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( 2)

Under the Stars is a wonderfully tender fairy tale about loneliness, growing up, and finding your place in the world - with people who understand you. It's a melancholic story that pulls at your heartstrings with its earnest heartfeltness. 

The art is lovely, oftentimes painted in blues and pinks that give it a very ethereal, fairytale-like quality. The sprites are wonderfully expressive. I love the GUI, which also evokes that storybook feel, and the BGM is well-chosen, perfectly suiting the atmosphere and mood. The writing is incredibly poetic, painting the world and the characters just as much as the visuals (of course, it's a len game, how could it not be beautifully poetic...) 

The characters, despite their differences, are all wonderful and likeable in their own ways (well, except Saruva). Dulari is deeply introspective, a gentle person who worries more for others than herself. Ezekiel is a big ball of sunshine. Leon is somber and melancholic, but at the same time he's very conscientious towards others. The jester is mysterious but never appears outright villainous - they always seem to be hiding something. Dulari's parents appear a bit less, but I appreciated the nuance in their portrayal - neither is a perfect ruler or a perfect partner, but you can tell that they try to be good parents. 

===SPOILERS FROM HERE ON OUT===

I loved both of the "main routes." They share a similar structure, but I liked how well they showed Dulari's differing dynamics with Ezekiel and Leon. I like how the portrayal of the relationships are pretty much up to reader interpretation - whether they interpret them to be platonic or romantic. Even in the third ending, it's clear that the relationships between the three are as strong as ever - be it friendship, love, or anything else. 

Each route really centers around Dulari having to adapt to how the "complexities of the adult world" are changing her friendships. She has been friends with both Ezekiel and Leon for a long time, and once upon a time those friendships were simple and easy. However, as they get older, Dulari feels guilty that Ezekiel is pressured to stay by her side and protect her; she wants him to have a life of his own. At the same time, Dulari's relationship with Leon is shaken by the death of his mother and his downward spiral into mourning. Over the course of the route, she has to navigate and overcome these "adult troubles," and in turn Ezekiel and Leon recognize Dulari's own struggles and support her in their own way. 

Saruva as a villain is INCREDIBLY fitting. He is a wonderful contrast to Dulari. Saruva, like Dulari, appears to be a person who is "searching for someone" - a person for him. However, unlike Dulari, he does not see people as people - instead, he views them as "objects." He does not care about or respect the queen's feelings, he only cares that she loves him. He treats Iris as a tool and a form of entertainment. On the other hand, Dulari is conscious and sensitive to the people around her - almost overly so, and each route ends with her coming to a genuine understanding with her "love interest" - one that is tender, gentle, and wholly unselfish. At the end, it really feels like Saruva's toxic, solitary obsession is pitted against the understanding love between Dulari and Ezekiel/Leon. 

On a more "societal" level, Saruva is also a good contrast to Dulari. Both Saruva and Dulari are nobles - privileged people who stand above the masses. However, Saruva is selfish, delighting in his wealth and privilege, partying all day with no care for the people. On the other hand, while Dulari is also privileged, she accepts it and seems to care genuinely for her people, worrying about fulfilling her duties to the kingdom. In the secret route, she even takes the time to understand Iris - that jester who is mocked and dismissed by everyone.

While the first two routes are good, I think that the game TRULY becomes something special with the addition of the secret route. Up until then, Dulari's "coming of age" mainly centers around understanding her own feelings, growing more confident in herself, and understanding the people around her. She is confronted with "the complicated feelings that the world of adults has," but she's not seriously challenged. In Iris' route, that changes. Iris is a person who was ripped from their childhood and their idyllic childhood dreams and thrust into a world in which they were mocked and used, subject to the whims of a selfish king; they hate the monarchy, and with good reason. At this point, Dulari is forced to confront the realities of her own privileges - how good her life has been, despite being born under the Star of Solitude. And despite this, she chooses to do her best - to reach out and offer kindness and understanding to someone who is even more unfortunate than she. It's a powerful statement about growing up, and a lesson that is useful to many - that growing up is about accepting harsh realities, showing gratitude for your blessings, and spreading good in the world however you can, even if you know that the world won't change so easily. I really appreciate that, in this route, you learn the "jester's" name - Iris. In that way, Dulari truly makes an effort to know and understand this person. 

Overall, this is such a lovely game that I would recommend to just about everyone. Truly lencore! Fantastic work!

( 2)

AHHHHHHHHHHHHHHHH OH MY GOD THATS SUCH A LONG AND THROUGHOUT REVIEW SDFGNSKDJGNSDKFJGN i dont even know what to say,,, you summed uts really well in the first paragraph!! i wouldn't say it better myself :')

sjgdkdkgfdkjhg thank you for your kind words about the artwork. I especially love the GUI yarrow made!! they're really talented!! (and i love the mood of vashti bunyan too aughgghgh)

EZEKIEL REALLY IS A BALL OF SUNSHINE AAAAAAAUGHGHGHGHGHGHG SOIGJSEOIJIOSJROSIEJRIOS and i'm glad that even if the jester is one of the antagonists (or the main antagonist) in the routes they don't feel completely evil. that was exactly what i was going for an i'm really proud it showed!! (AND THANKS FOR MENTIONING DULARI'S PARENTS !!!!!!!!!! THEYRE TRYING THEIR BEST :sob: )

"The characters, despite their differences, are all wonderful and likeable in their own ways (well, except Saruva)." DFIUGDGUIDSHIGUDHG YEAH LMAO

I really think it's beautiful how you described dulari's anxieties as "adult troubles" (with the quotation marks). Because as much as it really is part of her coming of age journey, it wouldn't be the first thing you think when you speak about adult troubles (i believe people would think of more practical things...? as in getting financial independence etc, but here it is about emotional maturity, emotional independence from one's desire to please or to fulfill general expectations).

"At the end, it really feels like Saruva's toxic, solitary obsession is pitted against the understanding love between Dulari and Ezekiel/Leon." *loud sobs crying*

this commentary on him is really interesting. one thing that i realized as i replayed his scene in the garden was how he looks 'in love' with vedanshi (dulari's mother) but how he quickly turns against her when she breaks up with him. all that talk earlier was a facade -- in the end, all he wanted was the attention, unwilling to actually sacrifice himself "for love" or to understand her feelings of guilt (since he doesnt feel any of it in the slightest). saruva is happy when he suggests karkarus (dulari's father) is jealous of them. he tries to make vedanshi feel guilty when she wants to break up with him, mentioning his late spouse as a 'barrier' that he finally overcame. nothing matters to him if it doesn't serve him. he's egoistic that way. (insane...)

"It's a powerful statement about growing up, and a lesson that is useful to many - that growing up is about accepting harsh realities, showing gratitude for your blessings, and spreading good in the world however you can, even if you know that the world won't change so easily." YEAH!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! THAT'S EXACLTY IT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! YOU SUMMED IT SO WELL!!!!!!!!!!!!!!!!!!!!!!!11 AUGHGHG

the secret route really does wrap up all other routes pretty well. dulari goes through fun times, melancholic times, and after making peace with herself, she can finally reach her hand to help others feel the same. it's not to personal gain -- since she doesn't gain anything -- and not because of a duty -- since no one tells her to do it -- but because she's simply like that. She couldn't have it any other way. She just can't make herself go around life without caring, and while this made her overthink many things through the routes, it's the thing that makes her reach out to iris and even remember their name and who they were.

i think most of the time we are taught either to accept reality as it is and let it be or to get angry at everything that is wrong. I think both instances are incomplete. the first one makes you numb, the second one burns you out and in the end both make you blind. you really don't need to pick only one -- you can be both. and to me, that's when real maturity comes in -- when you still have that discomfort with injustice, but you fight it softly, with the weapons you have, anywhere you find the opportunity. it's not about hating yourself for having privileges, nor feeling superior for that. not about being blind for injustice, nor getting angry at everything and everyone for it. it's 'do what you can' -- but do to it, you have to be in peace with yourself and your own vision of the world, i guess.

thanks again for the review!! <33 i'm really glad you liked!!