- Coke Studio S2 · 2023
- Hallelujah & Songs from His Albums · 2022
- Thanks for the Dance · 2019
- Thanks for the Dance · 2019
- Thanks for the Dance · 2019
- Thanks for the Dance · 2019
- Thanks for the Dance · 2019
- Thanks for the Dance · 2019
- Thanks for the Dance · 2019
- Movements III · 2019
- Thanks for the Dance · 2019
- Thanks for the Dance · 2019
- The Al Purdy Songbook · 2018
Essential Albums
- Leonard Cohen's voice may sound as ravaged as this midlife masterpiece's production is magnificent, but his couplets are to die for. "I've seen the future, brother: It is murder," croaks Cohen in the title track. And of course, "There is a crack in everything/That's how the light gets in" ("Anthem"). Wit, profundity, despair and hope vie for supremacy as female backing singers provide a Greek chorus on an album as timeless as a Sophoclean tragedy.
- Only a few years prior to the 1988 release of I'm Your Man, Leonard Cohen was no longer signed to Columbia Records in the United States. Yet, at 50-something, the Canadian poet staged a most unlikely artistic comeback with a song cycle as lyrically rich as his earliest, critically acclaimed work. The music corresponded perfectly, highlighted by shopping-mall keyboards and drum boxes ("Tower of Song") and disjointed back-up singers ("Jazz Police"). In this alienated environment, Cohen went to work less as a singer than a secret agent reporting on a world mesmerised by glitter and rouge. "First We Take Manhattan" is the opening tour de force, merging pillow talk with cosmopolitan crisis, whereas the hypnotic "Everybody Knows" rumbles with a refrain made menacing by Cohen's basso profundo growl. A romantic, he sings Federico García Lorca ("Take This Waltz") and offers "Ain't No Cure For Love" with the grace of an elder statesman.
- Leonard Cohen was a modestly appreciated Canadian writer and poet who had the good fortune of writing the immediate ‘60s folk classic “Suzanne” at the onset of his career (and having it covered by Judy Collins among others) and landing a recording contract with Columbia Records. Though at the time of its initial release, the album’s monochromatic shades of literacy and desolation suggested it would never break past a cult following, it has since become an elegant, uncompromising classic of timeless wisdom and enduring tunes. “Suzanne” and “So Long, Marianne” are the obvious notables, though Cohen himself expressed displeasure with what he considered to be over-instrumentation (!) and excessive backing vocals. (It should be noted, however that he would employ similar strategies to his many later albums). “Master Song”, “Winter Lady”, “Stranger Song” and “Sisters Of Mercy” are a dizzying and percolating procession where the imagery and lyrical precision make for heady contemplation. Cohen’s voice is still untrained and raw, reaching for notes nearly out of reach. However, this rustic homeliness brings forth the imperfect humanity of the songs.
- 2021
- 2020
- 2020
- 2020
Artist Playlists
- Meet the dark prince of the singer/songwriter realm.
- The singer/songwriter boasts a stockpile of sublime concert footage.
- Odes touched by darkness that shed so much light.
- Artists that moved the poet, novelist, and folk-rock legend.
- Icons and outlaws alike bow down before the master of melancholy.
Live Albums
- 1994
Compilations
- 1988
More To Hear
- Leonard Cohen’s classic means something different to everyone.
- Elton John honors two music greats who passed away this year.
About Leonard Cohen
Leonard Cohen was the most potent poet ever to find his way into the singer/songwriter world, possessing a lyrical flair that elevated the language of folk and rock, plus a mix of brooding mystique and arch attitude that made him an alternative icon. Cohen, born in Montreal in 1934, was a respected writer who published several books of poems and two novels before he ever recorded a note. It wasn’t until the 1967 landmark Songs of Leonard Cohen that the world heard his tunes and craggy but compelling baritone. He quickly reached more people as a songwriter than he ever had as a poet, and on songs like the much-covered “Suzanne”, his previous occupation served him well. Cohen stirred up images like no other songwriter, with lyrics full of darkness but also shot through with black humour. Despite the broad appeal of his debut, he remained a cult hero all the way through to 1984’s Various Positions—although that album’s “Hallelujah” would eventually become one of the most popular songs on the planet. But with 1988’s I’m Your Man, Cohen reinvented his sound, relying more on synthesisers than acoustic guitar, and the album sparked a renaissance for the 53-year-old songwriter, introducing him to a new generation. Jeff Buckley’s 1994 rendition of “Hallelujah” lit a slow fuse that exploded in the 2000s when the tune became one of the most widely covered songs of the era. Cohen gained in status, graduating from theatres to arenas even though his work remained as arch and sophisticated as ever. He remained a vital artistic force to the end, releasing the powerful You Want It Darker just weeks before his death in 2016.
- HOMETOWN
- Montreal, Quebec, Canada
- BORN
- 21 September 1934
- GENRE
- Pop