NOID

The Killer: an explosive trailer for the remake of John Woo's cult film starring Nathalie Emmanuel, Omar Sy and Sam Worthington 💥💥💥 The Killer is streaming August 23 on Peacock

The first trailer for Coralie Fargeat’s body horror film #TheSubstance is out! Winner of Best Screenplay at the 2024 Cannes Film Festival, the film was entirely shot on location in #France and the #VFX were made by the French studios NOID and CGEVVFX. The production benefited from the #TaxRebate for international productions (#TRIP). Watch the trailer 👇 https://shorturl.at/4HveD   🎬 In theaters September 20 (United States) #Cannes2024 #Mubi #TheFrenchExperience #FilmInFrance #VFXInFrance

THE SUBSTANCE | Official Teaser An explosive new film from Coralie Fargeat, starring Demi Moore, Margaret Qualley and Dennis Quaid. Winner of Best Screenplay at the Cannes Film Festival 2024. In theaters in the U.S., U.K., Latin America, Germany, Canada and the Netherlands on September 19 and 20. Watch this official teaser 🔥 🔥 🔥

The Serpent Queen Season 2 is now available on Starz. We are thrilled to have been part of this amazing adventure. Many thanks to the entire Excuse My French team and etienne salançon for their trust. And of course, a huge thank you to the entire Noid team 🔥 🔥 🔥 Well done to the VFX teams at One of Us, MPC, DIGITAL DISTRICT,LIGHT VFX and Trimaran. #theserpentqueen #starz #noidstudioparis

Noid is delighted to have taken part in the 77th edition of the Cannes Film Festival. We are particularly proud to have contributed to Coralie Fargeat's outstanding film "The Substance", winner of 🏆Best Screenplay🏆 in the #Cannes2024 Competition! 👏 In addition to our contribution to the film, Noid was honored to take part in the round table organized by Film France-CNC. The event, entitled “The Substance: or How to Shoot a Genre Film Produced by an American Studio in France?”, took place on Thursday May 16 from 10:00 am to 12:15 pm. Participants included : ▪️Nicolas Royer, Producer, Voulez-Vous Production Services ▪️Pierre-Olivier Persin,Visual Effects Designer and Make-up Supervisor ▪️chervin shafaghi, VFX Supervisor, NOID ▪️ Jean Miel, SFX Supervisor The round table was moderated by Rebecca Leffler, journalist for Screen International. It was a valuable opportunity to discuss our work on “The Substance” and the benefits of TRIP (Tax Rebate for International Production) for international productions. The advantages of TRIP for international productions At this round table, we highlighted the many advantages offered by TRIP (Tax Rebate for International Productions), a tax credit designed to encourage international productions to shoot in France. Not only does this scheme reduce production costs, but it also allows them to take advantage of France’s infrastructure and exceptional know-how in the film industry. “The Substance” perfectly embodies the benefits of TRIP: ▪️It demonstrates that an auteur film can benefit from our tax credit, including the 10% bonus for intensive VFX work. ▪️It proves that a genre film can be shot entirely in France, using natural sets – Cannes serving as a stand-in for Los Angeles – and studios with interiors built at Épinay in the Île-de-France region. ▪️It shows that a horror film can take advantage of the artistic talent available in France, both on set with make-up and special effects, and in post-production with VFX. The Cannes Film Festival was also a great platform for making contacts and forging professional relationships. We met some great people and had a great time with our colleagues from the film industry. Our warmest thanks go to Coralie Fargeat, Sarah-Jane Wright, Nicolas Royer, Film France-CNC, and all those who supported and appreciated our work. We look forward to continuing to collaborate on future projects and pursuing our passion. #thesubstance #noidstudioparis

#Cannes2024 - #TheFrenchExperience: Case Study of "The Substance" Speakers : 🔹Laurent Kleindienst, Groupe TSF 🔹Nicolas Royer,Producer, Voulez-Vous Production services 🔹Pierre-Olivier Persin, visual effects designer and make-up supervisor 🔹chervin shafaghi, VFX Supervisor, NOID 🔹Jean Miel, SFX supervisor Moderated by Rebecca Leffler, journalist for Screen   "#TheSubstance" by Coralie Fargeat, part of the Official selection of the Festival de Cannes, was filmed at Studio d'Epinay (Groupe TSF) and on location in Paris, as well as in the South of France in Cannes, Antibes, Saint Laurent-du-Var and Carros where the production recreated #California for the shooting. VFX by the French studios CGEVVFX and NOID.   It benefited from the #TaxRebate for international productions and the advice and guidance from the French film commissions Film Paris Region and Commission du Film Alpes-Maritimes Côte d'Azur, part of the #FilmFranceCNC network. The Substance, represents the culmination of all our efforts:   🔹It shows an auteur film can benefit from our Tax Rebate for International Productions – including the 10% bonus for intensive VFX work;   🔹It shows a genre movie can be entirely shot in France, both in natural locations – with Cannes standing for Los Angeles - , and in studios with the interiors being built in Epinay in the Paris Region;   🔹 It shows a horror movie can benefit from the talented artists we have in France, both on set with the make-up and the special effect, and during the postproduction with the VFX; "#TheSubstance" by Coralie Fargeat, part of the Official selection of the Festival de Cannes, was filmed at Studio d'Epinay (Groupe TSF) and on location in Paris, as well as in the South of France in Cannes, Antibes, Saint Laurent-du-Var and Carros where the production recreated #California for the shooting. VFX by the French studios CGEVVFX and NOID.   It benefited from the #TaxRebate for international productions and the advice and guidance from the French film commissions Film Paris Region and Commission du Film Alpes-Maritimes Côte d'Azur, part of the #FilmFranceCNC. @ CNC / Eric Bonté

Thursday, May 16th NOID is very honored to participate in the discussion table organized by Film France-CNC and to discuss our participation in "The Substance" and the benefits of TRIP for international productions. Join us on Thurday May 16 at 10 a.m. at the Marché du Film - Festival de Cannes - Pavillon n°101 10:00am - 12:15am: “The Substance” or how to shoot a genre film produced by an American studio in France? Come hear about Coralie Fargeat’s female body horror movie selected in the Official Competition, starring Demi Moore and Margaret Qualley and that was shot entirely in France. Speakers: @Nicolas Royer, Producer, Voulez-Vous Production services Alexandra Loewy[LD1], Producer, Working Title Pierre-Olivier Persin, visual effects designer and make-up supervisor Chervin Shafaghi, VFX Supervisor, NOID[LD2] Jean Miel, SFX supervisor Moderated by Rebecca Leffler, journalist for Screen

Jacques Malaterre's latest documentary, "The Last Secrets of Mankind", was broadcast on France Télévisions on Tuesday. We're delighted to have contributed to this project, here's our VFX breakdown thanks to all the team! #France Television #10.7-productions #VFX #noid-studio.com

Coralie Fargeat's The Substance is in Official Selection. Noid and their teams are very proud to be part of this project!

[GENIE AWARDS 2024] Nous sommes fiers de participer pour la première fois aux Génie Awards, un événement organisé par le PIDS ENGHIEN qui célèbre l'excellence de la création numérique française. Nous remercions toutes nos équipes, nos partenaires et les votants qui nous ont permis d'être nommés dans trois catégories. • Meilleurs Effets Visuels – Long Métrage Astérix et Obélix : L’Empire du Milieu Bryan Jones (Superviseur VFX / Trésor Films – Pathé) CGEVVFX, MPC, NOID, DIGITAL DISTRICT & One of Us • Meilleur Personnage/Créature L'Homme de Pékin: les derniers secrets de l'humanité (documentaire) réalisé par Jacques Malaterre chervin shafaghi (VFX Supervisor) - edouard valton (VFX Producer) Olivier Lourry (Art Director) - Abdou KARIMI (CG Supervisor) •Meilleur Environnement Astérix et Obélix : L'Empire du Milieu (long métrage) réalisé par Guillaume Canet chervin shafaghi (VFX Supervisor) - Olivier Lourry (Art Director) - Abdou KARIMI (CG Supervisor)