treeskulltown

The mowna x TS exhibition, “You’re a Techspressionist when you say you are”, is an immersive experience that combines technology and emotional expression. The event, which marks the 5th year and 11th exhibition, promises to showcase the latest in Techspressionism, a post-contemporary artistic approach that combines digital innovation and personal art. The theme of my exclusive mint collection for this event is inspired by ancient Greek philosophy, referencing the concepts of Τέχνη (Techne), or the skill to make something, and φιλία (Philia), a deep and lasting friendship or affection. This fusion of old and new ideas is reflected in the use and collaboration with my previous work as a sound designer through loops composed of electroacoustic binaural beats based on brainwaves, creating a unique spatial web experience. The event will take place from October 3, 2024 to January 26, 2025 and will showcase the latest in Techspressionism, as well as celebrate four years of dynamic Salons and the Loop Art Critique experience with the incredible MOWNA and no less incredible Cari Ann Shim Sham and Joey Zaza the Museum of Wild and Newfangled Art founders, many thanks to them for carrying the digital avant-garde with so much devotion and love for art... collection TECHNE PHILIA : 10 pieces at 100 #xtz on objkt : https://lnkd.in/eacczeaF shared with magic fam´s 🤩 Sol Fayerman Hansen Jean Minguet Arnaud RAMUS Daniel Kramer Eleanna Fulop Justine Vilgrain Yvonne Senouf Hela Mouelhi Christian 'Sumo' Pearson Christine Raibaldi Matthieu Mifsud, Phd Sylvain Levy  Saeko Ehara Carine Asscher Amelie Bourdinaud Peter Conradi Ryan Tanaka Braw Haus #digitalart #binaural #avantgarde #treeskulltown 

outline of consciousness The concept of "outline of consciousness" is a philosophical and artistic interpretation that connects Kant's ideas about the noumenal to Degas' work, particularly "The Convalescent". In Kant's philosophy, the noumenal refers to the thing in itself, independent of our perception and understanding. It is the object as it exists in itself, without being influenced by our senses and mind. Applying this idea to Degas' work "The Convalescent", we can interpret the "outline of consciousness" as the representation of the consciousness of the convalescent woman, as it is perceived by the artist. The outline of the woman is depicted in a soft and delicate way, with curved lines and subtle shadows. The outline of consciousness can also be seen as the boundary between the woman's consciousness and her environment. The woman is depicted in a state of vulnerability, but also of calm and serenity. The outline of her body is delineated, creating a separation between her inner space and the outer space. Finally, the outline of consciousness can be interpreted as the representation of the consciousness of the artist himself, Degas. By representing the convalescent woman, Degas explores his own perception of human vulnerability and fragility. The outline of the woman thus becomes a reflection of the artist's consciousness, her gaze and her understanding of the world. In summary, the concept of "outline of consciousness" in the context of Degas' work, "The Convalescent Woman", can be seen as an exploration of the consciousness of the woman, of the artist and of the relationship between the interior and the exterior. 2160 x 2836 px / mp4 / 59 s / 107 Mo / 12 fps 1/1 éditions at 100 #xtz : piece N° 11/30 : collection #noumenon a subrealist reread based on the masterpiece by : The Convalescent - Edgar Degas. 1872-1887 Original works On view at : J. Paul Getty Trust Museum, Los Angeles 805th minted pieces on objkt : https://lnkd.in/ediJmduM shared with magic fam´s 🥰 Sol Fayerman Hansen Jean Minguet Arnaud RAMUS Daniel Kramer Eleanna Fulop Justine Vilgrain Yvonne Senouf Hela Mouelhi Christian 'Sumo' Pearson Christine Raibaldi Matthieu Mifsud, Phd Sylvain Levy  Saeko Ehara Carine Asscher Amelie Bourdinaud Peter Conradi Ryan Tanaka Braw Haus #treeskulltown #tezos #art #crypto #digital

Deep Drive The concept of "Deep Drive" is an idea that has its roots in the philosophy of Immanuel Kant, particularly in his notion of "noumenon". According to Kant, the noumenon is the object in itself, independent of our perception and understanding. It is the thing as it is in itself, without being influenced by our senses, our mind or our culture. The noumenon is therefore the real object, but inaccessible to our direct knowledge. The concept of Deep Drive can be understood as an extension of this idea. It suggests that human beings have deep desires, drives and motivations that are unconscious, that is, they are not accessible to our immediate consciousness. These deep desires are like noumena, they exist in us, but we do not perceive them directly. The Deep Drive can be seen as a force that pushes individuals to act, make decisions, and make choices, without them being fully aware of it. It is a kind of "drive" that is beyond our rational control and can significantly influence our behavior. This idea has important implications in various fields, such as psychology, philosophy, sociology, and politics. It suggests that human beings are not always in control of their actions and that unconscious forces can play an important role in determining our behavior. In summary, the concept of Deep Drive is an extension of Kant's notion of noumena, which suggests that human beings have deep unconscious desires and drives that significantly influence their behavior. 2160 x 2918 px / mp4 / 59 s / 110 Mo / 12 fps 1/1 éditions at 100 #xtz : piece N° 10/30 : collection #noumenon a subrealist reread based on the masterpiece by : A Woman Ironing - Edgar Degas - 1910 Original works On view at : The Metropolitan Museum of Art, New York 804th minted pieces on objkt: https://lnkd.in/e9YNBzUc shared with magic fam´s 🤩 Sol Fayerman Hansen Jean Minguet Arnaud RAMUS Daniel Kramer Eleanna Fulop Justine Vilgrain Yvonne Senouf Hela Mouelhi Christian 'Sumo' Pearson Christine Raibaldi Matthieu Mifsud, Phd Sylvain Levy  Saeko Ehara Carine Asscher Amelie Bourdinaud Peter Conradi Ryan Tanaka Braw Haus #treeskulltown #tezos #art #crypto

the JPEGs Collector is an art project that combines elements of the work of Edgar Degas, a French impressionist painter, with philosophical concepts of Immanuel Kant, a German philosopher. The reference to Kant is linked to his theory of aesthetics, in particular his concept of "nominalism", which suggests that objects and concepts only have meaning to the extent that they are named and classified. In this context, the "JPEGs collector" project can be seen as an exploration of how digital images can be collected, classified and renamed to create new meanings and how their value is determined by their rarity, authenticity and demand. Using digital painting techniques, I create an animation that highlights parts of Degas' work, while incorporating elements of abstract and surrealist art. This creates a unique and immersive visual experience that invites the viewer to reinterpret Degas' work in new and original ways. Coming back to Kant and his theory of aesthetics, especially his concept of "judgment of taste", I can add to this reflection that beauty is a subjective experience that depends on individual perception. In this context, my animation can be seen as an exploration of how beauty and meaning can be created and perceived in a subjective and subversive way, using the tools of digital painting and digital animation. 2160 x 2802 px / mp4 / 59 s / 106 Mo / 12 fps 10 éditions at 10 #xtz : piece N° 09/30 : collection #noumenon a subrealist reread based on the masterpiece by : The Collector of Prints - Edgar Degas - 1866 Original works On view at : The Metropolitan Museum of Art, New York 803th minted pieces on objkt: https://lnkd.in/e-wKtRNn shared with magic fam´s 🤩 Sol Fayerman Hansen Jean Minguet Arnaud RAMUS Daniel Kramer Eleanna Fulop Justine Vilgrain Yvonne Senouf Hela Mouelhi Christian 'Sumo' Pearson Christine Raibaldi Matthieu Mifsud, Phd Sylvain Levy  Saeko Ehara Carine Asscher Amelie Bourdinaud Peter Conradi Ryan Tanaka Braw Haus #treeskulltown #cryptoarts #art #NFT #tezos #museum 

Good morning all´s 🫠 Today see "There was a time when we were form" at SUBJECTIVE ART FESTIVAL at Tribeca NYC with LUME studios Curated with THEHUGXYZ by Randi Zuckerberg on Large LED Screen from 4 PM to 8 PM : EDT (Eastern Daylight Time) "There was a time when we were form. There was a time when we were distant. There was a time when we were to be a simulation of life distinct from a symbolic confrontation of relevance to one's own existence. We are, we have been, we will be forms perhaps or only, some echoes in time" In reference to the theory of the simulacrum of Jean Baudrillard, a contemporary French philosopher. According to Baudrillard, the simulacrum is a copy without an original, a representation that masks the absence of reality. In this text, I describe the evolution of the human condition through the ages, where we have gone from an authentic existence to a simulated existence. I evoke it in three stages: 1. "There was a time when we were form": this corresponds to a time when humans had a clear identity, a well-defined form, an essence that characterized them. 2. "There was a time when we were distant": this means that humans have moved away from their essence, their original form, and have started to live in a world of representations, symbols and signs. 3. "There was a time when we were to be a simulation of life distinct from a symbolic confrontation of relevance to one's own existence": this corresponds to the idea that we now live in a world of simulations, where reality is replaced by representations, images, signs and symbols. We have become simulacra of ourselves, living in a world of simulations that prevent us from confronting the reality of our existence. Finally, to conclude "we are, we have been, we will be forms perhaps or only, some echoes in time". This suggests that we are now echoes, replicas, simulations of ourselves, which exist in time, but without real substance or essence. This text is an illustration of Baudrillard's theory of the simulacrum, which highlights the loss of reality and the predominance of representations in our contemporary world. 3840 x 2160 px / 4k mp4 / 1 min / 49,5 Mo / 12 frames 1/1 collection 33/50 #simulacra  a subrealist reread based on the masterpiece by :  Matthias Stomer - Annunciazione Original works On view at : le gallerie degli Uffizi, Florence Minted on objkt: https://lnkd.in/eUzJSM-C shared with magic fam´s ☺️ Sol Fayerman Hansen Jean Minguet Arnaud RAMUS Daniel Kramer Eleanna Fulop Justine Vilgrain Yvonne Senouf Hela Mouelhi Christian 'Sumo' Pearson Christine Raibaldi Matthieu Mifsud, Phd Sylvain Levy  Saeko Ehara Carine Asscher Amelie Bourdinaud Peter Conradi Ryan Tanaka Braw Haus #treeskulltown #cryptoartist #art #NFT #tezos

Time For BLISS SEE "the son who carries destiny" on LED wall 5th floor of SUBJECTIVE NYC  Sunday 29 Spetember from 12 AM to 4 PM at The Penthouse 🤗 SEE more at : www.subjective.art ticket for the event with Luma : https://lu.ma/xqml34ox with a curation by Laurence Fuller and @Rexflexasaurus (on social )👑🐊 the piece in 1/1 is on objkt for 100 #xtz https://lnkd.in/eV8_FNyJ Shared with magic fam´s 🫠 Sol Fayerman Hansen Jean Minguet Arnaud RAMUS Daniel Kramer Eleanna Fulop Justine Vilgrain Yvonne Senouf Hela Mouelhi Christian 'Sumo' Pearson Christine Raibaldi Matthieu Mifsud, Phd Sylvain Levy  Saeko Ehara Carine Asscher Amelie Bourdinaud Peter Conradi Ryan Tanaka Braw Haus with all the amazing artists selected for this beautiful curation like Victoria West 🥰 see more on this (X) twitter post 😉 : https://lnkd.in/ePmENnKB #treeskulltown #digitalart #tezos #curation #event #immersive

Spirite The original painting depicts a young woman standing with her arms crossed and her head bowed. The work is known for its realism and simplicity, but also for its mystery and enigma. The young woman seems lost in thought, and her gaze is directed inward. By adding an animation overlay I create a visual experience that evokes the atmosphere of the original work while transforming it into something new and contemporary. Philosophically, this animation overlay can be interpreted as a representation of the young woman's consciousness. The ghostly movements could symbolize the thoughts and emotions that pass through her mind, while the light and shadow effects could represent the nuances of her mood and state of mind. It could also be seen as a representation of the duality of human consciousness. The young woman is both present and absent, lost in her thoughts and yet aware of her surroundings. The animation movements can symbolize this duality, representing both the presence and absence of the young woman. In terms of art philosophy, this overlay of animation could be considered a form of "revelation" of the original work. By adding a new dimension to the work, you could reveal aspects of the young woman's consciousness that were not apparent at first glance. It could also be seen as a form of "deconstruction" of the original work. By adding an overlay of animation I deconstruct the original work to reconstruct it into something new and contemporary. Finally, this ghostly overlay of animation could be considered a form of "dialogue" between the artist and the viewer. By adding a new dimension to the work, I create a dialogue between the artist and the viewer, inviting the viewer to reflect on the young woman's consciousness and the nature of reality. In summary, the animation overlay that I propose for Degas' painting "Mademoiselle Malo" could be interpreted in several philosophical ways, ranging from the representation of the young woman's consciousness to the deconstruction of the original work and the dialogue between the artist and the spectator. 2160 x 2731 px / mp4 / 59 s / 105 Mo / 12 frames 10 éditions at 10 #xtz : piece N° 08/30 : collection #noumenon a subrealist reread based on the masterpiece by : Mademoiselle Malot - Edgar Degas - 1877 Original works On view at : National Gallery of Art, Washington DC 802th minted pieces on objkt : https://lnkd.in/eMZih_9T shared with magic fam´s 😊 Sol Fayerman Hansen Jean Minguet Arnaud RAMUS Daniel Kramer Eleanna Fulop Justine Vilgrain Yvonne Senouf Hela Mouelhi Christian 'Sumo' Pearson Christine Raibaldi Matthieu Mifsud, Phd Sylvain Levy  Saeko Ehara Carine Asscher Amelie Bourdinaud Peter Conradi Ryan Tanaka Braw Haus #treeskulltown #cryptoarts #art #NFT #tezos #museum 

I Know Your Bones This is an interesting digital art concept that combines Degas' work with Kant's philosophy. The noumenal, according to Kant, refers to the thing in itself, independent of our perception or understanding. It is the object as it exists in itself, without being influenced by our senses or mind, by superimposing on a Degas painting elements that represent the noumenal, such as geometric shapes or abstract textures. This symbolizes how our perception of reality is influenced by our senses and mind. The title "I Know Your Bones" is very interesting in this context, It suggests that the work goes beyond the surface of Degas' painting and explores the underlying structures and elements that compose it. It may refer to the human bone structure, which is often represented in artworks as a symbol of mortality and the fragility of life. In this case, the title could suggest that the work will explore the deepest and most intimate aspects of humanity. It could also refer to the underlying structure of the painting itself, that is, the layers of paint, textures and materials that compose it and thereby explore the elements that constitute the reality of the painting. The title could also be linked to Kant's philosophy and the idea of the noumenal and the phenomenal. The bones could represent the noumenal, the thing in itself, which is independent of our perception. The title could suggest that we can know the noumenal, but that this requires a form of knowledge that goes beyond sense perception and will explore the limits of our knowledge and perception. 2078 x 2592 px / mp4 / 59 s / 96,2 Mo / 3 frames 1/1 piece N° 07/30 : collection #noumenon « The term "nouménal" is derived from the Greek word "noumenon," which refers to a thing as it is in itself, independent of perception or observation. In philosophy, particularly in the context of Emmanuel Kant's Critique of Pure Reason, the noumenon is often contrasted with the phenomenon, which is the thing as it appears to us through our senses and cognitive faculties. » a subrealist reread based on the masterpiece by : Woman Having Her Hair Combed Edgar Degas.1886-1888 Original works On view at : The Metropolitan Museum of Art, New York 801th minted pieces on objkt : https://lnkd.in/eqr73VGC a work offered and dedicated to the work of Violet Bond 🤗 shared with magic fam´s 😍 Sol Fayerman Hansen Jean Minguet Arnaud RAMUS Daniel Kramer Eleanna Fulop Justine Vilgrain Yvonne Senouf Hela Mouelhi Christian 'Sumo' Pearson Christine Raibaldi Matthieu Mifsud, Phd Sylvain Levy  Saeko Ehara Carine Asscher Amelie Bourdinaud Peter Conradi Ryan Tanaka Braw Haus #treeskulltown #cryptoarts #art #NFT #tezos #museum 

Hashrate Dance A Metaphor for Creation and Validation in the World of Cryptoart and Philosophy The "hashrate dance" is a metaphor that connects the power of creation and validation in the world of cryptoart and philosophy. It evokes the idea of the power of human reason, freedom and responsibility, as well as the relationship between network actors and the scarcity and value of digital artworks. Hashrate as Creative Power: Hashrate can be seen as a measure of the creative power of digital artists, who use their imagination and creativity to create unique and original artworks. Similarly, miners use their computing power to solve complex problems and validate transactions on a blockchain network. Validation of Art and Philosophy: The process of mining can be seen as a metaphor for the validation of art and philosophy. Miners validate transactions and maintain the security of the network, just as art critics and collectors validate and authenticate artworks. Similarly, philosophers use their reason and criticism to validate and authenticate ideas and concepts. The Relationship Between Network Actors: The “hashrate dance” also speaks to the relationship between network actors, whether they are miners, artists, art critics, or philosophers. Each of these actors plays an important role in the creation and validation of artworks and ideas, and their relationship is essential to maintaining the security and integrity of the network. Scarcity and Value: Finally, the “hashrate dance” speaks to the idea of the scarcity and value of digital artworks and philosophical ideas. Artworks that are created with high computing power and complexity can be considered rarer and more valuable than those created with lower computing power. Similarly, philosophical ideas that are validated and authenticated by critics and philosophers can be considered more valuable and important than those that are not. In short, the "hashrate dance" is a metaphor that connects the power of creation and validation in the world of cryptoart and philosophy, and evokes the idea of the power of human reason, freedom and responsibility, as well as the relationship between network actors and the rarity and value of digital artworks and philosophical ideas. 1802 x 2160 px / mp4 / 59 s / 73,6 Mo / 3 frames 10 éditions at 10 #xtz pièces 06/30 collection #noumenon a subrealist reread based on the masterpiece by : Dancer with Bouquets -Edgar Degas - 1895/1900 Original works On view at : Chrysler Museum of Art, Norfolk 800th minted pieces on @objktcom: https://lnkd.in/ePfiq_aP shared with magic fam´s 😊 Sol Fayerman Hansen Jean Minguet Arnaud RAMUS Daniel Kramer Eleanna Fulop Justine Vilgrain Yvonne Senouf Hela Mouelhi Christian 'Sumo' Pearson Christine Raibaldi Matthieu Mifsud, Phd Sylvain Levy  Saeko Ehara Carine Asscher Amelie Bourdinaud Peter Conradi Ryan Tanaka Braw Haus #treeskulltown #tezos #digitalart

Skulls floating in the ethereal air of the garden. Skulls as noumena: The skulls floating in the ethereal air of the garden could represent noumena, things in themselves, independent of our perception or understanding of them. The skulls, symbols of death and decay, could symbolize objective realities that exist independently of our perception or understanding of them. The ethereal air as noumenal space: The ethereal air of the garden could represent noumenal space, the space where things exist in themselves, independent of our perception or understanding of them. The skulls floating in this air could symbolize the noumena that exist in this space, objective realities that are independent of our perception or understanding of them. The garden as a space of contemplation: The garden could represent the space of contemplation and reflection where we can attempt to understand noumena, things in themselves. The skulls floating in the ethereal air of the garden could symbolize the ideas and concepts that arise in this space of contemplation, the ideas that help us understand the noumena. Float as a symbol of inaccessibility: The floating of the skulls in the ethereal air of the garden could symbolize the inaccessibility of the noumena, the things in themselves. The skulls float in the air, but we cannot touch or understand them directly. This could represent the limit of our knowledge and the difficulty of understanding the noumena. In summary, the title "Skulls Floating in the Ethereal Air of the Garden" could be interpreted as a representation of the noumena, the things in themselves, independent of our perception or understanding of them. The skulls floating in the ethereal air of the garden could symbolize the objective realities that exist independent of our perception or understanding of them, and the difficulty of understanding these realities. 2946 x 2160 px / mp4 / 59 s / 111 Mo / 24 frames 10 éditions at 10 #xtz pièces 05/30 collection #noumenon « The term "nouménal" is derived from the Greek word "noumenon," which refers to a thing as it is in itself, independent of perception or observation. In philosophy, particularly in the context of Emmanuel Kant's Critique of Pure Reason, the noumenon is often contrasted with the phenomenon, which is the thing as it appears to us through our senses and cognitive faculties. » a subrealist reread based on the masterpiece by : Lady in Pink on a Chaise Longue - Nazmi Ziya Güran - 1917 Original works On view at : Sabancı University Sakıp Sabancı Museum Minted on objkt: https://lnkd.in/et6eb8BF shared with magic fam´s 😊 Sol Fayerman Hansen Jean Minguet Arnaud RAMUS Daniel Kramer Eleanna Fulop Justine Vilgrain Yvonne Senouf Hela Mouelhi Christian 'Sumo' Pearson Christine Raibaldi Matthieu Mifsud, Phd Sylvain Levy  Saeko Ehara Carine Asscher Amelie Bourdinaud Peter Conradi Ryan Tanaka Braw Haus #treeskulltown #cryptoartist #tezos #art