Al via il Tanta Robba Festival, l'appuntamento musicale per eccellenza dell'estate cremonese 👉 https://bit.ly/3XI9rbL La Valigetta
Post di Rolling Stone Italia
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Il Remunerazione Annua Supplementare. The annual supplementary remuneration, providing artists who received lump sum buy-outs with an additional remuneration for the sales and streams of their recording, is finally getting paid. #nuovoimaie #fairremuneration #payperformers #streamingremuneration
MUSICA, REMUNERAZIONE ANNUA SUPPLEMENTARE PER GLI ARTISTI: ACCORDO NUOVO IMAIE - ITSRIGHT - FIMI CON SONY MUSIC, UNIVERSAL MUSIC E WARNER MUSIC NUOVO IMAIE ha firmato l'accordo sulla Remunerazione Annua Supplementare (RAS) con Sony Music Entertainment , Universal Music Group e Warner Music Italy . L'intesa è stata raggiunta insieme alla collecting ITSRIGHT e alla FIMI - Federazione industria musicale italiana. La RAS è un diritto al compenso che la legge sul diritto d’autore riconosce, sui repertori pubblicati dal 1963, a quegli artisti che non abbiano stipulato con le case discografiche un contratto che preveda una remunerazione ricorrente (cioè, a percentuale o compartecipazione). È una misura a tutela degli artisti, gestita dalle collecting che li rappresentano e introdotta nel 2011 dalla Direttiva Europea che ha esteso a 70 anni la durata della protezione dei fonogrammi. Per maggiori info, LEGGI IL COMUNICATO 👉 https://lnkd.in/evuJJVrx Sempre al fianco degli Artisti ❤️
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"Because Sanremo is Sanremo," "Because Pasolini is Pasolini." For days now, media attention has been focused on the San Remo kermesse. So much talk around this singing event, which boasts a stratospheric turnover! In short, the arcane and super-talked-about musical event makes it possible to make cash, and what cash! This much talk and gossip about Sanremo tickled my curiosity, and I wondered, "ׂHas everyone always liked it, in general, and intellectuals in particular?" :newspaper: Read Article https://lnkd.in/dMDydTsC :warning:️ Help free information by sharing the articles you liked and leaving a like. :money_with_wings: The newspaper is entirely self-funded, so if you can, donate a coffee to help us give the people a chance to express themselves freely, or send us your articles you want to see published to the link: https://lnkd.in/duxsCPxK :pushpin: telegram channels: https://lnkd.in/dt2z9GAg and https://lnkd.in/dKPHaBfe (dual channel to have control over the automatic expulsions being carried out to the detriment of all of us) :pushpin: signal channel: https://lnkd.in/d4QytFb8
“Perché Sanremo è Sanremo”, “Perché Pasolini è Pasolini”
https://giornalismolibero.com
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Musica per alzare la frequenza energetica nel corpo
Música POP Alegre para Trabajar en Tiendas, Cafeterías y Bares | The Best Pop, Indie & Folk Music
https://www.youtube.com/
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Autor, Forscher, Künstler, Speaker, KI-Berater (Generative KI). Digital Experience Specialist - @ DB Schenker. OpenAI Community Ambassador. Digital Resident. Ich erforsche kreative Mitarbeit von Mensch Maschine
In case you understand Italian - here is a conversation about Calibano (Teatro dell'Opera di Roma / effequ | libri che non c'erano) and also about my illustrations which emerged in collaboration with Artificial Intelligence. https://lnkd.in/gpvQvaNj #aiart #kikunst #CreativeAI
Radio3 Suite - Panorama | Festival della Liuteria Toscana: Quartetto d'Archi della Scala | Nuovo numero rivista "Calibano" | Rai Radio 3 | RaiPlay Sound
raiplaysound.it
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Bwana wandi where are you now? Give me the line you are using
Redpath Indonesia’s flag-raising team participated in Indonesia’s 78th Independence Day last month. This year’s theme for the celebrations was “Keep Moving Forward for an Advanced Indonesia”. In addition to the flag ceremony, there were traditional dance performances, each telling a unique story and reflecting the diverse cultural heritage of Indonesia. There was also a music festival showcasing Redpath’s team member Yuliana Teneh as the opening performer. #redpathmining #redpathindonesia #indonesa ------------------------------------- L’équipe de lever du drapeau de Redpath Indonésie a participé au 78e jour de l’indépendance de l’Indonésie le mois dernier. Le thème des célébrations de cette année était « Continuons d’avancer pour une Indonésie avancée ». En plus de la cérémonie du drapeau, il y a eu des spectacles de danse traditionnelle, chacun racontant une histoire unique et reflétant le patrimoine culturel diversifié de l’Indonésie. Il y avait aussi un festival de musique mettant en vedette le membre de l’équipe de Redpath, Yuliana Teneh, en tant qu’interprète d’ouverture.
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"Tek-net" by choreographer Elton Luis Medang on Friday, 3rd May at Espai LaGranja in Valencia (Spain). This Artcast4D #pilot explores the convergence of dance and technological innovation. In "Tek-net", the digital world and human movement merge to examine the complex relationship between humans and new technologies. Featuring electro dance, dancers Sebastián Verde, Luisa Cerrada, and Elton Luis portray dynamics of connection and alienation characteristic of the digital age. The performance unfolds in several sections, each representing different facets of technological interaction, from the initial connection, where dancers in perfect sync simulate the rapid expansion of a network, to 'Digital Reflections' featuring mirrors and lights. It culminates in 'Disconnection', highlighting tensions and isolation from information overload and technological dependency, before concluding with 'Integration', which proposes a hopeful balance between technology and humanity. Read the article in Spanish at: elperiodic.com CULTURALINK
Espai LaGranja del IVC combina danza y tecnología interactiva con el estreno de Tek-net. Un piloto de Artcast4D Leído en elperiodic.com
Espai LaGranja combina danza y tecnología interactiva con el estreno de Tek-net
elperiodic.com
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Doble Grado en Administración y Dirección de Empresas y Relaciones Internacionales | Integral Leadership Program | Comercio Internacional | Ventas | Marketing | Gobernanza Global | Geopolítica
🎤 This weekend, the great final of #Eurovision Song Contest is held in Malmö, Sweden 🇸🇪 . But, do you kwow the origin of this music festival followed around the whole globe ? It emerged as an attempt to unify nations throughout the music, going beyond European frontiers. Inspired in the Italian #SanRemo, former president of the European Broadcasting Union, Marcel Bezençon, aimed to strengthen bonds between European nations that were going through the post-WWII period, trying to portray internationally an image of unity and peace. It is considered to be the oldest tv program that is still broadcasted. The first edition was held in 1956, only with 7 participants. It supposed a true technological challenge, as it ought to be retransmitted in those countries at the same time. Nevertheless, the music festival has not been away from the focus of polemics. There are many who consider the contest is too politicized. Although making politics is forbidden, there has not been lack of subliminal messages and details in several performances. Another great complaint comes at the time of voting, where countries do not evaluate the quality of the show but regarding possible geopolitical interests with neighbor countries and friends. 💡What do you think? Are geopolitics a main character of the contest? 🌍 #geopolitics #internationalrelations #globalgovernance #eurovisionsongcontest
🎶 El festival de #Eurovisión no es solo uno de los fenómenos de masas más seguidos del mundo, también es un escenario de luchas geopolíticas. Pese a su carácter teóricamente apolítico, surgió con la intención de impulsar la #integracióneuropea. Pero, con el paso de los años, ha sido también un escaparate de las tensiones entre los países que participan en el Festival. Hoy, en "No es el fin del mundo", David Gómez Martínez, Alba Leiva Vélez y Fernando Arancón Ruiz hablan de las disputas #geopolíticas que han marcado Eurovisión y cómo Eurovisión nos explica estas tensiones 🎙 👇 https://lnkd.in/dPpTQ5_D
La geopolítica detrás de Eurovisión, por El Orden Mundial
https://spotify.com
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Art Advisor, Curator and Art Writer | ISA & IKT Member | Gallerist | Private Art Foundations Development | Arts Reporter
#OutNow: My sales report for Il Giornale dell'Arte | Società Editrice Umberto Allemandi from an intense #SeoulArtWeek between Frieze and Kiaf SEOUL Editorial in Italian, but here’s an extract in English. You can always translate with Google, or Deepl. “The second edition of Frieze in Seoul (Sept. 6-9) has just concluded as part of an increasingly international and eventful art week. Frieze was packed from the very first bars and was visited by some 70,000 visitors in an unexpected turnaround from last year: the historic local fair Kiaf in fact lost steam, becoming more active from the second day and with a mostly Korean audience. In both, however, turnout did not necessarily translate into quick "sell-outs": Korean collectors are confirmed to be slower in making decisions, and the domestic market still seems "volatile," at the mercy of the political situation and inflation. The congestion of appointments in the calendar certainly did not help when one considers the number of previews between the fairs in Korea and the Armory Show in New York (this year on the same dates) and the many exhibitions opening around the world…” Full report on the entire art week coming out soon too. https://lnkd.in/eCDFZmaF #seoulartweek #seoulartscene #artfairs #artbusiness #artadvisory
A Seul Frieze batte Kiaf
ilgiornaledellarte.com
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🏄🏻♂️🌊