Rewriting History
Literature, history, and some recommendations
I recently read the novel HHhH by French author Laurent Binet.
I chanced upon this book and dove in knowing virtually nothing about it. Turns out it’s one of the best books I’ve ever read. Don’t you love it when that happens?
HHhH stands for the German phrase “Himmlers Hirn heißt Heydrich,” which translates to “Himmler’s brain is called Heydrich.” Heydrich refers to Reinhard Heydrich, a senior Nazi official and a primary architect of the Holocaust.
In 1942, two resistance fighters (one Slovakian and one Czech) assassinated Heydrich in Prague in what was known as Operation Anthropoid. This much is true.
And so the book is, in one sense, a historical fiction novel. But it’s also much more than that, because it dives very deep into the meaning of those terms: historical and fiction.
The narrator of the book alternates between recounting the story of Operation Anthropoid and describing the process by which he is writing about it. How, he asks, is he expected to write a true-ish novel about events that took place many decades ago? The characters must be fictionalized versions of the real ones. The writer must take liberties with the reality of what occurred, for there is so much that can never be verified, so much that has been forever lost to history. Even some of Binet’s details that are based on historical evidence are contradictory or subsequently disproven.
This is meta fiction unlike any I’ve ever read. It simultaneously tells a fascinating story of something that did occur and forces us to ask thought-provoking questions about the retelling of history (questions that I, for one, rarely thought about before):
How much of what we know of the past is what actually happened versus what has been embellished? What is appropriate to leave out in the telling of history? When is it appropriate to fill in the gaps (with invented scenes or dialogues) to ensure that the important parts are kept in? Where does one draw the lines around cause and effect? In other words, how much of the cause of historical events do we need to include? What do we owe to the dead in the telling of their stories? Do the dead actually care? (In response to this last question, Binet answers no, in one of my favorite passages of the book.)
I encountering similar questions through Salman Rushdie’s fantastic recently-released memoir Knife: Meditations After an Attempted Murder. This book dives into his experiences after he was attacked in 2022, when he was nearly killed and was blinded in one eye. Unlike HHhH, this story is recent and written by the victim of the attack himself. Yet even here, there are gaps, there are questions, there are ethical storytelling considerations…
Following the attack, Rushdie never interacted with his assailant. Yet in the effort to make sense of the terrifying events that had changed his life, and to find closure, he dedicates an entire chapter to a series of imagined conversations with the man (who Rushdie calls “The A”). They discuss The A’s motives, his upbringing, his (lack of) remorse. And in doing this, Rushdie does what Binet did in his novel: he blurs the lines between fiction and reality, creates made-up characters where there were once real people, makes it hard for the reader to differentiate between history and historical fiction (or in Rushdie’s case, memoir or memoiric fiction).
I highly recommend the audiobook, read by Rushdie himself.
Provoking Thoughts
HHhH and Knife both rank up there on the list of books that I’ve found thought-provoking. And while we’re at it, here are a few more:
Non-Fiction:
- The Elegant Universe by Brian Greene
- The Unfolding of Language by Guy Deutscher (which I’ve written about here)
- The Demon in the Machine by Paul Davies
Fiction:
- Piranesi by Susanna Clarke
- Never Let Me Go by Kazuo Ishiguro
- Ficciones by Jorge Luis Borges (which I previously explored here)
What are the most thought-provoking books you’ve ever read? Please share them in the comments!
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