Kunstpodium T

Kunstpodium T

Kunstenaars en schrijvers

Tilburg, Noord-Brabant 341 volgers

๐”ธ๐•ฃ๐•ฅ ๐•ค๐•ก๐•’๐•”๐•– ๐•—๐• ๐•ฃ ๐•–๐•ž๐•–๐•ฃ๐•˜๐•š๐•Ÿ๐•˜ ๐•’๐•ฃ๐•ฅ๐•š๐•ค๐•ฅ๐•ค ๐ŸŒ€

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๐˜ž๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ต๐˜ข๐˜ญ๐˜ฆ๐˜ฏ๐˜ต ๐˜ด๐˜ต๐˜ข๐˜ณ๐˜ต๐˜ด ๐”ธ๐•ฃ๐•ฅ ๐•ค๐•ก๐•’๐•”๐•– ๐•—๐• ๐•ฃ ๐•–๐•ž๐•–๐•ฃ๐•˜๐•š๐•Ÿ๐•˜ ๐•’๐•ฃ๐•ฅ๐•š๐•ค๐•ฅ๐•ค ๐ŸŒ€ โ–ช๏ธ ๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐˜‚๐˜€: ๐—ณ๐—ฟ๐—ถ, ๐˜€๐—ฎ๐˜, ๐˜€๐˜‚๐—ป ๐Ÿญ๐Ÿฏ-๐Ÿญ๐Ÿณ๐—ต

Website
http://www.kunstpodium-t.com
Branche
Kunstenaars en schrijvers
Bedrijfsgrootte
2-10 medewerkers
Hoofdkantoor
Tilburg, Noord-Brabant
Type
Non-profit
Opgericht
2006
Specialismen
art, talent development, education, exhibitions, network en community

Locaties

Medewerkers van Kunstpodium T

Updates

  • Organisatiepagina weergeven voor Kunstpodium T, afbeelding

    341 volgers

    ๐ŸŽ‰ ๐—ช๐—ฒ'๐—ฟ๐—ฒ ๐˜ƒ๐—ฒ๐—ฟ๐˜† ๐—ต๐—ฎ๐—ฝ๐—ฝ๐˜† ๐—ฎ๐—ป๐—ฑ ๐—ฝ๐—ฟ๐—ผ๐˜‚๐—ฑ ๐˜๐—ผ ๐˜€๐—ต๐—ฎ๐—ฟ๐—ฒ ๐˜๐—ต๐—ฎ๐˜ Mondriaan Fonds ๐˜„๐—ถ๐—น๐—น ๐—ฐ๐—ผ๐—ป๐˜๐—ถ๐—ป๐˜‚๐—ฒ ๐˜๐—ผ ๐˜€๐˜‚๐—ฝ๐—ฝ๐—ผ๐—ฟ๐˜ ๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฝ๐—ผ๐—ฑ๐—ถ๐˜‚๐—บ ๐—ง ๐—ณ๐—ฟ๐—ผ๐—บ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฑ-๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿต! ๐Ÿฅ‚ ๐Ÿ’ฌ In their words: "๐˜’๐˜ถ๐˜ฏ๐˜ด๐˜ต๐˜ฑ๐˜ฐ๐˜ฅ๐˜ช๐˜ถ๐˜ฎ ๐˜› ๐˜ฉ๐˜ข๐˜ด ๐˜ข ๐˜ค๐˜ญ๐˜ฆ๐˜ข๐˜ณ ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต๐˜ช๐˜ค ๐˜ท๐˜ช๐˜ด๐˜ช๐˜ฐ๐˜ฏ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข ๐˜ญ๐˜ฐ๐˜ฏ๐˜จ ๐˜ต๐˜ณ๐˜ข๐˜ค๐˜ฌ ๐˜ณ๐˜ฆ๐˜ค๐˜ฐ๐˜ณ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ช๐˜ฆ๐˜ญ๐˜ฅ ๐˜ฐ๐˜ง ๐˜ต๐˜ข๐˜ญ๐˜ฆ๐˜ฏ๐˜ต ๐˜ฅ๐˜ฆ๐˜ท๐˜ฆ๐˜ญ๐˜ฐ๐˜ฑ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต. ๐˜๐˜ฏ ๐˜ณ๐˜ฆ๐˜ค๐˜ฆ๐˜ฏ๐˜ต ๐˜บ๐˜ฆ๐˜ข๐˜ณ๐˜ด, ๐˜ต๐˜ฉ๐˜ฆ ๐˜ข๐˜ณ๐˜ต ๐˜ฑ๐˜ญ๐˜ข๐˜ต๐˜ง๐˜ฐ๐˜ณ๐˜ฎ ๐˜ฉ๐˜ข๐˜ด ๐˜ฅ๐˜ฆ๐˜ท๐˜ฆ๐˜ญ๐˜ฐ๐˜ฑ๐˜ฆ๐˜ฅ ๐˜ช๐˜ต๐˜ด ๐˜ฐ๐˜ธ๐˜ฏ ๐˜ฎ๐˜ฆ๐˜ต๐˜ฉ๐˜ฐ๐˜ฅ๐˜ฐ๐˜ญ๐˜ฐ๐˜จ๐˜บ ๐˜ช๐˜ฏ ๐˜ธ๐˜ฉ๐˜ช๐˜ค๐˜ฉ ๐˜บ๐˜ฐ๐˜ถ๐˜ฏ๐˜จ ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต๐˜ด ๐˜ข๐˜ณ๐˜ฆ ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ข๐˜ฏ ๐˜ฆ๐˜ฒ๐˜ถ๐˜ข๐˜ญ ๐˜ฎ๐˜ข๐˜ฏ๐˜ฏ๐˜ฆ๐˜ณ ๐˜ต๐˜ฐ ๐˜ฎ๐˜ฐ๐˜ณ๐˜ฆ ๐˜ฆ๐˜น๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ๐˜ฅ ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต๐˜ด. ๐˜›๐˜ฉ๐˜ฆ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ช๐˜ต๐˜ต๐˜ฆ๐˜ฆ ๐˜ข๐˜ฑ๐˜ฑ๐˜ณ๐˜ฆ๐˜ค๐˜ช๐˜ข๐˜ต๐˜ฆ๐˜ด ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜’๐˜ถ๐˜ฏ๐˜ด๐˜ต๐˜ฑ๐˜ฐ๐˜ฅ๐˜ช๐˜ถ๐˜ฎ ๐˜› ๐˜ค๐˜ฐ๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜ถ๐˜ฆ๐˜ด ๐˜ต๐˜ฐ ๐˜ฅ๐˜ฆ๐˜ท๐˜ฆ๐˜ญ๐˜ฐ๐˜ฑ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ด ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ๐˜ง๐˜ฐ๐˜ณ๐˜ฆ ๐˜ข๐˜ฃ๐˜ญ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ฌ๐˜ฆ๐˜ฆ๐˜ฑ ๐˜ช๐˜ฏ ๐˜ต๐˜ฐ๐˜ถ๐˜ค๐˜ฉ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ค๐˜ถ๐˜ณ๐˜ณ๐˜ฆ๐˜ฏ๐˜ต ๐˜ฅ๐˜ฆ๐˜ท๐˜ฆ๐˜ญ๐˜ฐ๐˜ฑ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ด ๐˜ช๐˜ฏ ๐˜ค๐˜ฐ๐˜ฏ๐˜ต๐˜ฆ๐˜ฎ๐˜ฑ๐˜ฐ๐˜ณ๐˜ข๐˜ณ๐˜บ ๐˜ท๐˜ช๐˜ด๐˜ถ๐˜ข๐˜ญ ๐˜ข๐˜ณ๐˜ต๐˜ด. ๐˜๐˜ฏ ๐˜ข๐˜ฅ๐˜ฅ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ, ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฐ๐˜ณ๐˜จ๐˜ข๐˜ฏ๐˜ช๐˜ป๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ช๐˜ด ๐˜ข๐˜ฃ๐˜ญ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ง๐˜ฐ๐˜ณ๐˜จ๐˜ฆ ๐˜ข ๐˜ค๐˜ญ๐˜ฐ๐˜ด๐˜ฆ ๐˜ฏ๐˜ฆ๐˜ต๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ ๐˜ต๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ช๐˜ต๐˜ด ๐˜ข๐˜ค๐˜ต๐˜ช๐˜ท๐˜ช๐˜ต๐˜ช๐˜ฆ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฐ๐˜ญ๐˜ญ๐˜ข๐˜ฃ๐˜ฐ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ธ๐˜ฉ๐˜ช๐˜ค๐˜ฉ ๐˜บ๐˜ฐ๐˜ถ๐˜ฏ๐˜จ ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต๐˜ด ๐˜ฅ๐˜ช๐˜ณ๐˜ฆ๐˜ค๐˜ต๐˜ญ๐˜บ ๐˜ฃ๐˜ฆ๐˜ฏ๐˜ฆ๐˜ง๐˜ช๐˜ต. ๐˜’๐˜ถ๐˜ฏ๐˜ด๐˜ต๐˜ฑ๐˜ฐ๐˜ฅ๐˜ช๐˜ถ๐˜ฎ ๐˜› ๐˜ช๐˜ด ๐˜ข๐˜ฑ๐˜ฑ๐˜ณ๐˜ฆ๐˜ค๐˜ช๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ฑ๐˜ฆ๐˜ฆ๐˜ณ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ข๐˜ณ๐˜ต ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ด." Mondriaan Fund supports the program of 44 cultural institutions in The Netherlands. We congratulate all the other institutions granted their support! ๐—” ๐—ฏ๐—ถ๐—ด ๐˜๐—ต๐—ฎ๐—ป๐—ธ ๐˜†๐—ผ๐˜‚ ๐˜๐—ผ ๐—ฒ๐˜ƒ๐—ฒ๐—ฟ๐˜†๐—ผ๐—ป๐—ฒ ๐˜„๐—ต๐—ผ ๐˜€๐˜‚๐—ฝ๐—ฝ๐—ผ๐—ฟ๐˜๐˜€ ๐˜‚๐˜€!๐Ÿซถ

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  • Organisatiepagina weergeven voor Kunstpodium T, afbeelding

    341 volgers

    ๐—•๐—ฒ๐—ฒ๐—น๐—ฑ๐—ฒ๐—ป๐—ฅ๐—ฒ๐—ด๐—ฒ๐—ป | ๐—ง๐—ต๐—ฒ ๐—ถ๐—บ๐—ฝ๐—ฎ๐—ฐ๐˜ ๐—ผ๐—ณ ๐˜๐—ฟ๐—ฎ๐˜‚๐—บ๐—ฎ ๐Ÿฉน ๐˜›๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ซ๐˜ฆ๐˜ค๐˜ต Healing_scars BEELDENregen ๐˜ช๐˜ด ๐˜ข๐˜ฏ ๐˜ฆ๐˜น๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ข๐˜ญ ๐˜ฑ๐˜ฉ๐˜ข๐˜ด๐˜ฆ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ด๐˜ฉ๐˜ฐ๐˜ธ๐˜ด ๐˜ฉ๐˜ฐ๐˜ธ ๐˜ต๐˜ณ๐˜ข๐˜ถ๐˜ฎ๐˜ข ๐˜ค๐˜ข๐˜ฏ ๐˜ฃ๐˜ฆ ๐˜ฉ๐˜ฆ๐˜ข๐˜ญ๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ฉ๐˜ช๐˜จ๐˜ฉ๐˜ญ๐˜ช๐˜จ๐˜ฉ๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ต. ๐Ÿ” From 9 July 'till 4 August, the effects of trauma - as they are subjectively experienced - will be discussed, researched and depicted in Kunstpodium T by the artists ad marijnissen, Bastiaan Johannes Hindriks, Dauji Boschma, Martin Peulen and copywriter Stan de Laat. Their work space and exhibition is open to visitors on 12, 13 and 14 July and 2, 3 and 4 August from 13-17h. Each of us carries some trauma with us. This does not necessarily have to be something intense, because even something seemingly trivial can have a major impact. It is important that after such an experience you enter into a process of healing. By not pushing it away, but instead putting it in the light, it gets an image and a shape that you can do something with. ๐Ÿ’ก ๐Ÿ‘‰ That is also the starting point of the group of artists who will develop the Healing_scars BEELDENregen project at Kunstpodium T. They will try to depict what their own life path has been like up to this point. With prosperity, but also setbacks. And how they managed to accommodate this, including by creating, despite, or perhaps even thanks to, their traumas and life experience. The themes of trauma, PTSD or complex PTSD permeate multiple disciplines: photography, installations, text, paintings and performance. Artist and initiator Bastiaan Johannes Hindriks welcomes you 12, 13 and 14 July and 2, 3 and 4 August from 13-17h! ๐Ÿ™ โœ ๐˜ž๐˜ณ๐˜ช๐˜ต๐˜ต๐˜ฆ๐˜ฏ ๐˜ฃ๐˜บ Stan de Laat ๐˜ข๐˜ฏ๐˜ฅ ๐˜‰๐˜ข๐˜ด๐˜ต๐˜ช๐˜ข๐˜ข๐˜ฏ ๐˜‘๐˜ฐ๐˜ฉ๐˜ข๐˜ฏ๐˜ฏ๐˜ฆ๐˜ด ๐˜๐˜ช๐˜ฏ๐˜ฅ๐˜ณ๐˜ช๐˜ฌ๐˜ด

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  • Organisatiepagina weergeven voor Kunstpodium T, afbeelding

    341 volgers

    ๐Ÿ‘‰ ๐˜š๐˜ต๐˜ช๐˜ญ๐˜ญ ๐˜ฐ๐˜ฏ ๐˜ท๐˜ช๐˜ฆ๐˜ธ ๐™ฉ๐™๐™ž๐™จ & ๐™ฃ๐™š๐™ญ๐™ฉ ๐˜ธ๐˜ฆ๐˜ฆ๐˜ฌ๐˜ฆ๐˜ฏ๐˜ฅ: ๐—”/๐—  #๐Ÿต: ๐—ฆ๐—ผ๐—น๐—ผ ๐Ÿ‘ค In 'Solo' Jeffrey Lobbes, Iris Papenborg, Sam Tromp, Marie In 't Veld and Maaike Kramer (๐˜”๐˜ข๐˜ด๐˜ต๐˜ฆ๐˜ณ) present five overlapping solo exhibitions. The artists have committed themselves to a radical concept: the floor plans of five solo exhibitions that have been developed independently of each other are stacked. The resulting awkward layout will be installed in Kunstpodium T regardless of the consequences. In this way, five individual artistic practices with a sensitivity to materiality are merged without compromise. Everyone's work is placed above, below, against or across each other, resulting in a complex five-person solo installation that sharpens the visitor's spatial experience. โœ๏ธ ๐˜ž๐˜ณ๐˜ช๐˜ต๐˜ต๐˜ฆ๐˜ฏ ๐˜ฃ๐˜บ ๐˜”๐˜ข๐˜ฏ๐˜ถ๐˜ด ๐˜Ž๐˜ณ๐˜ฐ๐˜ฆ๐˜ฏ๐˜ฆ๐˜ฏ ๐—”/๐—  #๐Ÿต: ๐—ฆ๐—ผ๐—น๐—ผ ๐Ÿ“† ๐—ข๐—ป ๐˜ƒ๐—ถ๐—ฒ๐˜„ '๐˜๐—ถ๐—น๐—น ๐—ฆ๐˜‚๐—ป๐—ฑ๐—ฎ๐˜† ๐Ÿณ ๐—๐˜‚๐—น๐˜† ๐Ÿ“ ๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฝ๐—ผ๐—ฑ๐—ถ๐˜‚๐—บ ๐—ง, ๐—ก๐—ผ๐—ผ๐—ฟ๐—ฑ๐˜€๐˜๐—ฟ๐—ฎ๐—ฎ๐˜ ๐Ÿญ๐Ÿฌ๐Ÿฑ, ๐—ง๐—ถ๐—น๐—ฏ๐˜‚๐—ฟ๐—ด ๐Ÿ“ธ by Margo van de Pas

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  • Organisatiepagina weergeven voor Kunstpodium T, afbeelding

    341 volgers

    ๐— ๐—ฒ๐—ฒ๐˜ ๐˜๐—ต๐—ฒ ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€ ๐—ผ๐—ณ ๐—”/๐—  #๐Ÿต: ๐—ฆ๐—ผ๐—น๐—ผ ๐Ÿ‘ค ๐Ÿฅ‚ Opening Thursday 13 June, 19h ๐Ÿญ | Iris Papenborg: โ€œI explore the way we use materials and spaces. When we get used to a material or space, we often donโ€™t really see it anymore. With my work I hope other qualities will reveal themselves to the viewers eyes and make them look again.โ€ ๐Ÿฎ | BLUE HOURS, 2022 ๐Ÿฏ | Jeffrey Lรถbbes: โ€œToday is a beautiful day. It is a particularly beautiful day. From every home, people are stepping out the door to work, so they can buy that unnecessary kitchen appliance, so they can buy new clothes that they already have. To pay off debts so they can make new ones. It is a particularly beautiful day.โ€ ๐Ÿฐ | Old garden, 2022 ๐Ÿฑ | Sam Tromp: โ€œMy practice consists of spatial interventions with 2D and 3D objects, where the objects serve the entire space. I make spatial drawings that can raise questions, often inspired by human traces. In my studio I conduct research into the materiality and spatial presence of these found/made traces.โ€ ๐Ÿฒ | Draai, 2023 ๐Ÿ“ท ๐˜ฃ๐˜บ ๐˜™๐˜ฐ๐˜ฃ๐˜ช๐˜ฏ ๐˜”๐˜ฆ๐˜บ๐˜ฆ๐˜ณ ๐Ÿณ | Marie In โ€˜t Veld places the cycle of life and itโ€™s passing at the center of her practice. By considering decay and revival as equal values, a process of appearing and disappearing begins. ๐Ÿด | 0, 2024 ๐Ÿต | Maaike Kramer (Master) creates works that originate from mental processes and often bridge the built environment and the metaphors contained within it. The works are crafted by hand, piece by piece, and arise from fleeting sketches. The result is an inner world, a mental space, brought outward through introspective yet monumental works. Part of the thought process can be found in the notes and annotations that have remained present throughout the creation process. The works play with the idea that even the most confidently stated truth is a construction, and is therefore not absolute or unchangeable. ๐Ÿญ๐Ÿฌ | Muur/fragment, 2024 ๐—”/๐—  #๐Ÿต: ๐—ฆ๐—ผ๐—น๐—ผ ๐Ÿ‘ค ๐Ÿฅ‚ ๐—ข๐—ฝ๐—ฒ๐—ป๐—ถ๐—ป๐—ด ๐—ง๐—ต๐˜‚๐—ฟ๐˜€๐—ฑ๐—ฎ๐˜† ๐Ÿญ๐Ÿฏ ๐—๐˜‚๐—ป๐—ฒ, ๐Ÿญ๐Ÿต๐—ต ๐Ÿ“† ๐—ข๐—ป ๐˜ƒ๐—ถ๐—ฒ๐˜„ '๐˜๐—ถ๐—น๐—น ๐—ฆ๐˜‚๐—ป๐—ฑ๐—ฎ๐˜† ๐Ÿณ ๐—๐˜‚๐—น๐˜† ๐Ÿ“ ๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฝ๐—ผ๐—ฑ๐—ถ๐˜‚๐—บ ๐—ง, ๐—ก๐—ผ๐—ผ๐—ฟ๐—ฑ๐˜€๐˜๐—ฟ๐—ฎ๐—ฎ๐˜ ๐Ÿญ๐Ÿฌ๐Ÿฑ, ๐—ง๐—ถ๐—น๐—ฏ๐˜‚๐—ฟ๐—ด

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  • Organisatiepagina weergeven voor Kunstpodium T, afbeelding

    341 volgers

    โ—๏ธ๐—ง๐—ผ๐—บ๐—ผ๐—ฟ๐—ฟ๐—ผ๐˜„, ๐—ฆ๐˜‚๐—ป๐—ฑ๐—ฎ๐˜† ๐Ÿต ๐—๐˜‚๐—ป๐—ฒ is your final chance to visit '๐—ป๐—ผ๐˜๐—ฒ ๐˜๐—ผ ๐˜€๐—ฒ๐—น๐—ณ, ๐˜†๐—ผ๐˜‚ ๐—ป๐—ฒ๐—ฒ๐—ฑ ๐˜€๐˜‚๐—ป๐—ฏ๐—น๐—ถ๐—ป๐—ฑ๐˜€ ๐˜๐—ผ ๐˜€๐—ฒ๐—ฝ๐—ฎ๐—ฟ๐—ฎ๐˜๐—ฒ ๐˜๐—ต๐—ฒ ๐—ฟ๐—ผ๐—ผ๐—บ ๐—ถ๐—ป๐˜๐—ผ ๐˜€๐˜‚๐—ป-๐—น๐—ถ๐—ป๐—ฒ๐˜€'. The artists from A/M #7 will present their finissage themselves and invite you to join their closing programme ๐—ณ๐—ฟ๐—ผ๐—บ ๐Ÿญ๐Ÿฑ:๐Ÿฌ๐Ÿฌ-๐Ÿญ๐Ÿณ:๐Ÿฌ๐Ÿฌ๐—ต. ๐—–๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—น๐—ถ๐˜€๐˜๐—ฒ๐—ป๐—ถ๐—ป๐—ด ๐˜€๐—ฒ๐˜€๐˜€๐—ถ๐—ผ๐—ป ๐Ÿ”Š This finissage will start with a collective listening session hosted by Chryso Amaya Michaillidis. With this newly adopted approach to listening, we can then engage in conversation about the origins of the exhibition. ๐Ÿด There will be some ๐—ณ๐—ฟ๐—ฒ๐—ฒ ๐—ฏ๐—ถ๐˜๐—ฒ๐˜€ arranged by the artists, to celebrate the final goodbye towards their works and objects. ๐Ÿ“ท: ๐˜ญ๐˜ช๐˜ท๐˜ฆ ๐˜ฑ๐˜ฆ๐˜ณ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ข๐˜ฏ๐˜ค๐˜ฆ ๐˜ฅ๐˜ถ๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฐ๐˜ฑ๐˜ฆ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ๐˜ต ๐˜ฃ๐˜บ ๐˜Š๐˜ฉ๐˜ณ๐˜บ๐˜ด๐˜ฐ ๐˜ˆ๐˜ฎ๐˜ข๐˜บ๐˜ข ๐˜”๐˜ช๐˜ค๐˜ฉ๐˜ข๐˜ช๐˜ญ๐˜ญ๐˜ช๐˜ฅ๐˜ช๐˜ด ๐˜ต๐˜ฐ๐˜จ๐˜ฆ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜”๐˜ช๐˜ฆ๐˜ฌ๐˜ช๐˜ฆ ๐˜Š๐˜ข๐˜ฑ๐˜ฆ๐˜ญ๐˜ญ๐˜ฐ, ๐˜Š๐˜ข๐˜ณ๐˜ฎ๐˜ฆ๐˜ญ๐˜ข ๐˜”๐˜ช๐˜ค๐˜ฉ๐˜ข๐˜ช๐˜ญ๐˜ช๐˜ฅ๐˜ช๐˜ด, ๐˜•๐˜ฆ๐˜ท๐˜ช๐˜ญ๐˜ญ ๐˜”๐˜ช๐˜ต๐˜ค๐˜ฉ๐˜ฆ๐˜ญ ๐˜”๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ฏ๐˜ด, ๐˜‘๐˜ช๐˜ญ๐˜ญ๐˜ฆ๐˜ด ๐˜ท๐˜ข๐˜ฏ ๐˜’๐˜ญ๐˜ฆ๐˜ฆ๐˜ง, ๐˜š๐˜ต๐˜ข๐˜ฏ ๐˜ž๐˜ช๐˜ฆ๐˜ณ๐˜ด๐˜ฎ๐˜ข.

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  • Organisatiepagina weergeven voor Kunstpodium T, afbeelding

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    ๐—”/๐—  #๐Ÿต: ๐—ฆ๐—ผ๐—น๐—ผ ๐Ÿ‘ค Opening Thursday 13 June 19h ๐˜›๐˜ฉ๐˜ฆ ๐˜ญ๐˜ข๐˜ด๐˜ต ๐˜ฆ๐˜น๐˜ฉ๐˜ช๐˜ฃ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ˆ๐˜ฑ๐˜ฑ๐˜ณ๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ค๐˜ฆ/๐˜”๐˜ข๐˜ด๐˜ต๐˜ฆ๐˜ณ ๐˜ด๐˜ฆ๐˜ข๐˜ด๐˜ฐ๐˜ฏ! In 'Solo' Jeffrey Lรถbbes, Iris Papenborg, Sam Tromp, Marie In 't Veld and Maaike Kramer (๐˜”๐˜ข๐˜ด๐˜ต๐˜ฆ๐˜ณ) present five overlapping solo exhibitions. The artists have committed themselves to a radical concept: the floor plans of five solo exhibitions that have been developed independently of each other are stacked. The resulting awkward layout will be installed in Kunstpodium T regardless of the consequences. In this way, five individual artistic practices with a sensitivity to materiality are merged without compromise. Everyone's work is placed above, below, against or across each other, resulting in a complex five-person solo installation that sharpens the visitor's spatial experience. โœ๏ธ ๐˜ž๐˜ณ๐˜ช๐˜ต๐˜ต๐˜ฆ๐˜ฏ ๐˜ฃ๐˜บ Manus Groenen ๐Ÿฅ‚ ๐—ข๐—ฝ๐—ฒ๐—ป๐—ถ๐—ป๐—ด ๐—ง๐—ต๐˜‚๐—ฟ๐˜€๐—ฑ๐—ฎ๐˜† ๐Ÿญ๐Ÿฏ ๐—๐˜‚๐—ป๐—ฒ, ๐Ÿญ๐Ÿต๐—ต ๐Ÿ“† ๐—ข๐—ป ๐˜ƒ๐—ถ๐—ฒ๐˜„ '๐˜๐—ถ๐—น๐—น ๐—ฆ๐˜‚๐—ป๐—ฑ๐—ฎ๐˜† ๐Ÿณ ๐—๐˜‚๐—น๐˜† ๐Ÿ“ ๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฝ๐—ผ๐—ฑ๐—ถ๐˜‚๐—บ ๐—ง, ๐—ก๐—ผ๐—ผ๐—ฟ๐—ฑ๐˜€๐˜๐—ฟ๐—ฎ๐—ฎ๐˜ ๐Ÿญ๐Ÿฌ๐Ÿฑ, ๐—ง๐—ถ๐—น๐—ฏ๐˜‚๐—ฟ๐—ด

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  • Organisatiepagina weergeven voor Kunstpodium T, afbeelding

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    ๐—ข๐—ผ๐—ธ ๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฝ๐—ผ๐—ฑ๐—ถ๐˜‚๐—บ ๐—ง ๐˜€๐—ฝ๐—ฟ๐—ฒ๐—ฒ๐—ธ๐˜ ๐˜‡๐—ถ๐—ฐ๐—ต ๐˜‚๐—ถ๐˜ ๐˜๐—ฒ๐—ด๐—ฒ๐—ป ๐—ต๐—ผ๐—ด๐—ฒ๐—ฟ๐—ฒ ๐—ฏ๐˜๐˜„! ๐Ÿ’ช De voorgenomen btw-verhoging is een extra belasting op jouw cultuur, sport, horeca, boeken en media. Het is een extra belasting op je kostbare vrije tijd, op je nieuwsgierigheid, op het toejuichen van je favoriete voetbalteam, op het boek dat je wilt lezen, op je schilderij aan de muur, op je fanfare in de buurt, op een hotelovernachting in het land, op het tijdschrift in de trein, op de sportschool in de wijk, en op de krant die je op de hoogte houdt van de wereld om je heen. Spreek je uit: www.geenhogerebtw.nl. #geenhogerebtw

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  • Organisatiepagina weergeven voor Kunstpodium T, afbeelding

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    Cas-co Leuven will be hosting A/M #8: ๐•‹๐•ฃ๐•’๐•š๐•๐•ค ๐• ๐•— ๐•‹๐•–๐•ฃ๐•ฃ๐•’ ๐˜›๐˜ณ๐˜ข๐˜ช๐˜ญ๐˜ด ๐˜ฐ๐˜ง ๐˜›๐˜ฆ๐˜ณ๐˜ณ๐˜ข ๐˜ข๐˜ณ๐˜ช๐˜ด๐˜ฆ๐˜ด ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ค๐˜ฆ๐˜ด๐˜ด-๐˜ฃ๐˜ข๐˜ด๐˜ฆ๐˜ฅ ๐˜ฆ๐˜น๐˜ค๐˜ฉ๐˜ข๐˜ฏ๐˜จ๐˜ฆ ๐˜ฃ๐˜ฆ๐˜ต๐˜ธ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต๐˜ด ๐˜๐˜ช๐˜ญ๐˜ช๐˜ฑ ๐˜๐˜ฆ๐˜ณ๐˜ท๐˜ข๐˜ฆ๐˜ต, ๐˜š๐˜ต๐˜ฆ๐˜ณ ๐˜‰๐˜ฐ๐˜ณ๐˜จ๐˜ฎ๐˜ข๐˜ฏ, ๐˜๐˜ข๐˜ฏ๐˜ฏ๐˜ข๐˜ฉ ๐˜’๐˜ช๐˜ฆ๐˜ง๐˜ฎ๐˜ข๐˜ฏ๐˜ฏ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜™๐˜ฐ๐˜ฆ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ ๐˜™๐˜ฐ๐˜ฐ๐˜ช๐˜ซ๐˜ข๐˜ฌ๐˜ฌ๐˜ฆ๐˜ณ๐˜ด, ๐˜ช๐˜ฏ๐˜ช๐˜ต๐˜ช๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜’๐˜ถ๐˜ฏ๐˜ด๐˜ต๐˜ฑ๐˜ฐ๐˜ฅ๐˜ช๐˜ถ๐˜ฎ ๐˜›. ๐˜š๐˜ฉ๐˜ข๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜ข๐˜ฏ ๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ฆ๐˜ด๐˜ต ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ค๐˜ฐ๐˜ฏ๐˜ฏ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฃ๐˜ฆ๐˜ต๐˜ธ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜ฉ๐˜ถ๐˜ฎ๐˜ข๐˜ฏ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ฆ๐˜ฏ๐˜ท๐˜ช๐˜ณ๐˜ฐ๐˜ฏ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต, ๐˜ต๐˜ฉ๐˜ฆ๐˜ด๐˜ฆ ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต๐˜ด ๐˜ฆ๐˜น๐˜ฑ๐˜ญ๐˜ฐ๐˜ณ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ค๐˜ณ๐˜ฐ๐˜ด๐˜ด๐˜ฐ๐˜ท๐˜ฆ๐˜ณ๐˜ด ๐˜ฃ๐˜ฆ๐˜ต๐˜ธ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜ฎ๐˜ข๐˜ฏ-๐˜ฎ๐˜ข๐˜ฅ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฏ๐˜ข๐˜ต๐˜ถ๐˜ณ๐˜ข๐˜ญ ๐˜ฎ๐˜ข๐˜ต๐˜ฆ๐˜ณ๐˜ช๐˜ข๐˜ญ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ค๐˜ฆ๐˜ด๐˜ด๐˜ฆ๐˜ด ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ. ๐˜–๐˜ฏ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ฐ๐˜ค๐˜ค๐˜ข๐˜ด๐˜ช๐˜ฐ๐˜ฏ, ๐˜–๐˜ง๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜Ž๐˜ณ๐˜ช๐˜ฅ ๐˜ช๐˜ด ๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ข โ€˜๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ด๐˜ค๐˜ข๐˜ฑ๐˜ฆ ๐˜ญ๐˜ข๐˜ฃ๐˜ฐ๐˜ณ๐˜ข๐˜ต๐˜ฐ๐˜ณ๐˜บโ€™, ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ๐˜ด๐˜ฆ ๐˜ง๐˜ฐ๐˜ถ๐˜ณ ๐˜ฅ๐˜ช๐˜ด๐˜ต๐˜ช๐˜ฏ๐˜ค๐˜ต ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต๐˜ช๐˜ค ๐˜ฑ๐˜ณ๐˜ข๐˜ค๐˜ต๐˜ช๐˜ค๐˜ฆ๐˜ด ๐˜ฎ๐˜ฆ๐˜ฆ๐˜ต ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ข๐˜ค๐˜ต ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ฆ๐˜ข๐˜ค๐˜ฉ ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜Š๐˜ข๐˜ด-๐˜ค๐˜ฐโ€™๐˜ด ๐˜ข๐˜ณ๐˜ค๐˜ฉ๐˜ช๐˜ต๐˜ฆ๐˜ค๐˜ต๐˜ถ๐˜ณ๐˜ฆ. ๐˜๐˜ณ๐˜ฐ๐˜ฎ ๐˜‘๐˜ถ๐˜ฏ๐˜ฆ 6 ๐˜ต๐˜ฐ ๐˜‘๐˜ถ๐˜ฏ๐˜ฆ 27, ๐˜ต๐˜ฉ๐˜ฆ ๐˜–๐˜›๐˜Ž ๐˜ด๐˜ฑ๐˜ข๐˜ค๐˜ฆ ๐˜ธ๐˜ช๐˜ญ๐˜ญ ๐˜ฃ๐˜ฆ ๐˜ฑ๐˜ฐ๐˜ฑ๐˜ถ๐˜ญ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ฏ๐˜ฆ๐˜ธ ๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ณ๐˜ฆ๐˜ด๐˜ช๐˜ฅ๐˜ถ๐˜ฆ ๐˜ฐ๐˜ง๐˜ง๐˜ฆ๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ฏ๐˜ด๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ค๐˜ฆ๐˜ด๐˜ด๐˜ฆ๐˜ด, ๐˜ฐ๐˜ง๐˜ต๐˜ฆ๐˜ฏ ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฎ๐˜ฃ๐˜ญ๐˜ช๐˜ฏ๐˜จ ๐˜ข๐˜ญ๐˜ค๐˜ฉ๐˜ฆ๐˜ฎ๐˜ช๐˜ค๐˜ข๐˜ญ ๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด. ๐—ฃ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฐ๐—ถ๐—ฝ๐—ฎ๐˜๐—ถ๐—ป๐—ด ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€ ๐Ÿญ | Ster Borgman (1998) ๐Ÿฎ | Hannah Kiefmann (1997) ๐Ÿฏ | Roeland Rooijakkers (1999) ๐Ÿฐ | Filip Vervaet (1977) - ๐˜”๐˜ข๐˜ด๐˜ต๐˜ฆ๐˜ณ A/M #8: ๐•‹๐•ฃ๐•’๐•š๐•๐•ค ๐• ๐•— ๐•‹๐•–๐•ฃ๐•ฃ๐•’ ๐Ÿฅ‚ Opening 6 June 18h ๐Ÿ—“ On view 'till Sunday 30 June ๐Ÿ“ Cas-co, Vaartstraat 94, Leuven (๐™จ๐™ค ๐™ฃ๐™ค๐™ฉ ๐™–๐™ฉ ๐™†๐™ช๐™ฃ๐™จ๐™ฉ๐™ฅ๐™ค๐™™๐™ž๐™ช๐™ข ๐™โ—๏ธ) ๐Ÿ•‘ Open fri, sat, sun 14-18h

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  • Organisatiepagina weergeven voor Kunstpodium T, afbeelding

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    ๐Œ๐ž๐ž๐ญ ๐ญ๐ก๐ž ๐š๐ซ๐ญ๐ข๐ฌ๐ญ๐ฌ ๐จ๐Ÿ ๐€/๐Œ #๐Ÿ•: ๐š—๐š˜๐š๐šŽ ๐š๐š˜ ๐šœ๐šŽ๐š•๐š, ๐šข๐š˜๐šž ๐š—๐šŽ๐šŽ๐š ๐šœ๐šž๐š—๐š‹๐š•๐š’๐š—๐š๐šœ ๐š๐š˜ ๐šœ๐šŽ๐š™๐šŠ๐š›๐šŠ๐š๐šŽ ๐š๐š‘๐šŽ ๐š›๐š˜๐š˜๐š– ๐š’๐š—๐š๐š˜ ๐šœ๐šž๐š—-๐š•๐š’๐š—๐šŽ๐šœ ๐Ÿ“† ๐Ž๐ฉ๐ž๐ง๐ข๐ง๐  ๐Ÿ๐Ÿ‘ ๐Œ๐š๐ฒ, ๐Ÿ๐Ÿ—๐ก ๏ผ‘ | Andrรฉ Ploeg: "Due to the interventions in the outdoor space, we are confronted with the question 'do we take our environment for granted?โ€™. For example, through paving stones in the form of a root system around a tree or rearranged nature due to human intervention, but it is immediately clear that this is temporary until nature erases these traces. Using materials available on site, a direct relationship with the environment of the work becomes palpable. The spontaneity and simplicity of the interventions are visible." ๏ผ’ | Brandkraangraf, 2022 ๏ผ“ | Niek Opstals' work enters the unknown areas of consciousness. With vague but recognizable forms he tries to find the path to a faded and fragile state of being. The unspeakable is transformed into an intangible outcome. ๏ผ” | post seizure 1, 2023 ๏ผ• | Lizzie Veldkamp (Heerlen) explores the state of transition in different spaces. Through her work, she engages in a committed relationship with the physical and social context in which she finds herself. In doing so, she raises questions about the unpredictable and changeable state of things around her. ๏ผ– | (de)fenceless, 2021 ๏ผ— | Chryso Amaya Michailidis (she/they) is a Rotterdam-based sculptor and performance artist. Their work exists in fictive sceneries, where bodies occupy space through long durational performances that lose sight of time into sound. Materials as foam rubber metal alum latex ink flesh & blood form sceneries where they take care of- and carry the- space. ๏ผ˜ | 1st Resting Rehearsal, 2024 ๏ผ™ | Ricardo van Eijk: "My practice revolves around my fascination for the urban environment as โ€˜supportโ€™ of markings by human presence and the passing of time. The continuously changing public space creates endlessly visual crashes that inform a studio process in which I look for balance between logic and randomness." (๐Ÿ“ธ: ๐˜’๐˜ข๐˜ฌ๐˜ข ๐˜“๐˜ฆ๐˜ฆ) ๏ผ‘๏ผ | CIVIL, 2022 (๐Ÿ“ธ: ๐˜ˆ๐˜ญ๐˜ญ๐˜ข๐˜ณ๐˜ฅ ๐˜‰๐˜ฐ๐˜ท๐˜ฆ๐˜ฏ๐˜ฃ๐˜ฆ๐˜ณ๐˜จ)

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    ๐—ข๐—ฝ๐—ฒ๐—ป๐—ถ๐—ป๐—ด ๐Ÿฎ๐Ÿฏ ๐— ๐—ฎ๐˜†: ๐™ฐ/๐™ผ #๐Ÿฝ: ๐š—๐š˜๐š๐šŽ ๐š๐š˜ ๐šœ๐šŽ๐š•๐š, ๐šข๐š˜๐šž ๐š—๐šŽ๐šŽ๐š ๐šœ๐šž๐š—๐š‹๐š•๐š’๐š—๐š๐šœ ๐š๐š˜ ๐šœ๐šŽ๐š™๐šŠ๐š›๐šŠ๐š๐šŽ ๐š๐š‘๐šŽ ๐š›๐š˜๐š˜๐š– ๐š’๐š—๐š๐š˜ ๐šœ๐šž๐š—-๐š•๐š’๐š—๐šŽ๐šœ Attempting to reach the sundropโ€ฆ To catch and carry the tear that held the light within, to cry sun, to hang sundrop crystals near windows to capture the blaze and transfer it into hue cycles. Recognising that light is a body, akin to the air you swallow and the throat that expels water into space. โ€˜For had the sun not glinted on the black glove, I might not have seen the rat; had the rat not been there, I might not have noted the bottle cap, and so on.โ€™ (Vibrant Matter, by Jane Bennett). Halfway spaces happen where you can listen to the ticking light as light transfigures into space and sound. Tension due to copper wires which eventually open the light to go pee at 2 o'clock in the night in a room where one is dwelling for the first time. Occupying spaces in institutions via a lamp attached to the ceiling, as a method to share and to create support. You will not feel you must earn the right to occupy space. Buildings as support. Architecture as structures that you can hold and hold you. Still, sometimes you need sunblinds to separate the room into sun-lines. ๐—ฃ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฐ๐—ถ๐—ฝ๐—ฎ๐˜๐—ถ๐—ป๐—ด ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€: ๐—”๐—ป๐—ฑ๐—ฟรฉ ๐—ฃ๐—น๐—ผ๐—ฒ๐—ด, ๐—–๐—ต๐—ฟ๐˜†๐˜€๐—ผ ๐—”๐—บ๐—ฎ๐˜†๐—ฎ ๐— ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ถ๐—น๐—ถ๐—ฑ๐—ถ๐˜€, ๐—Ÿ๐—ถ๐˜‡๐˜‡๐—ถ๐—ฒ ๐—ฉ๐—ฒ๐—น๐—ฑ๐—ธ๐—ฎ๐—บ๐—ฝ, ๐—ก๐—ถ๐—ฒ๐—ธ ๐—ข๐—ฝ๐˜€๐˜๐—ฎ๐—น๐˜€ ๐—ฎ๐—ป๐—ฑ ๐—ฅ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฟ๐—ฑ๐—ผ ๐˜ƒ๐—ฎ๐—ป ๐—˜๐—ถ๐—ท๐—ธ (๐™ˆ๐™–๐™จ๐™ฉ๐™š๐™ง). ๐™ฐ/๐™ผ #๐Ÿฝ: ๐š—๐š˜๐š๐šŽ ๐š๐š˜ ๐šœ๐šŽ๐š•๐š, ๐šข๐š˜๐šž ๐š—๐šŽ๐šŽ๐š ๐šœ๐šž๐š—๐š‹๐š•๐š’๐š—๐š๐šœ ๐š๐š˜ ๐šœ๐šŽ๐š™๐šŠ๐š›๐šŠ๐š๐šŽ ๐š๐š‘๐šŽ ๐š›๐š˜๐š˜๐š– ๐š’๐š—๐š๐š˜ ๐šœ๐šž๐š—-๐š•๐š’๐š—๐šŽ๐šœ ๐ŸŽ‰ ๐—ข๐—ฝ๐—ฒ๐—ป๐—ถ๐—ป๐—ด ๐Ÿฎ๐Ÿฏ ๐— ๐—ฎ๐˜†, ๐Ÿญ๐Ÿต๐—ต ๐Ÿ“† ๐—ข๐—ป ๐˜ƒ๐—ถ๐—ฒ๐˜„ '๐˜๐—ถ๐—น๐—น ๐Ÿต ๐—๐˜‚๐—ป๐—ฒ ๐Ÿ“ ๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฝ๐—ผ๐—ฑ๐—ถ๐˜‚๐—บ ๐—ง, ๐—ก๐—ผ๐—ผ๐—ฟ๐—ฑ๐˜€๐˜๐—ฟ๐—ฎ๐—ฎ๐˜ ๐Ÿญ๐Ÿฌ๐Ÿฑ, ๐—ง๐—ถ๐—น๐—ฏ๐˜‚๐—ฟ๐—ด

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