This long-standing German publisher (nearly as old as Breitkopf and Schott) is most famous for publishing Brahms' and Dvorak 's works in the 19th century.
The firm was founded in 1793 by Nicolaus Simrock (1751-1832) in Bonn. This city, like Mainz, Schott's home, equally on the Rhine, was a historically important city, since it was the seat of the Archbishop-Electors of Cologne.
A Paris branch was opened in 1802 by Nicolaus' brother Heinrich (Henri) (1754-1839). Nicolaus' son Peter Joseph Simrock (1792-1868) opened a branch in Cologne and took over management of the firm after Nicolaus' death.
The mid 19th century saw dramatic changes. Peter's son Friedrich August "Fritz" Simrock (1837-1901) inherited the firm in 1868 and moved the principal office to Berlin in 1870 under the name of Simrocksche Musikhandlung. At the same time, he sold the music shop and outsourced the engraving and printing business to Röder in Leipzig. It was Fritz Simrock who published Brahms' works from 1860, and Dvorak's international reputation was greatly helped by Simrock's publication of Klänge aus Mähren, Op.32 in 1877. From 1872 his wife Clara (1832-1928) conducted a salon in Berlin which played an important role in the development of the company. The publisher Robert Emil Lienau wrote: "In seinem Heim „Am Carlsbad 3“ war Frau Clara die liebenswürdigste Herrin und Wirtin. Die Musiker und Künstler des Verlages gingen dort ein und aus, und diese ungezwungene Gastfreundschaft war das feinste Werbemittel für den Verlag."
After Friedrich August's death in 1901, the company was transformed into a GmbH (limited liability company) and led by his nephew Johann Baptist "Hans" (1861-1910). The same year, he created the Simrock-Volksausgabe, a series of works still under copyright, but in high quality and at reasonable prices. Johann Baptist established a subsidiary in Leipzig in 1904, and set up agencies in London, Paris and New York at about the same time. Simrock absorbed the firm Bartholf Senff in 1907. In 1923, Fritz Auckenthaler, a grandson of Friedrich August, became leader of the firm. The publishing company Eos was absorbed by Simrock in 1925.
In 1929, N. Simrock was sold to the firm Anton J. Benjamin, who continued to use the Simrock name as an imprint. In 1938, the Nazi regime forced the sale of Simrock and other parts of Benjamin to Sikorski from Richard Schauer who then owned the company.
The end of the war brought better times for the company. After a long restitution process, in 1951 the firm's ownership was returned to heirs of the Schauer family (owners of Benjamin), who continued to employ the Simrock imprint as part of their Benjamin-Rahter-Simrock division. It was to a great part due to the Simrock original editions (Simrock-Originalausgaben) that the company regained its former significance and soon again edited contemporary compositions.
Like many other publishers, the period 1990 onwards was a time of consolidation into increasingly large groups. In 2002, N. Simrock was, together with Benjamin, sold to Boosey & Hawkes. Owing to the widespread renown of N. Simrock, the series Simrock Original-Edition was created. It includes a great part of the Benjamin editions, also some that formerly were part of other Benjamin series.
Recent publications by Simrock often - perhaps always - have edition numbers without plates (e.g. "Elite Edition 1247 Simrock" may be found on a 1970s score, but not an expected 5-digit plate.)
Plate |
Composer |
Work |
Editor |
Year of Publ. |
Remarks
|
00004 |
Mozart |
Die Zauberflöte, K.620 |
|
1793 |
Vocal score
|
00013 |
Paisiello |
L'amor contrastato, R.1.76 |
|
1793 |
Vocal score
|
00027 |
Martín y Soler |
L'arbore di Diana |
|
1793 |
Vocal score
|
00177,181 |
Beethoven |
String Quartets, Op.18 |
|
1802 |
Parts, 2 books
|
00294 |
Mozart |
Fantasia in C minor, K.475 |
|
1803 |
|
00336–337 |
Brahms |
21 Hungarian Dances (Piano), WoO 1 |
|
1869 |
Books 1 and 2
|
00448 |
Ries |
Das Fest der Maurer, Op.44 No.2 |
|
|
|
00512 |
Ries |
2 Piano Sonatas, Op.1 |
|
1806 |
|
00541 |
Ries |
Piano Trio, Op.2 |
|
1807 |
|
00588 |
Spohr |
Violin Concerto No.4, Op.10 |
|
1808 |
Violin and piano reduction, pts
|
00656 |
Paër |
Sofonisba |
|
1808 |
First German performance in 1808
|
00720 |
Ries |
Piano Quartet, Op.17 |
|
1810 |
|
00725 |
Ries |
Violin Sonata, Op.18 |
|
1810 |
|
00726 |
Ries |
3 Violin Sonatas, Op.16 |
|
1810 |
|
00744 |
Ries |
Cello Sonata, Op.20 |
|
1810 |
|
00745 |
Ries |
Cello Sonata, Op.21 |
|
1810 |
|
00860 |
Ries |
3 Sonatas for Piano and Violin, Op.30 (No.3 only) |
|
1811 |
|
00875 |
Ries |
Der Morgen, Op.27 |
|
1811 |
Vocal score
|
00878 |
Ries |
2 Piano Sonatas, Op.9 |
|
1811 |
|
00897 |
Hübschmann |
Harmonie No.1 |
|
1811 |
Parts
|
00904 |
Ries |
Piano Sonata, Op.26 |
|
1811 |
|
00948 |
Ries |
Quintet or Septet, Op.25 |
|
1812 |
|
01112 |
Ries |
Flute Sonata, Op.48 |
|
1814 |
|
01114 |
Hänsel |
String Quintet No.4, Op.28 |
|
1815 |
Parts
|
01163 |
Ries |
Airs nationaux suedois avec variations, Op.52 |
|
1815 |
Parts
|
01188 |
Ries |
2 Violin Sonatas, Op.59 (No.1) |
|
1815 |
|
01189 |
Ries |
40 Preludes, Op.60 |
|
1815 |
|
01192 |
Ries |
Piano Concerto No.3, Op.55 |
|
1815 |
Piano solo
|
01198 |
Ries |
2 Violin Sonatas, Op.59 (No.2) |
|
1815 |
|
01238 |
Ries |
2 Rondos, Op.64 (No.1) |
|
1816 |
|
01251 |
Ries |
2 Violin Sonatas, Op.3 |
|
1816 |
|
01259 |
Ries |
2 Rondos, Op.67 (No.1) |
|
1816 |
|
01264 |
Ries |
Piano Trio, Op.63 |
|
1816 |
|
01380 |
Cramer |
Piano Quintet in B minor, Op.60 |
|
1817 |
Pts
|
01386 |
Ries |
2 Flute Sonatas, Op.76 (No.1) |
|
1818 |
|
01536 |
Reicha |
Wind Quintet, Op.88 No.2 |
|
1818 |
|
01599 |
Ries |
Symphony No.2, Op.80 |
|
1818 |
Parts
|
01727 |
Romberg |
Cello Concerto No.5, Op.30 |
|
1823 |
Parts, red.
|
01737 |
Romberg |
Cello Concerto No.6, Op.31 |
|
1823 |
Parts, red.
|
01797,1799,1800 |
Maurer |
3 String Quartets, Op.17 |
|
1824 |
Parts
|
01830 |
Ries |
2 Violin Sonatas, Op.81 |
|
1821 |
Parts
|
01831 |
Ries |
Violin Sonata, Op.83 |
|
1821 |
Parts
|
01839 |
Ries |
3 Violin Sonatas, Op.86 |
|
1821 |
Parts
|
01928 |
Ries |
Sextet, Op.100 |
|
1822 |
Parts
|
01961 |
Kreutzer |
Piano Concerto No.2, Op.50 |
|
|
Parts
|
02090 |
Ries |
Trio for Harp and 2 Pianos, Op.95 |
|
1822 |
|
02165 |
Ries |
3 Rondos, Op.106 (No.1) |
|
1823 |
|
02180–2181 |
Ries |
2 Piano Sonatinas, Op.5 |
|
1823 |
|
02246 |
Ries |
3 Rondos, Op.106 (No.2) |
|
1824 |
|
02333 |
Reissiger |
Piano Trio No.2, Op.33 |
|
1826 |
|
02432–2434 |
Ries |
3 Flute Quartets, Op.145 |
|
1826 |
|
02485 |
Pettoletti |
6 Walzes Instructives, Op.3 |
|
1826 |
|
02541 |
Kalkbrenner |
Introduction et Rondino, Op.78 |
|
1826 |
|
02597 |
Ries |
Piano Concerto No.8, Op.151 |
|
1829 |
Piano part
|
02693 |
Kummer |
Flute Quartet in E minor, Op.47 |
|
1829 |
Parts
|
02761 |
Ries |
Der Sieg des Glaubens, Op.157 |
|
1829 |
Vocal score
|
02786 |
Hiller |
3 Caprices, Op.4 (Book I) |
|
1829 |
|
02992 |
Ries |
Divertissemens, Op.130 |
|
1832 |
|
02993 |
Ries |
The Sorceress, Op.164 |
|
1832 |
Vocal score
|
03012 |
Ries |
Sonatina for Piano 4-hands, Op.6 |
|
1832 |
|
03037 |
Beethoven |
Quintet for 2 Violins, Viola and 2 Cellos, Op.47 (Kreutzer Sonata) |
|
1832 |
|
03045 |
Mendelssohn |
String Quintet No.1, Op.18 |
|
1833 |
|
03056 |
Gaude |
Variations on a Barcarole by Auber, Op.59 |
|
1833 |
Pts
|
03084 |
Hiller |
Caprice fantastique, Op.10 |
|
1834 |
|
03265 |
Carulli |
La Folle arrangée en Fantaisie, Op.363 |
|
1836 |
|
03618 |
Bertini |
Piano Sextet No.3, Op.90 |
|
1839 |
Parts
|
03858 |
Rosellen |
3 Rêveries, Op.31 |
|
1849 |
|
03935 |
Mendelssohn |
Lieder ohne Worte, Op.53 |
|
1841 |
|
04051 |
Czerny |
24 Etudes élégantes, Op.672 (No.1) |
|
1842 |
|
04110 |
Kufferath |
6 Concert Etudes, Op.8 |
|
1842 |
|
04153 |
Rosellen |
Souvenirs du ballet 'La jolie fille de Gand' d'Adolphe Adam, Op.45 |
|
1843 |
|
04386 |
Pape |
String Quartet No.5 in C minor |
|
1845 |
Parts
|
04499 |
Wenusch |
String Quartet, Op.1 |
|
1846 |
Parts
|
04949 |
Heller |
3 Melodies de Mendelssohn, Op.72 (No.1) |
|
1851 |
|
05019 |
Schumann |
Symphony No.3, Op.97 |
|
1851 |
Full score
|
05311 |
Schubert |
Le premier bal d'Emma, Op.135 |
|
1853 |
Note by C. Schubert.
|
05779 |
T. Oesten |
Oasen, Op.110 (3. Die Zauberflöte) |
|
1857 |
|
06032 |
Hermann |
Capriccio No.3 for 3 Violins, Op.13 |
|
1859 |
Pts
|
06200 |
Brahms |
String Sextet No.1, Op.18 |
|
1861 |
Arr. pf4h
|
06202 |
Brahms |
String Sextet No.1, Op.18 |
|
1861 |
Sc
|
06323 |
Kiel |
Piano Concerto, Op.30 |
|
1865 |
Pf. solo w/cues
|
06474 |
Brahms |
String Sextet No.2, Op.36 |
|
1866 |
|
06475 |
Brahms |
String Sextet No.2, Op.36 |
|
1866 |
Arr. pf4h
|
06476 |
Brahms |
Cello Sonata No.1, Op.38 |
|
1866 |
|
06514 |
Reissiger |
Die Felsenmühle von Estalières (Overture) |
|
1868 |
|
06719 |
Gernsheim |
Piano Quartet No.2, Op.20 |
|
1870 |
|
06851 |
Kiel |
Piano Trio No.2, Op.22 |
|
1862 |
|
06929 |
Kiel |
Piano Quartet No.1, Op.43 |
|
1867 |
|
06933 |
Kiel |
Piano Quartet No.2, Op.44 |
|
1867 |
|
06976 |
Kiel |
Piano Quartet No.3, Op.50 |
|
1868 |
|
06997 |
Kiel |
Piano Trio No.5, Op.34 |
|
1869 |
|
07042 |
Lange |
Das Fischermädchen, Op.81 |
|
1870 |
|
07397 |
Brahms |
Variations on a Theme by Haydn, Op.56 |
|
1873 |
Original version, Op.56b
|
07546 |
Reissiger |
Die Felsenmühle von Estalières, Op.71 |
Burchard |
1875 |
|
08065 |
Dvořák |
Bagatelles, Op.47 |
|
1879 |
Pf4h
|
08125 |
Dvořák |
String Quartet No.10, Op.51 |
The composer |
1879 |
Pf4h
|
08132 |
Brahms |
Violin Concerto, Op.77 |
|
1879 |
Arr. vn/pf
|
08133 |
Brahms |
Violin Concerto, Op.77 |
|
1879 |
Full score
|
08137–8138 |
Dvořák |
The Cunning Peasant, Op.37 (Overture) |
|
1879 |
|
08141–8142 |
Dvořák |
Romance, Op.11 |
|
1879 |
|
08143 |
Dvořák |
Romance, Op.11 |
|
1879 |
Arr. vn/pf
|
08152–8153 |
Dvořák |
Slavonic Dances, Op.46 |
Robert Keller |
1880 |
2pf8h
|
08165 |
Dvořák |
Bagatelles, Op.47 |
|
1880 |
|
08167–8168 |
Brahms |
21 Hungarian Dances (Piano), WoO 1 (Books 3 and 4) |
|
1880 |
|
08171 |
Dvořák |
Gypsy Songs, Op.55 (without Czech text) |
|
1880 |
|
08185 |
Brahms |
21 Hungarian Dances (Piano), WoO 1 (Book 3) |
Keller |
1881 |
Arr. pf solo
|
08192–8193 |
Brahms |
21 Hungarian Dances (Piano), WoO 1 (Books 3 and 4) |
Kirchner |
1881 |
Arr. pf solo
|
08194 |
Brahms |
Liebeslieder Waltzes, Op.52 |
Kirchner |
1881 |
|
08195 |
Brahms |
Academic Festival Overture, Op.80 |
|
1881 |
2pf
|
08196 |
Brahms |
Neue Liebeslieder Waltzes, Op.65 |
Kirchner |
1881 |
|
08204–8206 |
Sarasate-Kirchner |
Spanische-Tanze, Opp.21, 22, 23 |
|
1881 |
|
08213 |
Brahms |
Tragic Overture, Op.81 |
|
1881 |
2pf
|
08215–8218 |
Brahms |
21 Hungarian Dances (Piano), WoO 1 |
Piatti |
1881 |
Arr. vc/pf
|
08219–8220 |
Dvořák |
Gypsy Songs, Op.55 |
|
1881 |
With text in Czech.
|
08222–8223 |
Dvořák |
Legends, Op.59 |
|
1881 |
|
08247 |
Dvořák |
Symphony No.6, Op.60 |
|
1882 |
Pf4h
|
08250 |
Brahms |
21 Hungarian Dances (Piano), WoO 1 |
S.J. |
1881 |
Arr. pf solo
|
08255 |
Dvořák |
The Cunning Peasant, Op.37 |
|
1882 |
Vocal score
|
08258 |
Dvořák |
Moravian Duets, Op.32 |
|
1882 |
|
08261 |
Sarasate |
Spanish Dances, Op.26 |
|
1881 |
|
08266–8269 |
Dvořák |
Legends, Op.59 |
|
1882 |
Orchestra
|
08287 |
Brahms-Keller |
Academic Festival Overture, Op.80 |
|
1882 |
Arr. pf
|
08306 |
Dvořák |
My Homeland, Op.62 |
|
1882 |
|
08332 |
Brahms |
String Sextet No.1, Op.18 |
Kirchner |
1883 |
Arr. pf trio
|
08333 |
Brahms |
String Sextet No.2, Op.36 |
Kirchner |
1883 |
Arr. pf trio
|
08340–8341 |
Dvořák |
Legends, Op.59 |
Robert Keller |
1883 |
Pf solo
|
08348 |
Dvořák |
Piano Trio No.3, Op.65 |
|
1883 |
|
08387 |
Brahms |
Symphony No.3, Op.90 |
|
1884 |
Arr. 2pf
|
08388–8389 |
Dvořák |
From the Bohemian Forest, Op.68 |
|
1884 |
|
08445 |
Dvořák |
Hussite Overture, Op.67 |
|
1884 |
|
08447 |
Dvořák |
Hussite Overture, Op.67 |
The composer |
1884 |
Pf4h
|
08606 |
Dvořák |
Symphony No.7, Op.70 |
The composer |
1885 |
Pf4h
|
08667 |
Brahms |
Symphony No.4, Op.98 |
|
1888 |
|
08735 |
Dvořák |
Slavonic Dances, Op.72 |
Richard Barth |
1887 |
Vn, pf
|
08765 |
Dvořák |
4 Romantic Pieces, Op.75 |
|
1887 |
|
08766 |
Ashton |
Piano Quartet, Op.34 |
|
1887 |
|
08859–8860 |
Dvořák |
Piano Quintet No.2, Op.81 |
|
1888 |
|
08911 |
Dvořák |
Symphony No.5, Op.76 |
|
1888 |
Pf4h
|
08927 |
Dvořák |
Psalm 149, Op.79 |
|
1888 |
|
08955 |
Dvořák |
4 Lieder, Op.82 |
|
1888 |
|
08974 |
Dvořák |
Piano Quintet No.2, Op.81 |
Robert Keller |
1888 |
Pf4h
|
09001 |
Brahms |
Serenade No.1, Op.11 |
|
1888 |
Parts
|
09003 |
Brahms |
Serenade No.1, Op.11 |
Hermann |
1888 |
Arr. pf solo
|
09096 |
Brahms |
String Sextet No.1, Op.18 |
Keller |
1889 |
Arr. pf solo
|
09196 |
Brahms |
Violin Sonata No.3, Op.108 |
|
1889 |
|
09245–9247 |
Dvořák |
Poetic Tone Pictures, Op.85 |
|
1889 |
|
09284 |
Dvořák |
Piano Quartet No.2, Op.87 |
|
1890 |
|
09328 |
Jenner |
4 Lieder, Op.1 |
|
1890 |
|
09452–9453 |
Dvořák |
Slavonic Dances, Op.46 & Op.72 |
Robert Keller |
1891 |
2pf8h
|
09620 |
Hofmann |
Waldpoesien, Op.50 |
|
1891 |
|
09653,9656 |
Jenner |
8 Lieder, Op.2 (Books 1, 2) |
|
1892 |
|
09710 |
Brahms |
Clarinet Quintet, Op.115 |
|
1892 |
Full score
|
09711 |
Brahms |
Clarinet Quintet, Op.115 |
|
1892 |
Parts
|
09979 |
Zarzycki |
Introduction and Cracovienne, Op.35 |
|
1893 |
|
09981 |
Goldmark |
Suite No.2 for Violin and Piano, Op.43 |
|
1893 |
Sc & pt
|
10066–10089 |
Cui |
Kaleidoscope, Op.50 |
|
1894 |
Score
|
10098 |
Dvořák |
Piano Trio No.4, Op.90 |
|
1894 |
|
10099 |
Dvořák |
Piano Trio No.4, Op.90 |
The composer |
1894 |
Pf4h
|
10100–10101 |
Dvořák |
In Nature's Realm, Op.91 |
|
1894 |
|
10102 |
Dvořák |
In Nature's Realm, Op.91 |
|
1894 |
Pf4h
|
10103–10104 |
Dvořák |
Carnival Overture, Op.92 |
|
1894 |
|
10105 |
Dvořák |
Carnival Overture, Op.92 |
|
1894 |
Pf4h
|
10106–10107 |
Dvořák |
Othello, Op.93 |
|
1894 |
|
10108 |
Dvořák |
Othello, Op.93 |
|
1894 |
Pf4h
|
10109–10111 |
Dvořák |
Rondo, Op.94 |
The composer |
1894 |
Vc, orch
|
10112–10114 |
Dvořák |
From the Bohemian Forest, Op.68 - No.5 |
The composer |
1894 |
|
10185 |
Dvořák |
Rondo, Op.94 |
The composer |
1894 |
Vc, pf
|
10186 |
Dvořák |
From the Bohemian Forest, Op.68 - No.5 |
The composer |
1894 |
Vc, pf
|
10237 |
Dvořák |
Suite, Op.98 "American" |
|
1894 |
|
10275 |
Dvořák |
Symphony No.9, Op.95 |
The composer |
1894 |
Pf4h
|
10278–10279 |
Dvořák |
8 Humoresques, Op.101 |
|
1894 |
|
10293–10298 |
Cui |
6 Bagatelles, Op.51 |
|
1894 |
|
10315–10317 |
Schütt |
Causeries-Bal, Op.45 |
|
1895 |
|
10325–10326 |
Dvořák |
Biblical Songs, Op.99 |
|
1895 |
|
10447 |
Brahms |
Violin Concerto, Op.77 |
|
1895 |
Cadenza by Halir
|
10491 |
Brahms |
Violin Sonata No.2, Op.100 (1st mvmt.) |
Reinhard |
1896 |
|
10497 |
Dvořák |
Poetic Tone Pictures, Op.85 - No.6 |
František Ondříček |
1895 |
Vn, pf
|
10540 |
Dvořák |
Cello Concerto, Op.104 |
The Composer |
1896 |
Vc, pf
|
10548–10549 |
Dvořák |
Cello Concerto, Op.104 |
|
1896 |
|
10589 |
Schütt |
Piano Concerto No.2, Op.47 |
|
1896 |
Arr. pf solo
|
10650 |
Nedbal |
Scherzo-Caprice, Op.5 |
|
1896 |
Score
|
10664 |
Schütt |
Carnaval Mignon, Op.48 |
|
1896 |
|
10676 |
Sarasate |
Jota de San Fermin, Op.36 |
|
1894 |
|
10694 |
Sarasate |
Viva Sevilla!, Op.38 |
|
1896 |
|
10712 |
Dvořák |
Cello Concerto, Op.104 |
Paul Klengel |
1896 |
Pf4h
|
10726–10727 |
Dvořák |
The Noon Witch, Op.108 |
|
1896 |
|
10728–10729 |
Dvořák |
The Golden Spinning Wheel, Op.109 |
|
1896 |
|
10782 |
Novák |
Eklogen, Op.11 |
|
1896 |
|
10819 |
Rabl |
Fantasiestücke, Op.2 (Vol.1) |
|
1897 |
|
10820 |
Rabl |
Fantasiestücke, Op.2 (Vol.2) |
|
1897 |
|
10825 |
Schütt |
Piano Trio No.2, Op.51 |
|
1897 |
|
10875 |
Tschetschulin |
Valse gracieuse |
|
1897 |
|
10880 |
Schütt |
Walzer-Märchen, Op.54 |
|
1897 |
|
10915 |
Grodzky |
9 Piano Pieces, Op.50 |
|
1897 |
|
10925 |
Brahms |
Violin Sonata No.1, Op.78 |
Klengel |
1897 |
Arr. vc, pf
|
10933 |
Schütt |
Paraphrase on Brahms' Song 'Vergebliches Ständchen' |
|
1897 |
|
10934 |
Schütt |
Paraphrase on Brahms' Lullaby |
|
1897 |
|
10994 |
Limbert |
String Quartet, Op.15 |
|
1898 |
Score
|
10997–10998 |
Dvořák |
Biblical Songs, Op.99 |
|
1898 |
For high voice
|
10999 |
Pfitzner |
Piano Trio, Op.8 |
|
1898 (rev. ed.) |
|
11077 |
Brahms |
String Sextet No.2, Op.36 |
Klengel |
1898 |
Arr. pf
|
11101 |
Bruch |
Gustav Adolf, Op.73 |
|
1898 |
Vocal score
|
11180 |
Zemlinsky |
Walzer-Gesänge, Op.6 |
Bache |
1899 |
|
11195 |
Dvořák |
A Hero's Song, Op.111 |
|
1899 |
|
11210 |
Scholz |
Piano Quartet, Op.79 |
|
1899 |
|
11266 |
Dvořák |
A Hero's Song, Op.111 |
|
1899 |
Parts
|
11380 |
Dvořák |
Symphony No.6, Op.60 |
Paul Juon |
1900 |
Pf
|
11481–11482 |
Schütt |
Pour tous les Ages, Op.60 |
|
1900 |
|
11547 |
Lewandowsky |
Piano Quintet, Op.2 |
|
1901 |
|
11569 |
Dvořák |
From the Bohemian Forest, Op.68 - No.1 |
|
1901 |
Pf solo
|
11575 |
Erlanger |
Piano Quintet |
|
1901 |
Sc. and pts.
|
11607 |
Straesser |
String Quartet, Op.12 No.1 |
|
1901 |
Parts
|
11677 |
Novák |
String Quartet No.1, Op.22 |
|
1902 |
Score
|
11723 |
Kahn |
Piano Trio No.3, Op.35 |
|
1902 |
|
11846 |
Dvořák |
8 Humoresques, Op.101 - No.7 |
Fabian Rehfeld |
1903 |
Vn, pf
|
11886 |
Schütt |
Pages intimes, Op.68 |
|
1903 |
|
11891 |
Draeseke |
String Quintet, Op.77 |
|
1903 |
|
11892 |
Dvořák |
Symphony No.9, Op.95 |
|
1903 |
Study score
|
11986 |
Körte |
Wanderstimmungen |
|
1904 |
|
11997 |
Brahms |
Violin Concerto, Op.77 |
|
1905 |
Cadenza by Marteau
|
12019 |
Schütt |
5 Episoden, Op.72 |
|
1905 |
|
12036 |
Dvořák |
8 Humoresques, Op.101 - No.4 |
Alfred Moffat |
1905 |
Vn, pf
|
12037 |
Dvořák |
Poetic Tone Pictures, Op.85 - No.9 |
Alfred Moffat |
1905 |
Vn, pf
|
12042 |
Marteau |
Chaconne for Viola and Piano, Op.8 |
|
1905 |
|
12058 |
Dvořák |
8 Humoresques, Op.101 - No.7 |
August Wilhelmj |
1905 |
Vn, pf
|
12061 |
Beethoven |
Romance in F major, Op.50 |
Joachim |
1905 |
Arr. vn, pf
|
12157 |
Dvořák |
Gypsy Songs, Op.55 - No.4 |
Heinrich Grünfeld |
1906 |
Vc, pf
|
12179 |
Dvořák |
8 Humoresques, Op.101 - No.7 |
Fritz Kreisler |
1906 |
Vn, pf
|
12227 |
Schillings |
String Quartet |
|
1906 |
Parts
|
12265 |
Marteau |
String Trio, Op.12 |
|
1907 |
|
12320 |
Dohnányi |
String Quartet No.2 in D-flat major, Op.15 |
|
1907 |
Parts
|
12325–12328 |
Sinding |
4 Morceaux, Op.84 |
|
1907 |
|
12335 |
Brahms |
String Quintet No.1, Op.88 |
Klengel |
1907 |
Arr. pf solo
|
12336 |
Brahms |
Violin Concerto, Op.77 |
|
1907 |
Cadenza by Aulin
|
12345–12349 |
Dohnányi |
Humoresken in Form einer Suite, Op.17 |
|
1907 |
|
12373 |
Dvořák |
8 Humoresques, Op.101 - No.5 |
Paul Klengel |
1908 |
Vn, pf
|
12473 |
Brahms |
Violin Concerto, Op.77 |
|
1909 |
Cadenza by Bezekirsky
|
12583 |
Dvořák |
Gypsy Songs, Op.55 |
|
1909 |
|
12608 |
Schillings |
Violin Concerto No.1, Op.25 |
|
1910 |
Vn, pf
|
12645 |
Dvořák |
From the Bohemian Forest, Op.68 - No.1 |
Carl Zimmer |
1910 |
Orchestrated ver.
|
12659 |
Gernsheim |
Zu einem Drama, Op.82 |
|
1910 |
Score
|
12661 |
Dvořák |
Carnival Overture, Op.92 |
Paul Klengel |
1910 |
Pf
|
12665–12666 |
Rudorff |
Symphony No.3, Op.50 |
|
1910 |
Score, parts
|
12742 |
Beethoven |
Romance in F major, Op.50 |
Joachim |
1905 |
|
12851–12860 |
Sinding |
Jugendbilder, Op.110 |
|
1911 |
|
12951 |
Dvořák |
2 Pieces, B.188 |
|
1911 |
|
12952 |
Klingler |
Cello Sonata in A minor () |
|
1911 |
Sc & pt
|
12957 |
Lendvai |
Symphony, Op.10 |
|
1912 |
Full score
|
13037–13038 |
Dvořák |
Alfred, B.16 - Overture |
|
1912 |
|
13122 |
Faisst |
Violin Sonata, Op.14 |
|
1912 |
Sc & pt
|
13179 |
Dohnányi |
Violin Sonata, Op.21 |
|
1913 |
Sc & pt
|
13180 |
Koessler |
Hymne an die Schönheit |
|
1912 |
Score
|
13336 |
Dvořák |
8 Humoresques, Op.101 - No.7 |
Aug. Wilhelmj |
1913 |
Arr. vn & pf. Part of 'Violin Album' containing 6 Dvořák compositions.
|
13336 |
Dvořák |
From the Bohemian Forest, Op.68 - No.5 |
|
1913 |
Arr. vn & pf. Part of 'Violin Album' containing 6 Dvořák compositions.
|
13367 |
Dvořák |
Poetic Tone Pictures, Op.85 - No.6 |
|
1913 |
|
13369 |
Dvořák |
From the Bohemian Forest, Op.68 - No.5 |
Carlo Barato |
1913 |
|
13380–13381 |
Dvořák |
Rondo, Op.94 |
Wilhelm Altmann |
1913 |
|
13410 |
Wellesz |
String Quartet No.1, Op.14 |
|
1913 |
Parts
|
13448 |
Brahms |
Violin Concerto, Op.77 |
|
1913 |
Cadenzas by Gorski
|
13498 |
Koessler |
Passacaglia-Konzert |
Henri Marteau |
1914 |
Arr. vn/pf
|
13643 |
Reger |
Variations and Fugue on a Theme of Telemann, Op.134 |
|
1914 |
|
13788/9 |
Reger |
Clarinet Quintet, Op.146 |
|
1916 |
Score & parts
|
13835 |
Bortz, A. |
Duet sonata, Op.22 |
|
1920 |
|
13863 |
Brahms |
Violin Sonata No.2, Op.100 |
Paul Klengel |
1919 |
Arr. pf solo (Volksausgabe Nr.484)
|
13865 |
Brahms |
Horn Trio, Op.40 |
Klengel |
1919 |
Arr. pf solo
|
13866 |
Reger |
Piano Quartet No.2, Op.133 |
Hass |
1920 |
Arr. pf4h
|
13867 |
Reger |
Clarinet Quintet, Op.146 |
Hass |
1920 |
Arr. pf4h
|
13880 |
Dvořák |
Gypsy Songs, Op.55 - No.4 |
Eduard Schütt |
1921 |
Pf
|
13903 |
Brahms |
Violin Sonata No.1, Op.78 |
Paul Klengel |
1919 |
Arr. pf solo (Volksausgabe Nr.483)
|
13904 |
Brahms |
Violin Sonata No.3, Op.108 |
Paul Klengel |
|
Arr. pf solo (Volksausgabe Nr.485)
|
13952 |
Hegar |
Cello Concerto, Op.44 |
|
1919 |
Full score
|
13970 |
Brahms |
4 Klavierstücke, Op.119 - No.4 |
Laurischkus |
1919 |
Arr. 2pf
|
14125 |
Busch |
Piano Trio, Op.15 |
|
1920 |
|
14133 |
Blumer |
Violin Sonata No.2, Op.43 |
|
1920 |
|
14173 |
Niemann |
The Garden of Orchids, Op.76 |
|
1921 |
|
14230 |
Karg-Elert |
Heidebilder, 10 kleine Impressionen, Op.127 |
|
1921 |
|
14392 |
Koessler |
Trio-Suite |
|
1922 |
|
14466 |
Karg-Elert |
Piano Sonata No.3, Op.105 |
|
1922 |
|
14505 |
Brahms |
Violin Concerto, Op.77 |
Klengel |
1923 |
Arr. pf
|
14506 |
Niemann |
Japan, Op.89 |
|
1923 |
|
14513 |
Frenkel, S. |
Violin Solo Sonata, Op.1 |
|
1923 |
|
14514 |
Frenkel, S. |
Stimmungsbilder aus Kindheitstagen, Op.3 |
|
1923 |
Sc
|
14522 |
Kahn |
Serenade, Op.73 |
|
1923 |
Score & pts
|
14523 |
Kletzki |
String Quartet No.1, Op.1 |
|
1923 |
Score
|
14602 |
Kletzki |
Sinfonietta, Op.7 |
|
1923 |
Score
|
14603 |
Gál |
String Quartet No.1, Op.16 |
|
1924 |
Score
|
14641 |
Marteau |
Terzetto, Op.34 |
|
1924 |
Score
|
14668 |
Bullerian | Sextet, Op.38 |
|
1924 |
Score & Parts
|
14778 |
Kletzki |
String Quartet No.2, Op.13 |
|
1925 |
Score (Ed.2894)
|
14802 |
Kletzki |
Vorspiel zu einer Tragödie, Op.14 |
|
1926 |
Score
|
14842 |
Kletzki |
Symphony in D minor, Op.17 |
|
1927 |
Score
|
15105 |
Kletzki |
Violin Concerto, Op.19 |
|
1928 |
Arr. vn/pf
|
15128 |
Richter, P. |
Symphony No.3, Op.25 |
|
1929 |
Fs
|
15291 |
Bortkiewicz |
Marionettes, Op.54 |
|
1938 |
|