[spoilers] the character fading with those last words and the game crashing, saying 'out of memory' is incredibly poetic.
olive ⁂
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thank you for this comment. I'm lucky that I've never visited a slaughterhouse in use, only heard stories and researched on the internet and filled in the rest with my imagination, so it's strange to me (not quite gladdening, but I feel a certain kinship) that it resonated with someone who has actually experienced that. I really hope this didn't agitate trauma of those experiences too much. big love.
when I saw the theme my initial thoughts were on hostile architecture and exploring spaces in games that don’t feel like they’re meant for you, so I wanted to somehow make a hostile place in Bitsy. but then I got to questioning whether I have a bit of a fetish for experiences like that, then wondered whether if that was similar to a degradation fetish, then I went in to a fruity haze and when I came out of I’d written this game.
Played four or five times. This was sublime, and although I never achieved the stated goal of the game I’ll be thinking about this for a while. Although it’s pretty obtuse in its messaging and hard to know what to do without reading the comments, there’s a lot about it that was really evocative after spending a bit of time with the game.
- The feeling of not knowing whether I was exploring a dead online game—was I just following my own trails?
- The sudden death of the protagonist, with no prompt to play again, giving you time to sit with the journey you just took them on.
- The merchants selling things I could probably never hope to afford within one lifetime.
- The cues on where to hide/find the artefact based on the different cultures’ superstitions, creating a sort of meta-roleplaying-game that you can choose to participate in and you can only hope the previous bearer was playing too.
- The time I played as a farmer—the only time that when I died my body and possessions dissolved and returned to the earth. That really struck me.
Thank you for this!