly finds herself torn between two worlds. She knows she must honor her parents’ Buddhist faith and contribute to the family livelihood, working long hours at home and eventually as a manicurist alongside her mother at a nail salon in Brooklyn that her parents take over. But at school, Ly feels the mounting pressure to blend in.

A growing inability to see the blackboard presents new challenges, especially when her father forbids her from getting glasses, calling her diagnosis of poor vision a government conspiracy. His frightening temper and paranoia leave a mark on Ly’s sense of self. Who is she outside of everything her family expects of her?

An “unsentimental yet deeply moving examination of filial bond, displacement, war trauma, and poverty” (NPR), House of Sticks is a timely and powerful portrait of one girl’s coming-of-age and struggle to find her voice amid clashing cultural expectations.

The New York Times bestselling author of the “mesmerizing and evocative” (Sara Gruen, author of Water for Elephants) Hotel on the Corner of Bitter and Sweet returns with a powerful exploration of the love that binds one family across the generations.

Dorothy Moy breaks her own heart for a living.

As Washington’s former poet laureate, that’s how she describes channeling her dissociative episodes and mental health struggles into her art. But when her five-year-old daughter exhibits similar behavior and begins remembering things from the lives of their ancestors, Dorothy believes the past has truly come to haunt her. Fearing that her child is predestined to endure the same debilitating depression that has marked her own life, Dorothy seeks radical help.

Through an experimental treatment designed to mitigate inherited trauma, Dorothy intimately connects with past generations of women in her family: Faye Moy, a nurse in China serving with the Flying Tigers; Zoe Moy, a student in England at a famous school with no rules; Lai King Moy, a girl quarantined in San Francisco during a plague epidemic; Greta Moy, a tech executive with a unique dating app; and Afong Moy, the first Chinese woman to set foot in America.

As painful recollections affect her present life, Dorothy discovers that trauma isn’t the only thing she’s inherited. A stranger is searching for her in each time period. A stranger who’s loved her through all of her genetic memories. Dorothy endeavors to break the cycle of pain and abandonment, to finally find peace for her daughter, and gain the love that has long been waiting, knowing she may pay the ultimate price.

“A nuanced, complex, and highly original novel.” —Charles Yu, National Book Award–winning author of Interior Chinatown

This fresh and unique work of metafiction follows Benson Yu, a writer, who loses control of his own narrative when he attempts to write the story of his fraught upbringing in 1980s Chinatown.

In a Chinatown housing project lives twelve-year-old Benny, his ailing grandmother, and his strange neighbor Constantine, a man who believes he’s a reincarnated medieval samurai. When his grandmother is hospitalized, Benny manages to survive on his own until a social worker comes snooping. With no other family, he is reluctantly taken in by Constantine and soon, an unlikely bond forms between the two.

At least, that’s what Yu, the narrator of the story, wants to write.

The creator of a bestselling comic book, Yu is struggling with continuing the poignant tale of Benny and Constantine and can’t help but interject from the present day, slowly revealing a darker backstory. Can Yu confront the demons he’s spent his adult life avoiding or risk his own life...and Benny’s?

Inspired by a historical figure, an exhilarating debut novel about the first native of the Indian subcontinent to arrive in Colonial America—for readers of Esi Edugyan and Yaa Gyasi.

Meet Tony: insatiably curious, deeply compassionate, with a unique perspective on every scene he encounters. Kidnapped and transported to the New World after traveling from the British East India Company’s outpost on the Coromandel Coast to the teeming streets of London, young Tony finds himself in Jamestown, Virginia, where he and his fellow indentured servants—boys like himself, men from Africa, a mad woman from London—must work the tobacco plantations. Orphaned and afraid, Tony initially longs for home. But as he adjusts to his new environment, finding companionship and even love, he can envision a life for himself after servitude. His dream: to become a medicine man, or a physician’s assistant, an expert on roots and herbs, a dispenser of healing compounds.

Like the play that captivates him—Shakespeare’s A Midsummer Night’s Dream—Tony’s life is rich with oddities and hijinks, humor and tragedy. Set during the early days of English colonization in Jamestown, before servitude calcified into racialized slavery, The East Indian gives authentic voice to an otherwise unknown historic figure and brings the world he would have encountered to vivid life. In this coming-of-age tale, narrated by a most memorable literary rascal, Charry conjures a young character sure to be beloved by readers for years to come.

Longlisted for the PEN/Hemingway Award for Debut Novel
Longlisted for the 2023 Carnegie Medal for Excellence
Shortlisted for The Center for Fiction 2022 First Novel Prize
Selected as One of Barack Obama’s Favorite Books of 2022!

In this New York Times bestseller and Today show Read with Jenna Book Club Pick, one lapse in judgement lands a young mother in a government reform program where custody of her child hangs in the balance, in this “surreal” (People), “remarkable” (Vogue), and “infuriatingly timely” (The New York Times Book Review) debut novel.

Frida Liu is struggling. She doesn’t have a career worthy of her Chinese immigrant parents’ sacrifices. She can’t persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with Harriet, their cherubic daughter, does Frida finally attain the perfection expected of her. Harriet may be all she has, but she is just enough.

Until Frida has a very bad day.

The state has its eye on mothers like Frida. The ones who check their phones, letting their children get injured on the playground; who let their children walk home alone. Because of one moment of poor judgement, a host of government officials will now determine if Frida is a candidate for a Big Brother-like institution that measures the success or failure of a mother’s devotion.

Faced with the possibility of losing Harriet, Frida must prove that a bad mother can be redeemed. That she can learn to be good.

An “intense” (Oprah Daily), “captivating” (Today) page-turner that is also a transgressive novel of ideas about the perils of “perfect” upper-middle class parenting; the violence enacted upon women by both the state and, at times, one another; the systems that separate families; and the boundlessness of love, The School for Good Mothers introduces, in Frida, an everywoman for the ages. Using dark wit to explore the pains and joys of the deepest ties that bind us, Chan has written a modern literary classic.

In a near-future northern settlement, a handful of climate change survivors find their fates intertwined in this mesmerizing and transportive novel in the vein of Station Eleven and The Power.

In the far north of Canada sits Camp Zero, an American building project hiding many secrets.

Desperate to help her climate-displaced Korean immigrant mother, Rose agrees to travel to Camp Zero and spy on its architect in exchange for housing. She arrives at the same time as another newcomer, a college professor named Grant who is determined to flee his wealthy family’s dark legacy. Gradually, they realize that there is more to the architect than previously thought, and a disturbing mystery lurks beneath the surface of the camp. At the same time, rumors abound of an elite group of women soldiers living and working at a nearby Cold War-era climate research station. What are they doing there? And who is leading them?

An electrifying page-turner where nothing is as it seems, Camp Zero cleverly explores how the intersection of gender, class, and migration will impact who and what will survive in a warming world.